Catapult

On the 30th anniversary of her Navy captain father’s political execution, Naz Riahi recalls her love for him, and reveals a persistent grief that is always with her.

“I wonder why I wonder, and then I remember why: I am still mourning him, in part because I am mourning all the relationships I never got to have with the people who never knew me as a woman.”

An only child — and the daughter of two only children who died young — Margot Livesey grew up knowing none of her other relatives and adopting a nearby family as her own. Recently, though, DNA testing led her to take a trip to Australia, where she met relatives from her mother’s side, and learned a secret about her maternal grandmother’s parentage. In this moving personal essay, she muses about the differences between adopted family and those to whom we are connected by blood, and finding fragments of ourselves in those who share our genes.

Her tech job gave her security and stability, but she craved the creativity, stimulation, and literary connection that would make her whole.

In this first piece in a series about women in the Bible and social constructions of feminine power, Nina Li Coomes examines the story of the Garden of Eden: “I first began to think of Eve as a woman punished for hunger in college. At the time, I was a recovering Atheist relapsing into her own disordered eating patterns. One evening, I struck upon this epiphany while staring intensely through the crosshatch glass of my apartment’s oven, willing the verdant kabocha squash (lower calorie count than sweet potatoes) I’d placed there to roast faster.”

When Sari Botton wasn’t receiving what she needed from her divorced parents, she took things into her own hands. She took coins from her annoying stepbrother’s money jar.

In this moving installment of her Catapult column Backyard Politics, Christine H. Lee discovers equilibrium in sharing her farm’s bounty and in the beauty of simple, impromptu barter arrangements.

In this braided personal essay, Patrice Gropo compellingly draws together narrative threads about the solar eclipse in August, 2017, and how it, in ways eclipsed the white nationalist march on Charlottesville 10 days before; and the way in which a white writer effectively eclipsed her by publishing plagiarized portions of an essay she’d read at aloud at a conference.

“Embracing mortality, in this sense, is to prepare a way for my future children. If this cancer is hereditary, is it not also my responsibility to do everything within my humanly power to ensure, my children nor I, have to suffer?”

A personal essay in which Mexican-American writer Victoria Blanco reflects on change over the years at the border between El Paso, Texas, and Cuidad, Juárez, as immigration patrolling has become increasingly restrictive, and how the Rio Grande, which lies between the two towns, has begun drying up as a result of climate change.