Dead End on Shakin’ Street

Why the sudden proliferation of “vibrant” communities in the United States? And what does it even mean?

“Is Rockford, Illinois, vibrant? Oh my god yes: according to a local news outlet, the city’s ‘Mayor’s Arts Award nominees make Rockford vibrant.’ The Quad Cities? Check: As their tourism website explains, the four hamlets are ‘a vibrant community of cities sharing the Mississippi River in both Iowa and Illinois.’ Pittsburgh, Pennsylvania? Need you even ask? Pittsburgh is a sort of Athens of the vibrant; a city where dance parties and rock concerts enjoy the vigorous boosting of an outfit called ‘Vibrant Pittsburgh’; a place that draws young people from across the nation to frolic in its ‘numerous hip and vibrant neighborhoods,’ according to a blog maintained by a consortium of Pittsburgh business organizations.

“The vibrations are just as stimulating in the component parts of this exciting new civilization. The people of creative-land use vibrant apps to check their bank accounts, chew on vegetarian ‘vibrancy bars,’ talk to one another on vibrant cellphones, and drive around in cars painted ‘vibrant white.'”

Source: The Baffler
Published: Jul 16, 2012
Length: 16 minutes (4,121 words)

Twins Bond in the Gift of the Other

Hailey and Olivia Scheinman are seven-year-old twins with an unshakeable bond. Olivia was born with epilepsy and cerebral palsy, and Hailey spends much of her time raising money for her sister’s care, and awareness about families with children who have disabilities:

“It wouldn’t be hard to imagine a scenario in which the trajectory of the sisters’ lives simply continues to diverge. But something in Hailey has resisted that. She seems determined not to lose her grip on the being to whom she is closest in the world. Her mom thinks that because of Hailey’s efforts, the sisters are closer now than ever.

“What makes a good sister?

“Hailey Scheinman doesn’t have the answer. She’s 7.

“Hailey Scheinman is the answer.”

Source: Tampa Bay Times
Published: Jul 15, 2012
Length: 9 minutes (2,357 words)

Confessions of an Ex-Mormon

A personal history of joining, and leaving, the Mormon Church:

“When I meet with the first two landlords in Beverly Hills, they’ve already seen my credit files and don’t seem to want to know much more about me other than why I’m standing on their property. At my third stop, I speak into an intercom and wait in suspense for an electronic gate either to slide open, meaning yes, or fail to budge, meaning time to hunker down, kick the opiates, and pay my bills.

“‘Great to meet you, Walt. I’m Bobby Keller. You want a Sprite or something? You look all hot. My sister, Kim, who you talked to on the phone, is at a church thing with our other housemates, but I can show you the place we hope you’ll rent.’

“You can scoff at their oddities, skip out of your mission, run off to college, and wander for 30 years through barrooms and bedrooms and court rooms and all-night pharmacies, but they never quite forget you, I learned that day. How had Bobby discovered my secret? My Wikipedia page, written by some stranger. It was loaded with mistakes (it said I was still married, a detail that may have given Bobby pause when Amanda stayed over the next night—not that he said a single word), but the fact that got me a lease without a credit check and rescued my new romance was accurate: My first book, a collection of short stories that opened with a tale of masturbation and ended with one about a drunken missionary, had won a little-known literary prize from a broad-minded Mormon cultural group.”

Published: Jul 13, 2012
Length: 24 minutes (6,041 words)

Love, Money and Other People’s Children

On the role of nannies in a child’s upbringing, and the complications (emotional and financial) and joy that come with it:

“Seeing Michele Asselin’s portraits, I remember the heightened sensitivity of my first months as a parent. The pictures are beautiful and idealized. The women look at the children with love. No one looks frustrated. No one looks bored. No child is having a meltdown. They conjure the dome of tender air that encloses a mother, whose body is coursing with hormones, and a newborn.

“But these moments of private contentment, with the serenity and depth borrowed from the portraiture legacy of the Madonna and child, do not depict mothers with their infants. The women holding the children are nannies. Part of what’s striking about the pictures is that they position front and center a person who is often left on the editing-room floor when a family’s memories are being assembled. Nannies have told me that their employers crop them out of photographs of their children. On the wall of a West Los Angeles home, I noticed a blown-up photo of a baby in a pretty white dress, held by a pair of hands of a darker color. In her photos, Asselin captures a radiance between caregivers and children, often of different races.”

Published: Jul 13, 2012
Length: 9 minutes (2,282 words)

Your Sixth Sense

Why people can feel someone staring at them, experience deja vu, and other paranormal experiences:

“One of the most common anomalous experiences is the sense of being stared at. When you see someone gazing directly at you, emotions become activated—it can be exciting or comforting or creepy—and this visceral charge can give the impression that gazes transfer energy. Further, if you feel uncomfortable and check to see whether someone is looking at you, your movement may draw attention—confirming your suspicions.

“Another common experience is déjà vu, a phenomenon two in three people report. Most of us shrug it off as a mental hiccup. Indeed, researchers propose it’s a sense of familiarity without a recollection of why something is familiar, or perhaps a timing issue in the brain where thoughts are experienced twice because of a slight wiring delay, lending the second occurrence an odd sensation of repetition. But some people believe it’s a glimpse into a past life.

“While anomalous experiences may be associated with stressful circumstances, personal pathologies, or cognitive deficits, the experiences themselves may not always be so bad, and may actually be healthy inventions. They’re just our attempts to make sense of a weird situation. After all, there’s nothing the mind likes better than a good story.”

Published: Jul 1, 2012
Length: 14 minutes (3,569 words)

Dinner with Daniel: Michael Keaton

The actor reflects on his career choices, the films he passed on, and his early days working for Mister Rogers:

Michael: What people don’t realize is what his crew looked like — they almost all had hair down to their lower backs, one guy just dripped with patchouli and marijuana smoke, worse than Tom Petty. But everyone was really funny and would do these insane things — and Fred just loved them. And they loved him back.

Daniel: So he’d never just lose his shit and scream at a gaffer for getting in the shot?

Michael: No! In fact, one time, my friend Nicky Tallo, who was this really funny, big Italian kid who was his floor manager — and I don’t think I’m telling tales out of school when I say generally Nick was feeling the effects of smoking dope the night before — or maybe even that morning …

Daniel: It was a different era …

Michael: So one day, we were taping, and Fred comes in, and starts singing, ‘It’s a beautiful day in the neighborhood, a beautiful day … ‘ puts the shoes down here, goes to hang up the sweater in the closet. And he’s singing, and he opens the door — and there’s his floor manager, Nick, this big guy with his long goatee, pierced ears, hair all over the place, totally nude, just standing there naked in the closet. Well, Fred just fell down; it was the most hysterical thing you’ve ever seen. He was totally cool.”

Source: Grantland
Published: Jul 13, 2012
Length: 17 minutes (4,470 words)

The Bull Passes Through

Two friends decide to participate in the Running of the Bulls in Pamplona:

“We talk about our plan of action one last time. We remind each other to stay to the inside on the turns. We remind each other that the most important thing is to keep our center of gravity so we stay on our feet.

“‘If you lose a shoe, keep going,’ Dan says.

“‘Yeah, glass in your foot is better than being trampled—by people or bulls.’

“‘If you fall, don’t try to get up. Just cover your head and roll to the side.’

“‘And if you see a bull on its own, try to get out.’

“This last point may be the most important in terms of living and dying. From what we’ve been told, bulls together are not as frightened as bulls alone. Bulls together tend to stay on a path, assuming they keep their footing. Frightened bulls directly charge people.”

Published: Jul 13, 2012
Length: 17 minutes (4,269 words)

Here’s the Thing: Alec Baldwin Interviews David Letterman

[Transcript] A conversation between the actor and late-night host—and memories of working together:

David Letterman: We did a sketch on the old ‘Late Night’ show, and it was with one of the writers, Tom Gammill, and it was ‘Dale, the Psychotic Page.’ We had to set up nine holes of a miniature golf course. He would come in with a NBC page blazer, and he would play miniature golf. And with each failing attempt on the hole, he would become more and more psychotic. There’s your comedy, America! This is what you’ve been waiting for. Aren’t you glad we’re here?

Alec Baldwin: Yeah. They’re holding their breath. I love on your show – I haven’t done this in a while, I miss it when – ’cause everything – I guess they can’t do this stuff all the time. Maybe this bit is a victim of global warming, but I get there one time and they want me to ride the snowmobile on the roof of the building years ago. They’re all very droll, and Biff always calls me ‘Alex.’ I love that. You’re on the roof and it’s snowing, and we’re on the roof of your building and it’s snowing, and Biff’s like, ‘Okay, now Alex, you’re gonna ride the snowmobile around the roof a few times, and gonna be men on every corner to catch you to keep you from goin’ over the side. Is that all right? All right, Alex!’ I’m like, ‘Great. Let me go.’ Danger, I love it. Elements.

Letterman: Well, I was thinking about a year ago, I was looking around the Ed Sullivan Theater. What a tremendous stroke of luck that was! I used to love working in the studio, and I remember one day running into Lorne Michaels, and he said to me, ‘How long did it take you to get used to doing a TV show in a theater?’ And I knew exactly what he was saying because to him, TV comes out of a studio, and I always felt that way myself. But I’ve really grown fond of the theater at CBS, the Ed Sullivan Theater, for reasons like that and many more. It’s comfortable; it’s fun; it smells of decades and decades and decades of show business. There’s tunnels, and alleys, and rats, but it’s fantastic. I mean it’s just so versatile and so great. And also the way Hal set it up in the beginning, it’s fairly intimate. You can have a pretty reasonable conversation there in this 500-seat room, and so I think it works fine as a TV studio now.”

Source: www.wnyc.org
Published: Jun 18, 2012
Length: 38 minutes (9,532 words)

Interpreters of Men Get It On

[Fiction] Excerpt from Woke Up Lonely: Boredom, loneliness and a loss of innocence at a remote listening station in the middle of nowhere:

“We got to the cave, the door was unlocked, and inside were a few cryptanalysts I’d seen around, but never talked to. They were gathered at a work station-turned-bar, and playing cards. The three were ecstatic to see us. Hey, Teddy, and, you, what’s your name again? I said I had some reviewing to do and not to mind me at all. Suit yourself, they said. Teddy was dealt in and I retreated to a corner. I sat with my back to the room, put on my headphones, and cued up. Okay, now pay attention. I listened once just to get back into the zone, twice to access my guy’s headspace, and a third to parse content from emotion. By the sixth, I had completely tuned out his whimpers and clamor of self-disgust, but I still could not make sense of the rest. I pressed my headphones into my ears and went: Listen.

“Meantime, the others were kissing. I’ll just get right to it, they were kissing. Not that the card game had escalated into strip poker, not that there’d been any pretense to make these amorous gestures compulsory—as per spin the bottle—just that the four had tired of one pursuit and moved on to another.”

Published: Jul 13, 2012
Length: 12 minutes (3,084 words)

The Chickens and the Bulls

How authorities broke up an extortion ring in the 1960s that targeted gay men:

“Impersonating corrupt vice-squad detectives, members of this ring, known in police parlance as bulls, had used young, often underage men known as chickens to successfully blackmail closeted pillars of the establishment, among them a navy admiral, two generals, a U.S. congressman, a prominent surgeon, an Ivy League professor, a prep school headmaster, and several well-known actors, singers, and television personalities. The ring had operated for almost a decade, had victimized thousands, and had taken in at least $2 million. When he announced in 1966 that the ring had been broken up, Manhattan DA Frank Hogan said the victims had all been shaken down ‘on the threat that their homosexual proclivities would be exposed unless they paid for silence.’

“Though now almost forgotten, the case of ‘the Chickens and the Bulls’ as the NYPD called it (or ‘Operation Homex,’ to the FBI), still stands as the most far-flung, most organized, and most brazen example of homosexual extortion in the nation’s history. And while the Stonewall riot in June 1969 is considered by many to be the pivotal moment in gay civil rights, this case represents an important crux too, marking the first time that the law enforcement establishment actually worked on behalf of victimized gay men, instead of locking them up or shrugging.”

Source: Slate
Published: Jul 11, 2012
Length: 27 minutes (6,955 words)