Search Results for: Boston Review

How a Great American Theatrical Family Produced the 19th Century’s Most Notorious Assassin

John Wilkes Booth, Edwin Booth and Junius Booth, Jr. (from left to right) in Shakespeare’s Julius Caesar in 1864. Photo via Wikimedia Commons

Nora Titone | My Thoughts Be Bloody: The Bitter Rivalry Between Edwin and John Wilkes Booth That Led to an American Tragedy | The Free Press | October 2010 | 41 minutes (11,244 words)

 

Below is an excerpt from the book My Thoughts Be Bloody, by Nora Titone, as recommended by Longreads contributor Dana Snitzky, who writes: 

“This is the story of the celebrated Booth family in the final year before John Wilkes made a mad leap into historical memory that outdid in magnitude every accomplishment of his father and brothers. When the curtain rises on this chapter of Nora Titone’s book, both Edwin and John Wilkes have already staged performances for President Lincoln at Ford’s Theater; by the time it comes down, one of them will be readying to assassinate him there.” 

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Longreads Best of 2014: Here Are All of Our No. 1 Story Picks from This Year

All through December, we’ll be featuring Longreads’ Best of 2014. To get you ready, here’s a list of every story that was chosen as No. 1 in our weekly Top 5 email.

If you like these, you can sign up to receive our free weekly email every Friday. Read more…

Tony Judt’s Life with ALS: A Reading List

The Ice Bucket challenge raised millions for ALS research, not to mention awareness about the disease: the motor neuron disorder, also known as Lou Gehrig’s disease, affects thousands of Americans. It’s also served as a reminder about the work that Tony Judt did to convey what it was like to live with ALS, in his diary entries for the New York Review of Books. Judt died in August 2010. Here is a short collection of stories: Read more…

Cop Movies, Race, and Ferguson

Nonetheless, whenever I see masked and helmeted police in photographs and movies or on the street going after protesters, I wonder, as I did during a battle royal between peasants and cops in the summer’s class-war sleeper Snowpiercer: “Who are these hidden people?” It crosses my mind anytime I see a helmet swing a nightstick at a skull. The movies, especially dystopic science fiction, have gotten really good at siccing human drones on human beings or just showcasing warfare as stacks and stacks of computer-generated menace. Ferguson demonstrates how good life has gotten at turning into science fiction. That collapse of the real and the morally unreal took place in last summer’s Fruitvale Station, which dramatized the 2009 shooting of 22-year-old Oscar Grant on an Oakland train platform. It opened the weekend before the president made his remarks about Trayvon Martin and race, and bears a subdued kernel of resemblance to the events happening now in Ferguson.

— Grantland’s Wesley Morris, on the depiction of race and police officers in movies contrasted against recent events in Ferguson. Morris won the 2012 Pulitzer Prize for criticism for his work at the Boston Globe.

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Making the Magazine: A Reading List

Magazine nerds, here we go: A starter collection of behind-the-scenes stories from some of your most beloved magazines, including The New Yorker, Time, Entertainment Weekly, Cosmopolitan, Vanity Fair and the New York Review of Books, plus now-defunct publications like Might, George, Sassy and Wigwag. Share your favorite behind-the-magazine stories with us on Twitter or Facebook: #longreads. Read more…

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist.

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David Foster Wallace and the Nature of Fact

Josh Roiland | Literary Journalism Studies | Fall 2013 | 23 minutes (5,690 words)

Josh Roiland is an Assistant Professor in the Department of Communication & Journalism and a CLAS-Honors Preceptor in the Honors College at the University of Maine. Roiland is a cultural historian of the American news media, who researches and teaches classes on the cultural, political, and literary significance of American journalism. This piece originally appeared in the Fall 2013 issue of Literary Journalism Studies. Our thanks to Roiland for allowing us to reprint it here, and for adding this introduction:

David Foster Wallace saw clear lines between journalists and novelists who write nonfiction, and he wrestled throughout his career with whether a different set of rules applied to the latter category. In the years after his death, he has faced charges of embellishment and exaggeration by his close friend Jonathan Franzen and repeated by his biographer D.T. Max. Their criticisms, however, do not adequately address the intricate philosophy Wallace formulated about genre classification and the fact/fiction divide. This article explores those nuances and argues that Wallace’s thinking about genre was complex, multifaceted, and that it evolved during his writing life.

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Before he sat down with the best tennis player on the planet for a noonday interview in the middle of the 2006 Wimbledon fortnight, David Foster Wallace prepared a script. Atop a notebook page he wrote, “R.Federer Interview Qs.” and below he jotted in very fine print 13 questions. After three innocuous ice breakers, Wallace turned his attention to perhaps the most prominent theme in all his writing: consciousness. Acknowledging the abnormal interview approach, Wallace prefaced these next nine inquires with a printed subhead: “Non-Journalist Questions.” Each interrogation is a paragraph long, filled with digressions, asides, and qualifications; several contain superscripted addendums.  In short, they read like they’re written by David Foster Wallace. He asks Roger Federer if he’s aware of his own greatness, aware of the unceasing media microscope he operates under, aware of his uncommon elevation of athletics to the level of aesthetics, aware of how great his great shots really are. Wallace even wrote, “How aware are you of the ballboys?” before crossing the question out.

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Famous Cases of Journalistic Fraud: A Reading List

Washington Post Investigation of Janet Cooke’s Fabrications

Bill Green | Washington Post Ombudsman | April 19, 1981

In 1980, Janet Cooke made up a story about an 8-year-old heroin addict, won the Pulitzer Prize for it, then, two days later, gave it back. Here’s the internal investigation of how the Post leaned on her to get her to admit she faked it.

[Cooke’s] new resume claimed that she spoke or read French, Spanish, Portuguese and Italian. Her original resume claimed only French and Spanish. The new form claimed she had won six awards from the Ohio Newspaper Women’s Association and another from the Ohio AP. […]

Janet was crying harder, and Bradlee began to check off her language proficiency. “Say two words to me in Portuguese,” he said. She said she couldn’t.

“Do you have any Italian?” Bradlee asked.

Cooke said no.

Bradlee, fluent in French, asked her questions in the language. Her answers were stumbling.

(The formatting is not that great, but if you save it in Instapaper and read it there, it’s easier to follow. Here’s a non-single-page link).

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On Harvard, Class and What Happens After You Graduate

“If you go to Harvard and then you live in New York, no matter what you do, the fact remains that you will have old college friends who are in the top positions in whatever field of endeavor you’re concerned with. If you’re twenty-five, you’ll know people who are getting their first pieces published in The New Yorker. If you’re forty, you’ll know people who are editors of The New Yorker. You will know people who are affiliated with every level of government. And across the board, just everywhere, you will know some people at the top of everything.

“But in Canada, if you went to Harvard, it’s just a weird novelty, a strange fact about you, like that you’re a member of Mensa or you have an extra thumb. There’s no Harvard community here. There are equivalent upper-class communities to some degree, like maybe people who went to Upper Canada College prep school, but it’s not even remotely the same thing. I mean, partly there just aren’t the same heights to aspire to. There’s no equivalent to being the editor of The New Yorker in Canada, or being an American movie producer or anything like that. Partly, the advantages of class aren’t as unevenly distributed in general.”

Misha Glouberman, in the Paris Review. Read more on Harvard in the Longreads Archive.

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Photo: Boston Public Library

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The Time Jason Zengerle and a Gorilla Stalked Michael Moore for Might Magazine

Photo by Jimmy Hahn

Jason Zengerle | Might magazine | 1997 | 19 minutes (4,685 words)

 

Introduction

Thanks to our Longreads Members’ support, we tracked down a vintage story from Dave Eggers’s Might Magazine. It’s from Jason Zengerle, a correspondent for GQ and contributing editor for New York magazine who’s been featured on Longreads often in the past. Read more…