Columbia Journalism Review

Steve Hendricks looks at why the press loves to hate underdogs, and how their treatment of Bernie Sanders belies the fact that he just might have a shot.

A profile of New York Times photojournalist Lynsey Addario, a Pulitzer Prize-winning female war correspondent.

An excerpt from Starkman’s new book, on the difference between access journalism and accountability journalism, and why the business press failed to do enough to shed light on the problems leading up to the financial crisis:

Was the brewing crisis really such a secret? Was it all so complex as to be beyond the capacity of conventional journalism and, through it, the public, to understand? Was it all so hidden? In fact, the answer to all those questions is “no.” The problem—distorted incentives corrupting the financial industry—was plain, but not to Wall Street executives, traders, rating agencies, analysts, quants, or other financial insiders. It was plain to the outsiders: state regulators, plaintiffs’ lawyers, community groups, defrauded mortgage borrowers, and, mostly, to former employees of financial institutions, the whistleblowers, who were, in fact, blowing the whistle. A few reporters actually talked to them, understood the metastasizing problem, and wrote about it. Unfortunately, they didn’t work for the mainstream business press.

The short life of Jessica Lum, a terminally ill 25-year-old who chose to spend her last days practicing journalism:

“Jessica hadn’t expected to win. The other finalists were teams of students, and she worked solo on her ‘Slab City Stories’ project—a multimedia report on the inhabitants of a former Marine base-turned-squatter-RV-park in the California desert (though not, she made sure to point out, without the support of her professors, classmates, and Kickstarter backers). Jessica didn’t enjoy being in the spotlight, either; she was more comfortable behind the camera than in front of it. It took her only a few seconds longer to accept the award than it did to get to the stage. After a rush of thank-yous and a celebratory double fist-pump, Jessica returned to her seat—and to what appeared to be a bright future, one in which she’d tell many more stories and win many more awards.

“Less than four months later, on January 13, 2013, Jessica died. She was 25.”

A look back at James Watson’s book The Double Helix and the controversy it stirred in the science community.

Watson expanded the boundaries of science writing to include not only the formal, public face of Nobel-winning discoveries but also the day-to-day life of working scientists—both inside and outside the lab. The Double Helix rejuvenated a genre that had been largely academic or hagiographic. Its success showed that there was and is an appetite for the story of science; that the stories can be human and exciting; that scientists can be flawed characters; that the whole endeavor doesn’t collapse if you depict it with something less than reverence.

Although the book caused an international scandal that winter, I don’t think any word of the controversy reached me at Classical High School. As a freshman, I read The Double Helix as a story of pure triumph. Now, of course, I can see what I couldn’t then: an epic of the loss of innocence, writ small and large. And I can see the arc of Watson’s life since 1968, which has been another epic of triumph and hubris, ending with a fall. So now I see the darkness around the shining cup.

The complete origins story of the Huffington Post. How Arianna Huffington, Ken Lerer and Jonah Peretti first connected, and how they turned the company into a media empire, and now Pulitzer winner:

“In the course of a few hours, Peretti would watch with wonderment as Arianna Huffington eased herself from setting to setting, all the while making the person she was talking with feel like the most interesting and important person in the world, hanging on every word, never shifting her attention to check one of three BlackBerries. ‘I loved being a gatherer,’ Huffington would later say. ‘I don’t really think you can make gathering mistakes.’

“Peretti saw this talent through a different prism. ‘Arianna,’ he says, ‘can make weak ties into strong ties.'”

A journalist’s lessons from two years working for Patch, AOL’s hyperlocal web experiment. Editors started with autonomy and generous budgets, but they were always understaffed and found little support from sales teams:

“In addition to the editorial and volunteer work, we fought to get our sites noticed—on and off the clock. The marketing dollars that we were given, if any, usually came with the understanding that we would be manning booths at community events, or taking the lead in finding sponsorship opportunities, like supporting the local hayride or Little League team.

“It seemed I could control every aspect of my site’s being, but making it sustainable was out of my grasp. And for me, it was aggravating to know that my site was not profitable.”

Schiller has animated the place with the energy of renewed ambition, a rededication to producing serious journalism. Her strategy rests on three pillars: expand original reporting at the national and local levels; provide free access to public media content regardless of platform; and serve audiences of all backgrounds and interests. To do all that, she wants to work in partnership with NPR’s member stations as well as independent producers and some of the new nonprofit journalism units springing up around the country.

A writer’s search for journalism in the age of branding

But that doesn’t make you a restaurant critic