Search Results for: City Journal

Ruback

Fellow firefighters carry the flag-covered coffin of Paul Ruback outside St. Patrick's Church in Newburgh, N.Y. (Photo by Howard Earl Simmons/NY Daily News Archive via Getty Images)

Michael Brick | Longreads | September 2016 | 16 minutes (4,136 words)

 

In December, two months before cancer killed him, our friend Michael Brick sent a few pals an email.

“I’m entrusting to your care these two unpublished works,” he wrote. “I’m proud of them both. My great hope, of course, is to share them with the world someday.”

One was a manuscript for a fantastical picture book called “Natalie Had a Bicycle” that he had written with his son, John-Henry. He said it had been roundly rejected by every agent in America. That’s a damn shame.

The other was a word doc called, simply, “Ruback.”

It’s a long-in-the-making memoir of the failings of newspaper journalism. Or a newspaper journalist. Or, really, of one tiny story: a “Portraits of Grief” dispatch on the life of a New York firefighter. What Brick had written in 123 words, in an effort to efficiently encapsulate the life of a 50-year-old man who died on Sept. 11, came to haunt him. This piece is his effort to correct the record, and maybe find peace.

“All lives end unfinished,” he writes in the story. How true.

“I don’t have any specific instructions for you,” he wrote to his friends. “You may read them, of course.”

Originally slated for Harper’s September issue, the piece never ran. We’re pleased to share it with the world here.

Ben Montgomery Read more…

The Month That Killed the Sixties

Clara Bingham Witness to the Revolution: Radicals, Resisters, Vets, Hippies, and the Year America Lost Its Mind and Found Its Soul | Random House | May 2016 | 30 minutes (8,161 words)

 
Below is an excerpt from Witness to the Revolution, an oral history of the political and cultural movements of the 1960s and early ’70s. In this excerpt, witnesses recall the month when everything seemed to fall apart. This story is recommended by Longreads contributing editor Dana Snitzky.

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You can jail the revolutionaries, but you can’t jail the revolution.

—FRED HAMPTON, SPEECH, 1969

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December 1969 was plagued by violence and despair. As bloodshed in Vietnam escalated, so did violence at home. The ranks of Americans who considered themselves “revolutionaries” swelled to as many as a million, and militant resistance threatened nearly all government institutions related to the war effort. Nonviolent civil disobedience of just months earlier, with the October and November Moratoriums, had evolved into violent clashes with police, rioting, arson, and bombings. In the fifteen-month period between January 1969 and April 1970, an average of fifty politically motivated bombings occurred each day.

At the vanguard of this domestic rebellion was the Black Panther Party, which, in reaction to police brutality and FBI harassment, publicly declared war against the police. Two dozen Black Panther chapters had opened across the country, and in 1969 the police killed 27 Panthers and arrested or jailed 749. J. Edgar Hoover announced that the Black Panther Party was “the greatest threat to [the] internal security of the country,” and he assigned two thousand full-time FBI agents to “expose, disrupt, misdirect, discredit, and otherwise neutralize” the Panthers and other New Left organizations. In a 1969 speech to Congress, Hoover declared that the New Left was a “firmly established subversive force dedicated to the complete destruction of our traditional democratic values and the principles of free government.”

Meanwhile, the Vietnam War raged on. From 1961 until 1971, the U.S. military dropped more than 19 million gallons of toxic chemicals— defoliants or herbicides, including Agent Orange—on 4.8 million Vietnamese. In 1969, 11,780 American troops were killed, bringing the death toll to 48,736. It was not a festive Christmas for those in the peace movement. John Lennon and Yoko Ono displayed huge billboards in Los Angeles, London, and other cities that read: “War is over! If you want it. Happy Christmas from John & Yoko.” On New York City’s Fifth Avenue during the holiday shopping rush, a woman blocked the street with a sign that read, “How Many Shopping Days Until Peace?” Read more…

STAT: My Daughter’s MS Diagnosis and the Question My Doctors Couldn’t Answer

"Nearly 24 years later and still just that crazy about my kid." Photos courtesy of the author.

Maria Bustillos | Longreads | September 2016 | 40 minutes (10,049 words)

 

I.

In the first days of 2014, in her senior year at Oberlin and just a few days before the winter term she’d arranged to spend in France, my daughter Carmen’s legs went numb. First her feet got all tingly, then her ankles, calves, and knees. Over three days or so, the numbness crept up to the base of her rib cage, and then stopped. But it didn’t go away—a weird sensation all in her skin, almost as if the whole lower half of her body had been anesthetized. Shingles, the internist told us—really?—okay. The acupuncturist, too, told us he’d been seeing anomalous cases of shingles cropping up in younger people. Carmen seemed to get a little better, and off she went to Paris; the tingling and numbness subsided slowly over the next several weeks, just as we’d been told they would, and the episode faded from memory. But about a year later, they came back again: Not shingles, after all.

Carmen in a hospital bed, uncharacteristically quiet and gloomy, the dark jungle of her curls against slick, plasticky polyester pillowcases. IV steroids, and more and more tests. Legs pretty numb, still. From pregnancy onward, I imagine, most parents harbor a cold little drop of inward fear, even as each day passes peaceful and undisturbed, through birth and babyhood and all the playdates and sleepovers and math tests, rock shows and summer vacations; at any moment, perhaps, from out of nowhere, comes the pounce. Here it is, then. Multiple sclerosis: I didn’t know anything about it really, beyond calamity, wheelchairs, and Annette Funicello. Instant by instant I composed my face and steeled myself as best I could for… what?

For every cliché in the world, naturally. A soul-wracked family, just like the ones you’ll see every day on the Lifetime Channel and the evening news; a brave young person, scared and in trouble; you register a fleeting hope that things will work out for them, in fact or fiction, as you flick to the next station. Now it’s your turn, but you won’t be changing the channel. Can this thing be treated? What is it? How do I discover how bad this will get? Or maybe let me just jump out this motherfucking window this minute, because I’m going to die of the panic alone.   Read more…

Girlhood Gone: Notes from the New Nashville

Susannah Felts | Longreads | September 2016 | 18 minutes (4,439 words)

At 18, I knew only that I wanted out.

Out of Nashville, Tennessee, out of the whole Southeast. Free from region. If you’d asked, I could have told you why, but I didn’t yet know how deep a print the South had left on me, only the urge to reject its further touch.

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Back then, the Nashville I knew was defined mainly by the limited spheres of a middle-class adolescence: home, school, and a 20-mile stretch of I-40 that I drove many hundreds if not thousands of times, back and forth, east and west, repeat. My family lived on one side of the city, my friends and classmates on the other, hitched together by a private school that sat roughly in between.

To a lesser degree I knew my hometown to be a place defined by country music and Christianity, home of the Grand Ole Opry and Buckle of the Bible Belt. This identity seemed distinct but remote: I did not listen to country, did not go to church. Music City? To a kid who was rock-n-roll crazy pretty much from birth, the nickname seemed almost a cruel joke. This was not my Music City. Read more…

Revisiting the Ghosts of Attica

Inmates at Attica shouted their demands during a negotiating session with state corrections officials in September 1971. ASSOCIATED PRESS

Tom Robbins | The Marshall Project | September 2016 | 22 minutes (3,722 words)

The Marshall ProjectThis story was co-published with The Marshall Project, a nonprofit news organization covering the U.S. criminal justice system. Sign up for their newsletter, or follow The Marshall Project on Facebook or Twitter.

On the morning of September 13, 1971, shortly after state police launched an armed assault to retake Attica prison from its rebelling inmates, a trooper emptied his .357 magnum pistol into a prisoner named Kenneth B. Malloy. As Heather Ann Thompson recounts in her wrenching and minutely detailed recounting of that day, Malloy’s death was one of the most hideous on a morning of hideous deeds, one that saw 39 people killed by police, another 89 wounded. Malloy, an autopsy later showed, was shot twelve times at close range by at least two guns. He was hit with so many bullets, Thompson reports, “that his eye sockets were shredded by the shards of his own bones.”

Not far away, an inmate named James Robinson was fatally wounded with a .270 caliber bullet fired by a police rifle. As he lay dying, another trooper stepped up and finished him off, firing a load of buckshot into Robinson’s neck. Afterward, a police sergeant snapped a photo of Robinson, who, like many inmates, had donned a football helmet in feeble hope of warding off the baton blows they imagined were the worst they might suffer in the retaking. His body lay splayed on its side, a state police tag looped around his empty right hand. A second photo, taken moments later, shows Robinson in precisely the same position, except that a curved sword has now appeared beside him. The trooper who shot him later insisted he did so because the inmate had charged him with such a weapon.

“Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy,” Heather Ann Thompson, Pantheon Books 2016 KNOPF DOUBLEDAY

“Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy,” Heather Ann Thompson, Pantheon Books 2016 KNOPF DOUBLEDAY

The name Attica still registers dread and sorrow in Americans old enough to recall that drizzly and blood-flecked week at the upstate New York prison. No matter who you blamed for the carnage, the slaughter that gray September morning in a tiny rural hamlet thirty-five miles east of Buffalo, a place few had ever heard of, evoked anguish and fury. Photos and film clips of raincoat-clad troopers stepping through the mud amidst tangles of dead and wounded men, of long snaking lines of inmates stripped naked, their hands atop their heads, settled deep into the marrow of those who saw them. Charles Mingus and John Lennon set music to the tragedy. Muhammad Ali composed a fierce bit of doggerel that he read on TV: “Better than of this prison rot / If there’s any chance I’ve got / Kill me here on this spot.”

Even those innocent of any knowledge of the riot and the rage it inspired, can still recognize its incantatory power in Sidney Lumet’s 1975 “Dog Day Afternoon,” as Al Pacino riles up a crowd outside the Brooklyn bank he is robbing by crying out, “Attica! Attica!” Read more…

The Icy Elegance of Arthur Ashe … And the Passion of Muhammad Ali

Portraits by: Craig & Karl

Stephen Tignor | Longreads | August 2016 | 22 minutes (5,613 words)

RacquetOur latest Exclusive is a new story by Stephen Tignor, co-funded by Longreads Members and published in Racquet magazine’s premiere issue. Racquet is “a new quarterly tennis magazine that celebrates the art, ideas, style and culture that surround tennis” and we are excited to be able to feature them.

 

The fifth edition of the ESPY Awards, held in 1997 at Radio City Music Hall in New York, was a celebration of the African-American athlete. Michael Johnson won Best Male Athlete, Tiger Woods and Desmond Howard received honors, black celebrities were on hand to pay tribute to Jackie Robinson, and Ray Charles performed.

But the loudest ovation was reserved for Muhammad Ali. The former heavyweight champion was presented with the Arthur Ashe Award for Courage, which for more than two decades has been given to a recipient who “reflect[s] the spirit of Arthur Ashe, possessing strength in the face of adversity, courage in the face of peril, and the willingness to stand up for their beliefs no matter what the cost.”

It was the evening’s melancholy high point. The spirits of Ashe and Ali were alive in the room. Yet the voices of these two heroes of the 1960s and ’70s could no longer be heard. The tennis player had died four years earlier, at age 49, of complications from AIDS. The boxer was only 55, but Parkinson’s disease had muted this most verbal of athletes. The man who introduced Ali at the ESPYs, Sidney Poitier, spoke for many of his generation when he said, “The first thing I remember is his voice.” But on this night, Ali could muster just two words for the audience: “Thank you.”

It would be hard to imagine two people, let alone two sportsmen of the same era, whose personalities diverged as much as theirs did. Ashe was cautious and cerebral, Ali brash and outrageous. Ashe excelled in a genteel sport, Ali in a brutal one. Ali refused to be drafted into the Vietnam War; Ashe was a lieutenant in the U.S. Army. Ali joined the separatist Nation of Islam and befriended Malcolm X; Ashe dedicated his life to the cause of Martin Luther King and integration. If we think of Ali by his given name, Cassius Clay, even their surnames—Clay and Ashe—represent opposing states of matter.

Yet it was fitting that they should be honored together on a night of African-American celebration. During the same tumultuous period, they had proved what a powerful impact engaged athletes can have on the world. Ashe had once said of Ali, “He was largely responsible for it becoming an expected part of a black athlete’s responsibility to get involved.” Ashe was one of those who had followed Ali’s lead. Read more…

Living With a World on Fire: A Reading List

Below is a guest reading list from Daniel A. Gross, a journalist and public radio producer who lives in Boston.

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As a teenager growing up in Southern California, I remember looking up one day and seeing a fine white powder falling from the sky. It was the middle of summer, and for a moment I wondered, absurdly, if it was snowing. The flakes crumbled between my fingers and left streaks like flour on my clothes. They were ash.

Every summer, swaths of California burn. Grass, brush, trees and even houses go up in smoke. In the worst years, they drift back to earth in the form of a thin gray coating on windshields and awnings. On local TV, between late-night car chases and tanned weather reporters who know every synonym for sunny, I remember images of hillsides that glowed orange and black.

It’s fire season again. So far, nearly 30 major wildfires have torn through 12 states. As this year’s blazes seem to reach their yearly peak, here are four stories about risk and resilience in the face of fire. They’re a glimpse into the lives of those who fight fires, those who flee them, and those who rebuild, literally, from the ashes. Read more…

The Life and Murder of Stella Walsh, Intersex Olympic Champion

Stella Walsh, training in Cleveland, April 1, 1932 for the Olympic games. (AP Photo)

Rob Tannenbaum | Longreads | August 2016 | 63 minutes (15,868 words)

 

On the night she was murdered, Stella Walsh was in a great mood. The Cleveland resident spent much of December 4, 1980, thinking about her two passions: sports and Poland, the country she ran for when she won two Olympic medals. There was a women’s basketball match the next week between Kent State and the Polish national team, which Walsh helped arrange. Mayor George Voinovich asked her to be his proxy, and his office gave her a key to the city, which she planned to present at the game.

Walsh had planned to leave for Atlanta that day, on a trip with her co-workers at the recreation department, but two days earlier, she’d canceled her ticket, which she said was too expensive for her. She skipped work, slept late, went to the nearby Lansing Tavern in the early afternoon, then returned to the tiny home she shared with her bedridden 84-year-old mother Veronica. After dinner, without saying goodbye, she drove off to buy ribbons for the visiting Poles. She had a lot of money in her pocket, which rarely happened.

In Walsh’s brilliant career as a track and field star, she’d won 41 Amateur Athletic Union (AAU) titles and set 20 world records in a range of events, from sprints to the discus throw. She was the first superstar of women’s track and field, a dominant performer who intimidated her competitors, and the only woman of her era whose box-office appeal matched a man’s. Walsh “is to women’s track what Babe Ruth is to baseball,” one journalist wrote.

In 1980, long after her last world record, Walsh was working for Cleveland’s recreation department at an annual salary of $10,400, which was the most she’d ever earned. She bought a bag of ribbons at the Broadway Avenue location of Uncle Bill’s, a chain of Ohio discount department stores, on the city’s southeast side. In the parking lot, men approached her, one of them holding a .38. Walsh, 69, was still remarkably strong. As she tried to grab the gun, a bullet scratched through her stomach and intestines, and severed an artery in her pelvis. The thieves ran off without checking the pants pocket where she had her money.

Walsh was unconscious when a policeman working security inside Uncle Bill’s found her face down in the parking lot. As the officer turned her over, a wig fell off, and he recognized it was Stella Walsh. He asked for an ambulance to be called, but the nearest one had a flat tire, which created a delay in her care. Instead, a police station wagon came for Walsh, and officers took her to St. Alexis Hospital, less than a mile away, where she died on the operating table. A hospital inventory of her personal property included $248.17 in cash, a 1932 Olympic ring, and a pair of falsies, as they were called, for padding her bra.

In the 25 years prior to her murder, little had been written about Walsh. Born as Stanislawa Walasiewiczowna—that’s the story she told reporters, though, like many aspects of her life, it turned out to not be true—in the rural Polish town of Wierzchownia, she’d had a groundbreaking athletic career. But she also had little charisma, made bad copy, and kept to herself. Although she’d lived in the U.S. since she was 15 months old and spoke almost without an accent, she’d won her Olympic medals for Poland. Even her nickname, “The Polish Flyer,” identified her as an alien. She didn’t experience any of the twilight glory that often comforts athletes late in life; there was no documentary about her, no Congressional Medal of Honor. While she was working for the city, handing out softball permits, her fellow pioneer and ’36 Olympic contestant Jesse Owens was making speeches and earning more than $100,000 a year.

“One of the great women of sport was murdered last night,” Walter Cronkite intoned on the CBS Evening News. “Stella Walsh, who was 69, was shot and killed in a Cleveland parking lot. No suspects have been arrested.” In Slavic Village, the Polish-American neighborhood where she spent most of her life, everyone knew and loved Walsh. She tended bar at a local tavern, coached young athletes, and was viewed as an example of Polonia’s greatest virtues. “Children were her life,” one friend said. “She loved to train them, and she always trained them to be winners.” She’d been “a Cleveland institution,” Mayor Voinovich told a reporter.

Because Walsh had been murdered, an autopsy was required. On the eve of her funeral, a Cleveland TV station went on the air with a news bulletin that rattled the city, then the country, then the world: Stella Walsh was a man.

The station’s claim about Walsh was incorrect. It was neither the first nor the last mistruth told about her. Because women athletes were carelessly documented in her era, and because she cultivated mystery, there are lots of conflicting statistics and incompatible stories about Walsh, ranging from when she arrived in the U.S. to how she died. As best as these tales can be sorted out or disproven, here’s the first full account of her incredible life. Read more…

The House Where You Live Forever

Photo courtesy of Alan Prohm.

Amelia Schonbek | Longreads and The Awl | August 2016 | 28 minutes (7,065 words)

This story was co-published with The Awl and funded by Longreads Members.

 

On a bright afternoon in October 2013, Madeline Gins walked into the office of her architecture practice, in an unrestored loft building on the edge of SoHo, slightly out of breath. Before she arrived, the space—a large open room occupying the fourth floor of the building—had been so still that it was almost possible to forget about the two architects staring into computer screens near the back windows. Gins entered, and the atmosphere began to buzz.

“Is Joke here?” she called out, referring to her project manager — a Dutch architect named Johanna Post — by her nickname (pronounced yo-ka). Post had stepped out, but another colleague informed Gins that she would return before their next meeting. Gins exhaled and nodded. She and the small staff of architects who work in her office, called the Reversible Destiny Foundation, had been in a state of heightened urgency for months. They were rushing to complete a new project, commissioned by the high-fashion store Dover Street Market, which would soon open a location in a Beaux-Arts building in Manhattan’s East 30s. The facade would remain unchanged, but the interior would become a mish-mash, combining the work of a number of different artists and architects. Gins would build a large covered stairway connecting the building’s open-plan third floor to the mezzanine above. But Dover Street had given Gins far less space to work with than she initially thought she would have; her team was scrambling to make sure the project would both live up to her standards and be able to fit.

Assured that preparations for the meeting were under control, Gins walked over to a large table near the front of the room, stacked high with books and papers. In the center, a heavy glass orb sat on top of a slender vase; next to it was a fish tank filled with neon bouncy balls. The wall nearby was plastered with renderings of a project called the Reversible Destiny Healing Fun House. From a distance, it looked like a cluster of spheres and tubes, painted in red, pink, yellow, and blue. The interior view showed that these structures were hollowed out, and that together they formed the walls of the building, surrounding a big open room filled with mountainous, rammed-earth terrain. “Here, feel this,” Gins said as she sat down at the table, tossing me a piece of fluffy yellow stuff. “It’s natural sponge.” It had been a couple weeks since I’d first met Gins, and I asked her how she’d been. “Ummm.” She thought for a moment. “I’ve been everything.”

Gins, in her early seventies, gave the impression of a child trying to impersonate her grandmother: her blonde hair was fastened in pigtails, and her small frame was draped in too-big clothes in shades of deep red. Her face was clear-eyed and rosy, even as wrinkles rippled across her cheeks. She exhaled again. “You know, I have huge responsibilities,” she continued. “Pressing ones.” Most architects generally want to design comfortable, visually interesting buildings for their clients. Gins found that aspiration boring. Instead, her goal was to build spaces that would keep people from dying.

According to Gins’s elaborate theory of Reversible Destiny, developed over the course of a forty-five-year collaboration with her husband and artistic partner, Shusaku Arakawa, death may not in fact be inevitable. People are lulled into believing it is because they focus only on what has come before — the “thus-far obligatory downhill course of life,” according to Gins. Their brightly colored, disorienting dreamworlds, which look more like surrealist playgrounds than traditional buildings, are intended to jolt people out of their normal routines and force them to move through life differently. If people are unable to fall back on their physical and mental habits, Gins and Arakawa said, they will be open to new ideas, including the possibility that they can lengthen their lives and, eventually, resist death entirely. Read more…

A Reading List of International Nonfiction Comics

Below is a guest reading list from Daniel A. Gross, a journalist and public radio producer who lives in Boston.

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Comic books bridge continents. Superman spin-offs are a hit in China; Japanese manga trickled into American culture through Frank Miller’s Ronin and even the Teenage Mutant Ninja Turtles. The Adventures of Tintin was translated from French into more than 50 languages. Alongside the superhero franchises and funny pages, a thriving genre of nonfiction comics has created new audiences and new appreciation for everything from war reporting to memoir. Here are five modern classics whose intricate illustrations have shaped the form.

1. Joe Sacco, “The Fixer and Other Stories”

The Fixer is a war story set in peacetime. In 2001, Joe Sacco traveled to Sarajevo, hoping to find the interpreter who’d helped him during the Yugoslav Wars. By this time, correspondents had cleared out and soldiers had become civilians. Memories of atrocity were starting to slip beneath the surface—but Sacco’s book excavates them. During one flashback, Sacco portrays his wartime arrival to Sarajevo, and it’s styled like film noir: hulking architecture, empty streets, long shadows. In a surreal scene at the Holiday Inn, the concierge points to the hotel on a city map. “This is the front line,” she says. “Don’t ever walk here.” Then, in the lobby, Sacco meets his fixer. Read more…