Lex Luger Can Write a Hit Rap Song in the Time It Takes to Read This

It happens about once a year in hip-hop production: someone invents or perfects a sound, someone figures out how to get a weird noise out of some piece of technology not designed to make that noise, someone figures out a way to make a drum machine say the same old thing with a different accent and the whole rap world tilts on its axis. If you manage to change the beat — if your sound drifts upstream from mix tapes to pop radio, if it becomes the only thing anybody wants to hear — you can change hip-hop.

Published: Nov 4, 2011
Length: 14 minutes (3,571 words)

A Sister’s Eulogy for Steve Jobs

I grew up as an only child, with a single mother. Because we were poor and because I knew my father had emigrated from Syria, I imagined he looked like Omar Sharif. I hoped he would be rich and kind and would come into our lives (and our not yet furnished apartment) and help us. Later, after I’d met my father, I tried to believe he’d changed his number and left no forwarding address because he was an idealistic revolutionary, plotting a new world for the Arab people. Even as a feminist, my whole life I’d been waiting for a man to love, who could love me. For decades, I’d thought that man would be my father. When I was 25, I met that man and he was my brother.

Published: Oct 30, 2011
Length: 9 minutes (2,383 words)

Where an Internet Joke Is Not Just a Joke

To slip past censors, Chinese bloggers have become masters of comic subterfuge, cloaking their messages in protective layers of irony and satire. This is not a new concept, but it has erupted so powerfully that it now defines the ethos of the Internet in China. Coded language has become part of mainstream culture, with the most contagious memes tapping into widely shared feelings about issues that cannot be openly discussed, from corruption and economic inequality to censorship itself. “Beyond its comic value, this humor shows where netizens are pushing against the boundaries of the state,” says Xiao Qiang, an adjunct professor at the University of California, Berkeley, whose Web site, China Digital Times, maintains an entertaining lexicon of coded Internet terms. “Nothing else gives us a clearer view of the pressure points in Chinese society.”

Published: Oct 26, 2011
Length: 19 minutes (4,908 words)

Lynda Barry Will Make You Believe In Yourself

Here are some details about Lynda Barry that didn’t appear in her autobiographical song. She’s a cartoonist whose weekly strip, “Ernie Pook’s Comeek,” was a staple of alternative newsweeklies for almost 30 years. (Next month, the publisher Drawn & Quarterly will release “Blabber Blabber Blabber,” the first in a 10-volume retrospective series of her work.) She dips Copenhagen tobacco and fights against wind farms. She e-mails stupid YouTube links to her old buddy Matt Groening, the creator of “The Simpsons.”

Barry reinvented herself as a creativity guru as the market for her comic strip dried up, publishing two boundary-blurring books on inspiration and teaching writing workshops for nonwriters. Barry’s advertising copy is clear: “THIS CLASS WORKS ESPECIALLY WELL FOR ‘NONWRITERS’ like bartenders, janitors, office workers, hairdressers, musicians and ANYONE who has given up on ‘being a writer’ but still wonders what it might be like to write.”

Author: Dan Kois
Published: Oct 27, 2011
Length: 12 minutes (3,102 words)

The Fierce Imagination of Haruki Murakami

Murakami has always considered himself an outsider in his own country. He was born into one of the strangest sociopolitical environments in history: Kyoto in 1949 — the former imperial capital of Japan in the middle of America’s postwar occupation. “It would be difficult to find another cross-cultural moment,” the historian John W. Dower has written of late-1940s Japan, “more intense, unpredictable, ambiguous, confusing, and electric than this one.” Substitute “fiction” for “moment” in that sentence and you have a perfect description of Murakami’s work. The basic structure of his stories — ordinary life lodged between incompatible worlds — is also the basic structure of his first life experience.

Published: Oct 21, 2011
Length: 23 minutes (5,912 words)

Bad Guys vs. Worse Guys in Afghanistan

The elders estimated that more than 100 families had fled Shahabuddin because of the local police. The people were defenseless, they said, and indeed they all seemed cowed and frightened. But before we parted ways, one of them, with a note of defiance, assured me: “Nur-ul Haq has no place in this province. As long as the foreign troops are here, he is king. The minute they go, he should leave the country.” Another agreed: “I bet he can’t stay for one night in Baghlan if there are no foreign troops.” Grinning at the prospect, the old man added, “The people will rise against him.”

Published: Oct 19, 2011
Length: 25 minutes (6,429 words)

A Death-Row Love Story

“I’ve been waiting,” Echols wrote her. “I knew that sooner or later someone would take notice. . . . Do you have any idea how it feels to be called a killer by everyone who sees you, even though you know you’re innocent? I go through hell every day, sitting here waiting to die for something I didn’t do. It’s a nightmare. . . .”

Published: Oct 13, 2011
Length: 11 minutes (2,939 words)

Does Anyone Have a Grip on the G.O.P.?

Longtime Republicans have been satisfied enough to have their candidates run down activist government as a campaign tactic, even as they themselves retained a more nuanced view of the federal government’s role (which is why a Republican Congress, working with a Republican president, managed to pass a Medicaidprescription-drug bill in 2003). But when you talk to them now, these same Republicans seem positively baffled that anyone could have actually internalized, so literally, all the scorching resentment for government that has come to define the modern conservative campaign.

Author: Matt Bai
Published: Oct 12, 2011
Length: 29 minutes (7,303 words)

Spalding Gray’s Tortured Soul

In his personal writings, Gray comes across in a more extreme way than in his theatrical persona, his anguish and need not tempered by his perceptive charm. He writes searchingly about his sexuality. He chronicles his relationships with the three major women in his life — first LeCompte, then Renée Shafransky and later Kathleen Russo — each one overlapping with the last, each becoming involved in his work. And it is evident that even as a young man, Gray was battling the demons that would eventually lead him to end his life in 2004 by throwing himself from the Staten Island Ferry into the water.

Author: Nell Casey
Published: Oct 6, 2011
Length: 18 minutes (4,697 words)

Taken by Pirates

Within seconds, eight scruffy Somali men hoisted themselves aboard, their assault rifles and rocket-propelled-grenade launchers clanging against the hull. Paul activated an emergency beacon, which immediately started emitting an S.O.S., and then went up on deck. The men stank of the sea and nervous musk, and they jabbed their guns at the Chandlers. “Stop engine!” they shouted. “Crew, crew! How many crew number?” One pirate was particularly concerned about anything flashing, and Paul’s heart sank when the pirate stomped below deck and discovered the emergency beacon, blinking like a strobe, and promptly switched it off. The pirates ordered the Chandlers not to touch anything else, and then they demanded a shower. This was Oct. 23, 2009. The Chandlers would be held for the next 388 days.

Published: Oct 5, 2011
Length: 30 minutes (7,542 words)