Dramatizations, manipulations, lies ─ the famous Stanford Prison Experiment proved to be a highly influential psychological study, even though it was hardly scientific.
Poet and essayist Kima Jones on her father’s death from diabetes.
Roxane Gay on getting weight reduction surgery.
After being rejected by a flirtatious acquaintance, Gabrielle Bellot examines her pain and trepidations, realizing that years after transitioning, she needs to stop allowing others to define her and dictate what’s considered worthy of love.
In this incisive reported essay written as part of Roxane Gay’s Unruly Bodies series, Chelsea G. Summers mines her own fears, writing about the skin as a battleground for many women terrified by aging’s effect on their birthday suit.
At Medium, Hunger: A Memoir of My Body author Roxane Gay created this excellent pop-up magazine, to be delivered in installments over four Tuesdays in April — “a month-long magazine exploring our ever-changing relationship with our bodies,” she writes. “I knew exactly what I wanted to do — to create a space for writers I respect and admire to contribute to the ongoing conversation about unruly bodies and what it means to be human.” She tapped 24 writers to contribute. This first edition features an introduction by Gay, and essays by Randa Jarrar, Kiese Laymon, Matthew Salesses, Keah Brown, S. Bear Bergman, and Mary Anne Mohanraj. To come in the next three editions: Carmen Maria Machado, chelsea g. summers, Kaveh Akbar, Terese Mailhot, Casey Hannan, Samantha Irby, Tracy Lynne Oliver, Kelly Davio, Brian Oliu, Mike Copperman, Danielle Evans, Jennine Capó Crucet, Megan Carpentier, Kima Jones, the writer known as Your Fat Friend, Gabrielle Bellot, Mensah Demary, and larissa pham.
During the last quarter of the 20th century, William Jellett danced at countless rock shows in the UK. From Black Sabbath to the Sex Pistols to Queen, he was there, holding cryptic signs and rattling a tambourine. You can see his skinny shirtless frame in countless photos and live footage. So who was he, and where did he go?
Sam Lansky writes about dating and his conflicted feelings about love and relationships.
“Someone or something or some combination of people and things is using YouTube to systematically frighten, traumatize, and abuse children, automatically and at scale.” James Bridle traces a profoundly disturbing digital trail through “industrialized nightmare production,” flagging a long tail of iterative violence that human oversight is powerless to contain.
After The Beach Boys’ domestic album sales started suffering in the late 1960s and their squeaky clean surfer image fell out of favor, they co-wrote a song that helped them connect with America’s shaggy, drug-taking counterculture and regain their popularity. This is the story of that song, and the story of American pop music after the Summer of Love.