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As the 1950s arrived, more teams starting signing African-Americans. A turning point came when the great Jim Brown, from Syracuse, joined the Cleveland Browns in 1957. Brown’s domination on the field was so thorough that all questions about the skills of black players were erased—except in the nation’s capital, whose team, Marshall said, would “start signing Negroes when the Harlem Globetrotters start signing whites.”

Washingtonians, it must be said, did not simply let all this go unremarked. Redskins fans, then as now, were among the most passionate in the league, and many ardent supporters among both the Georgetown set and the hoi polloi urged Marshall to rethink matters. Their view was given its strongest expression by Shirley Povich, the star Washington Post sportswriter. Povich (a man—Shirley was a male name as often as it was a female name in the early twentieth century) was Jewish and a native of Maine who originally moved to Washington to study law at Georgetown. He often wrote sentences like “Jim Brown, born ineligible to play for the Redskins, integrated their end zone three times yesterday.” Marshall remained unmoved.

“The Racist Redskins.” — Michael Tomasky, The New York Review of Books

Also by Michael Tomasky: “Something New on the Mall.” The New York Review of Books, Oct. 22, 2009

Murakami has always considered himself an outsider in his own country. He was born into one of the strangest sociopolitical environments in history: Kyoto in 1949 — the former imperial capital of Japan in the middle of America’s postwar occupation. “It would be difficult to find another cross-cultural moment,” the historian John W. Dower has written of late-1940s Japan, “more intense, unpredictable, ambiguous, confusing, and electric than this one.” Substitute “fiction” for “moment” in that sentence and you have a perfect description of Murakami’s work. The basic structure of his stories — ordinary life lodged between incompatible worlds — is also the basic structure of his first life experience.

“The Fierce Imagination of Haruki Murakami.” — Sam Anderson, New York Times Magazine

See also: “Town of Cats.” by Haruki Murakami in The New Yorker, Sept. 5 2011

City of Dreams

Longreads Pick

An outsider might imagine that the novel that captures China’s current gilded-age mood would be set in Shanghai, the financial capital elbowing its way into competition with New York and London, or Shenzhen, the megalopolis built on marshland. But Shanghai was punished by the Communist party for the city’s history of cosmopolitanism, and is still shaking off the effects of that cultural paralysis. Shenzhen, for its part, is a transient place that sanctifies commerce, not ideas. Beijing, by contrast, stands alone in China as simultaneously the center of authority and a hotbed of creative thinking. It is home to thousands of apparatchiks in the machinery of the Communist party, as well as to many of the nation’s most provocative artists, writers, activists, and filmmakers.

Author: Evan Osnos
Published: Apr 12, 2011
Length: 15 minutes (3,801 words)

shield your eyes: Ok, since I'm shameless

shield your eyes: Ok, since I’m shameless

On the Death Sentence

On the Death Sentence