When Are You Dead?
The medical establishment, facing a huge shortage of organs, needs new sources for transplantation. One solution has been a return to procuring organs from patients who die of heart failure. Before dying, these patients are likely to have been in a coma, sustained by a ventilator, with very minimal brain function — a hopeless distance from what we mean by consciousness. Still, many people, including some physicians, consider this type of organ donation, known as “donation after cardiac death” or DCD, as akin to murder.
Video Games: The Addiction
Tom Bissell was an acclaimed, prize-winning young writer. Then he started playing the video game Grand Theft Auto. For three years he has been cocaine addicted, sleep deprived and barely able to write a word. “There are times when I think GTA IV is the most colossal creative achievement of the last 25 years, times when I think of it as an unsurpassable example of what games can do, and times when I think of it as misguided and a failure. No matter what I think about GTA IV, or however I am currently regarding it, my throat gets a little drier, my head a little heavier, and I know I am also thinking about cocaine.”
Wall of Sound: How the iPod Changed Music
Two years ago, at the nadir of the financial crisis, the urban sociologist Sudhir Venkatesh wondered aloud in the New York Times why no mass protests had arisen against what was clearly a criminal coup by the banks. Where were the pitchforks, the tar, the feathers? Where, more importantly, were the crowds? Venkatesh’s answer was the iPod: “In public spaces, serendipitous interaction is needed to create the ‘mob mentality.’ Most iPod-like devices separate citizens from one another; you can’t join someone in a movement if you can’t hear the participants. Congrats Mr. Jobs for impeding social change.” Venkatesh’s suggestion was glib, tossed off—yet it was also a rare reminder, from the quasi-left, of how urban life has been changed by recording technologies.
The Kill Team
Early last year, after six hard months soldiering in Afghanistan, a group of American infantrymen reached a momentous decision: It was finally time to kill a haji. Among the men of Bravo Company, the notion of killing an Afghan civilian had been the subject of countless conversations, during lunchtime chats and late-night bull sessions. For weeks, they had weighed the ethics of bagging “savages” and debated the probability of getting caught. Some of them agonized over the idea; others were gung-ho from the start. But not long after the New Year, as winter descended on the arid plains of Kandahar Province, they agreed to stop talking and actually pull the trigger.
The Race That Is Not About Winning
I say “he” because my subject is the specific kind of boy who takes up running, and he is very different from the girl who is his counterpart. This boy, whom I know well, is just not good at any other sport. He may have tried baseball, but could not throw; he may have tried soccer, but could not kick. He is not coordinated or strong or big. So he runs. No American eight-year-old thinks it would be cool to be a distance runner someday. If he becomes one, it is not the realization of a dream, but the acceptance of reality.
A Murder Foretold: Unravelling the Ultimate Political Conspiracy
[Featuring Writing] Rodrigo Rosenberg knew that he was about to die. It wasn’t because he was approaching old age—he was only forty-eight. Nor had he been diagnosed with a fatal illness; an avid bike rider, he was in perfect health. Rather, Rosenberg, a highly respected corporate attorney in Guatemala, was certain that he was going to be assassinated.
Dancing the Body Electric: A Look Back at New York’s 1970s Dance Boom
The body was what the decade was about, beginning with where a body was. The Russian ballerina Natalia Makarova defected from the Soviet Union to the United States in 1970. Also in 1970, the American ballerina Suzanne Farrell defected from choreographer George Balanchine and his New York City Ballet (NYCB) and joined Maurice Béjart and his Ballet of the Twentieth Century in Brussels. Four years later, in 1974, Mikhail Baryshnikov defected from the Soviet Union to Canada, then made his way to New York and the American Ballet Theatre (ABT). The same year, the young star Gelsey Kirkland defected from NYCB to ABT in order to begin a partnership with Baryshnikov.
The MP3: A History Of Innovation And Betrayal
“I don’t like the title ‘The Father of MP3,'” says Karlheinz Brandenburg. But he kinda is. “Certainly I was involved all the time from basic research [to] getting it into the market.” Brandenburg was part of the group that gave the MP3 its name. The Moving Picture Experts Group (MPEG) lent its name to the process of digital encoding by which audio and video is compressed into a file small enough to be transferred easily. That process — MPEG Audio Layer III — and the resulting file — the MP3 — is ubiquitous today. But the development wasn’t simple, and its outcome wasn’t inevitable.
Online Poker’s Big Winner
The vast sums of money shuttled among the accounts of these young professionals — and the shocking aggressiveness and recklessness with which they played — deepened the divide between the young online players and the older guard who earned their millions when poker was still a game played by men sitting around a table. Since the rise of online poker in the early 2000s, every principle of the game, every lesson learned over hundreds of thousands of hours of play, every simple credo uttered in some old Western gambling movie — all those tersely stated, manly things that made up the legend of poker — has been picked apart and, for the most part, discarded.
‘The Wire’ as 19th Century Literature
There are few works of greater scope or structural genius than the series of fiction pieces by Horatio Bucklesby Ogden, collectively known as The Wire; yet for the most part, this Victorian masterpiece has been forgotten and ignored by scholars and popular culture alike. Like his contemporary Charles Dickens, Ogden has, due to the rough and at times lurid nature of his material, been dismissed as a hack, despite significant endorsements of literary critics of the nineteenth century. Unlike the corpus of Dickens, The Wire failed to reach the critical mass of readers necessary to sustain interest over time, and thus runs the risk of falling into the obscurity of academia. We come to you today to right that gross literary injustice.
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