The New York Times

Michael Adno examines the paintings of American playwright Tennessee Williams, who used the visual medium to explore what it meant to be gay in America during the ’70s.

A ground-breaking investigation into the potentially illegal financial schemes, tax evasions, and grandiose lies employed by Fred Trump and his son, Donald J. Trump, designed to create the illusion of the president as a self-made billionaire, and to falsely raise and lower the values of their holdings as needed to make money, and hide it.

Cooper’s new film is ultimately about the way commerce can ruin art, which is why he won’t answer the personal questions Taffy Brodesser-Akner asked him. It makes this profile kinda meta, you know?

After decades of misogynist characterizations painting Joyce Maynard as violating J.D. Salinger for writing about her relationship with him as a teen, Maynard reprocesses this information and sets the record straight in the light of the #metoo moment.

“We need to figure out what justice looks like in the court of public opinion, not for the sake of the offenders, but for the sake of victims.”

Fed to a crocodile? Baked into a meat pie? Everyone in Larrimah has a theory about what happened to Paddy Moriarty.

Theatre critic Jose Solís profiles Anika Noni Rose, the actress and singer playing the title role in the musical “Carmen Jones” at New York’s Classic Stage Company.

New York Times pop culture reporter Reggie Ugwu profiles filmmaker Terence Nance upon the premier of his upcoming HBO series, ““Random Acts of Flyness.”

After a millennial questions misogynistic aspects of “On a Clear Day You Can See Forever,” actress Melissa Errico — currently starring in a Broadway revival of the show — considers the ways in which she has been able to adjust her portrayals of women in classic, retrograde musicals so that they appear to have more power and agency.

Restoring river floodplains to forest and wetland habitat is a proven method for reducing flood damage to towns and cities, because these habitats absorb floodwater. To ready itself for climate change, the state is beginning to revegetate some of its riverbanks in central rural California.