Books Are Not Products, They Are Bridges: Challenging Linear Ideas of Success in Literary Publishing
With five books to her name, an innovative author untangles the ways the white, patriarchal, capitalist publishing economy shapes authors’ sense of self-worth, literary identity, and inherited ideas about big versus small presses, and good versus break-out books.
Upstairs
[Fiction] A man reaches out to the woman who lives above him:
“Peter was an agoraphobic. He couldn’t tell you what that was a year ago, but he could describe to you now what it feels like to stand by the front door and feel the heat radiate off of the knob, so sure it could burn you if you touch it. He never would have guessed when he rented this one-bedroom basement apartment that it could become his waking coffin, that he would let her death bury him alive. It was the first place he found on Craigslist, the woman who owned the house was the first landlord to return his call, and he took it without inspecting the toilet or looking closer at the cracks in the ceiling.”
