Gabrielle Bellot on James Baldwin’s children’s book, Little Man, Little Man, written for his nephew, Tejan: “[It] brings to life many of Baldwin’s arguments as it dissolves rigidly drawn lines between children’s and adult literature.”
“In truth, as I have come to learn, Jonestown does not point to a singular erratic Svengali but, rather, to fundamental aspects of both my adopted and my home countries.”
Writer and artist Molly Crabapple tells the story of her late great grandfather, self-taught artist Sam Rothbort, and of the Bund, the revolutionary anti-Zionist Jewish political party he joined in Vilna in 1898.
A show currently on exhibit at New York’s Metropolitan Museum of Art highlights mid-twentieth-century African-American photographs.
Historian Jackson Lears revisits the breadth, underpinnings, and outcomes of the radical movements of the late 1960s.
“When my media stream fills with the sound of children crying out for their parents, that distinct wail that only a broken-hearted child can make… it’s then that I reach for the food of my youth. Corned-beef hash. Spam. Fried Bologna sandwiches.”
Drawing borders around people might give us a more orderly and predictable world. But for all the promised benefits of a frictionless experience of journeying, it may not be a more humane one.
Molly Crabapple retraces the life of the great twentieth century Puerto Rican poet Julia de Burgos amid the devastation of Hurricane Maria.
“If sex had a defining feature in the 1990s, it was ubiquity.” Laura Marsh unravels the two-decade fallout of the way sex was perceived, reported on, and delighted in during the 90s, an era when pornstars, Sex and the City, Monica Lewinsky, Harvey Weinstein, dominated the news.
The historic buildings around New York’s Union Square are not protected by landmark status, and the rise of the city’s tech industry now threatens them.