Smithsonian

“Far from avoiding difficult subjects in American history, the brand seeks to address shameful chapters in the nation’s past through the eyes of its pre-adolescent characters.”

If you’ve ever come home from a long day at work to the wonderful smell of dinner waiting in your crockpot, you have Irving Nachumsohn to thank.

“I wish to end the delusion that good is gained by evil means, or that even maintaining my own economic and physical security is something to be defended by means of violence. I believe that idea to be a lie.”

“As we made our way down the hall from my apartment to the front door of the building, he would drop his nose down to the seam of each door we passed and give it a swift but thorough sniff—Dyngo was still hunting for bombs.”

“Why did we turn an isolated teenage girl into the world’s most famous Holocaust victim?”

In the 1960s, Mary Jane Jones modeled herself after Aretha Franklin, but she had the emotion and range of an original soul singer. After a crooked James Brown impersonator forced her to perform as Franklin, she got famous from her own talent, until she gave up show bizness to raise her sons.

Author Andrew M. Davenport highlights how the work of an oral history project, Getting Word, has informed a shift in the visitor experience of Thomas Jefferson’s primary estate, Monticello.

Pete Marra, head of the Smithsonian Migratory Bird Center, is pushing a controversial conservation idea: that as the single-biggest man-made danger to bird and small mammal populations in the United States, outdoor and feral cat populations should be controlled, either by keeping pets inside, or by euthanasia and sterilize-and-return programs.