Search Results for: didion

Poison Tree

Longreads Pick

An open letter to Grand Theft Auto IV’s protagonist Niko Bellic about Grand Theft Auto V and video game culture:

“Almost everyone I know who loves video games — myself included — is broken in some fundamental way. With their ceaseless activity and risk-reward compulsion loops, games also soothe broken people. This is not a criticism. Fanatical readers tend to be broken people. The type of person who goes to see four movies a week alone is a broken person. Any medium that allows someone to spend monastic amounts of time by him- or herself, wandering the gloaming of imagination and reality, is doomed to be adored by lost, lonely people. But let’s be honest: Spending the weekend in bed reading the collected works of Joan Didion is doing different things to your mind than spending the weekend on the couch racing cars around Los Santos. Again, not a criticism. The human mind contains enough room for both types of experience. Unfortunately, the mental activity generated by playing games is not much valued by non-gamers; in fact, play is hardly ever valued within American culture, unless it involves a $13 million signing bonus. Solitary play can feel especially shameful, and we gamers have internalized that vaguely masturbatory shame, even those of us who’ve decided that solitary play can be profoundly meaningful. Niko, I’ve thought about this a lot, and internalized residual shame is the best explanation I have to account for the cesspool of negativity that sits stagnating at the center of video-game culture, which right now seems worse than it’s ever been.”

Source: Grantland
Published: Sep 25, 2013
Length: 10 minutes (2,650 words)

18 Deep Interviews with Great Writers

"Frost/Nixon" — Imagine/Working Title Films

Kevin Smokler is the author of Practical Classics: 50 Reasons to Reread 50 Books you Haven’t Touched Since High School, an essay collection on the year he spent rereading 50 canonical texts from high school English class as a 39-year-old adult.

Out of everything shared in the #Longreads community, I particularly love the interviews. I even created my own hashtag (#deepinterviews) and you can find my most recent picks here.

And when it comes to authors, a great interview can completely reframe a book that you’ve read a thousand times, or give you the onramp into an writer’s work you haven’t yet experienced. Below are five of my favorite sources and recent discoveries for outstanding author interviews:

1. The Paris Review

Favorites: Take your pick. I’m particularly fond of authors you know are great talkers (Dorothy Parker, James Ellroy), who don’t show up much in MFA programs (William Gibson, Maya Angelou) and those who work in more than one genre (Joan Didion, Lillian Hellman).

2. The Millions

Favorites: Adam Mansbach, Michelle Orange and Katherine Boo.

3. AV Club

Favorites: Terry Pratchett, TV Critic Alan SepinwallJonathan Franzen.

4. eMusic Q&A

I’ve been an eMusic subscriber for years and had no idea they trafficked in audiobooks. That is until I ran across a very fine Q&A with short story writer Elissa Schappell. The audiobook of Schappell’s collection “Building Blueprints for Better Girls” was the excuse to talk with her not only about her work but the music that inspired it.

Other favorites: Eddie Huang, George Saunders, Greil Marcus, Ernie Cline.

5. Book Riot

Favorites: “Their 15 Minutiae” (with Emma Straub here) in which writers are asked about everything EXCEPT books and writing. Conceived and executed by bookseller Liberty Hardy, it’s a brilliant example of how an interview with an author should reveal the author as an interesting person who writes books not someone interesting because they write books.

Addendum: Ms. Hardy is also the creator of Paperback to the Future, a Netflix/Personal Shopper for Books kind of program. Which means she is crazy busy these days and “Their 15 Minutiae” is on temporary hold. We understand why but still say “come back soon.”

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Share your favorite interviews in the comments.

Reading List: Wread About Writing

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Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps.

Salinger’s life is being made into a movie. Someone said writers work best with only one kid. Print journalism is, apparently, still the domain of white men. It’s been an unfortunate week. Here are four pieces to help you refocus on craft and life and journey.

1. “I Did Not Vanish: On Writing.” (Cynthia Cruz, The Rumpus, June 2013)

A tender dream of an essay on writing, risk and choosing life.

2. “Writing About Writers.” (Bob Thompson, The American Scholar, 2009)

In this delightful essay, book reviewer Bob Thompson discusses his interview secret—the “Didion Rule.”

3. “An Interview with Poet Rebecca Lindenberg.” (Elizabeth Clark Wessel, Bomblog, February 2013)

Lindenberg is the poet behind the crucial “Love: An Index,” written after the disappearance of her partner, the poet Craig Arnold. Here, she discusses her experimentation with form, her influences and how she sees her work changing. Parts of this interview are poetry themselves.

4. “To Write About the Button.” (Rachel Aviv, Poetry Foundation, March 2008)

“[Grace Paley] was just the opposite of a Romantic poet … It didn’t interest her to be a poet with a capital P. She was an absolutely ordinary person, and she was proud of it.”

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What are you reading (and loving)? Tell us.

Photo: Joshua Burnett

Reading List: What's In A Dream? Writers Explore New York


Emily Perper is a freelance editor and reporter, currently completing a service year in Baltimore with the Episcopal Service Corps.

As my service year winds down and I begin to look for jobs, I’m simultaneously drawn to and repulsed by the New York mythos. Here are four pieces that explore the romance, the real estate, the heartbreak and the hard-at-work.

1. “Here is New York.” (E.B. White, 1949)

White discusses the “nearness of giants,” the essential alone/never alone dichotomy and general spectacle of New York, N.Y.

2. ”Goodbye to All That.” (Joan Didion, 1967)

The yin to White’s yang, here is Didion’s quintessential emotional examination of New York.

3. ”I Want This Apartment.” (Susan Orlean, The New Yorker, February 1999)

The cutthroat Manhattan real estate market calls for a sharp-eyed guru. Enjoy pre-recession prices and capitalization of the word “internet.”

4. ”At Home on the Church Steps.” (Mindy Lewis, Mr. Beller’s Neighborhood, February 2013)

As apartment buildings are converted to condos, Lewis watches a dear neighbor become homeless and wonders at “a future where compassion is always trumped by enterprise.”

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What are you reading (and loving)? Tell us.

Photo: JWPhotography2012

Longreads Best of 2012: Doree Shafrir

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Doree Shafrir is the Executive Editor of BuzzFeed. Her story, “Can You Die from a Nightmare?” was featured on Longreads in September.

This year I read a lot of great personal essays, but these were my favorites.

Meaghan O’Connell, “Places I’ve Lived: A Nanny’s Room, the Perfect Sublet, and a Place You Can Instagram,” The Billfold

The story of young people moving to New York and learning how to navigate the city, particularly its real estate, will never get old, but it’s hard to do well/without sounding like you’re trying to mimic Joan Didion. I loved Meaghan’s piece because it was so perfectly of its time and place, and yet managed to capture the timelessness of feeling that, for the very first time, you’re really on your own in a city that doesn’t give much of a shit. 

Lena Dunham, “Seeing Nora Everywhere,” The New Yorker 

No one could quite believe it when Nora Ephron died, partly because she’d concealed her illness from all but her closest friends and family, but also because she was the premiere chronicler of love and relationships and making it as a woman, and if she was gone, what did that mean for the rest of us? There were lots of tributes to Nora Ephron, but Lena Dunham’s resonated the most with me, because she portrayed so beautifully Nora’s brilliance, her empathy and her wit.

Amity Bitzel, “My Parents Adopted a Murderer,” xoJane 

The particulars of the story were so outlandish that it almost seemed impossible for someone to write about it eloquently, but Amity Bitzel’s essay about her parents adopting a young man who had murdered his parents, and what it was like for her as a 13-year-old, managed to be affecting and beautiful, and maybe most amazingly, not sensationalistic. 

Emily Gould, “Laughing and Crying”, Emily Magazine 

Emily is so, so good at talking about those feelings that you’d really rather not admit you felt, much less put on the internet, and she is also really good at being funny about it and making bigger points about success and jealousy and autobiography. She writes in this piece, which is also about “ladyblogs” and a visit to PS1, “I have made so many decisions based on my desire to never seem publicly weak or vulnerable,” and that seemed like just about the most perfect articulation of human behavior I’d ever read.

Read more guest picks from Longreads Best of 2012.

On the 1988 presidential campaign:

Among those who traveled regularly with the campaigns, in other words, it was taken for granted that these “events” they were covering, and on which they were in fact filing, were not merely meaningless but deliberately so: occasions on which film could be shot and no mistakes made (“They hope he won’t make any big mistakes,” the NBC correspondent covering George Bush kept saying the evening of the September 25 debate at Wake Forest University, and, an hour and a half later, “He didn’t make any big mistakes”), events designed only to provide settings for those unpaid television spots which in this case were appearing, even as we spoke, on the local news in California’s three major media markets. “On the fishing trip, there was no way for television crews to get videotapes out,” the Los Angeles Times noted a few weeks later in a piece about how “poorly designed and executed” events had interfered with coverage of a Bush campaign “environmental” swing through the Pacific Northwest. “At the lumber mill, Bush’s advance team arranged camera angles so poorly that in one set-up only his legs could get on camera.” A Bush adviser had been quoted: “There is no reason for camera angles not being provided for. We’re going to sit down and talk about these things at length.”

“Insider Baseball.” — Joan Didion, The New York Review of Books, October 1988

See more #longreads from Joan Didion

Photo: cliff1066/Flickr

Elmo Keep: My Top 5 Longreads of 2011

Elmo Keep is a writer who has written for The Hairpin, and other places.

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The Tetris Effect — Justin Wolfe, The Awl

There really isn’t a way to talk about this without spoiling the reveals. Just read it, whether you understand gaming or not, it doesn’t matter: If you don’t, you will come away curious, and if you do, you will have your mind blown it’s just so clever and moving and wonderful. The narrative structure of this piece is so satisfyingly interwoven and then resolved, it’s one of those stories that makes for a totally different experience on the second reading. This is the kind of enthralling, super-long writing that I love the Internet for making space for. 

Joan — Sara Davidson, ByLiner Original

This was a beautiful companion to Blue Nights, Didion’s most recent memoir. In that book, she is very adept as all memoirists are, at revealing only what she chooses to while weaving the illusion of revealing everything. Sara Davidson has known Didion for forty years and the portrait that she paints of her very affectionately is in a lot of ways more complete than the image that Didion presents of herself. A must for Joan Didion tragics like me, especially for the glimpses of her life with John Gregory Dunne written from an outsider’s perspective peppered throughout. 

Blindsight — Chris Colin, The Atavist

The Atavist have really pioneered what is the logical evolution of longform writing for the web, integrating everything about the medium into tablet-only experiences that truly immerse you in a world. In this story the writer finds ways to let us experience what is happening to the protagonist — a man who has suffered an horrific brain injury — so vividly that we can for a moment inhabit is mind, a place where memory and time have been shattered and distorted. You also get the sense throughout of how much the writer cared for his subject and the result is a humane and profound portrait of resilience. 

What Makes A Great Critic? — Maria Bustillos, The Awl

The Internet has been wonderful for writing for so many reasons, but also, terrible! For others! Particularly when it comes to cultural criticism (pop culture especially). In this piece Maria Bustillos does everyone a favour by pointing out that recaps are not reviews and takes a long, considered look at what makes criticism valuable when the writer really, really cares about the subject. This piece goes a long way to settling the “criticism vs review” debate and is a must read for all aspiring critics and an excellent brush-up for any working critic who might have let complacency slip in. 

The Quaid Conspiracy — Nancy Jo Sales, Vanity Fair

I loved this inversion of a celebrity profile, especially in Vanity Fair to read about people on the fringes of that machine. Not even the writer is certain what’s true and what isn’t in this caper — which is really what it reads like; being dragged along on a wildly tangential ride rife with drugs and paranoia. 

The By Far Funnest Read of the Year — American Marvel — Edith Zimmerman, GQ

This gets so much love because it is *fucking awesome*, that’s why. It’s also been widely derided by old people, which is again a tick in its favour in my view. This is the exact kind of celebrity profile you want to read: It’s a publicist’s nightmare, which again, is why it’s so great. Read it! Read them all!

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See more lists from our Top 5 Longreads of 2011 >

Share your own Top 5 Longreads of 2011, all through December. Just tag it #longreads on Twitter, Tumblr or Facebook. 

Grantland's Jay Caspian Kang: My Top 5 Longreads of 2011

Jay Caspian Kang (pictured above) is an editor at Grantland. His work has also appeared in the New York Times Magazine and The Morning News. His first novel, The Dead Do Not Improve, will be published by Hogarth/Random House in August 2012.

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David Hill: “$100 Hand of Blackjack, Foxwoods Casino” (McSweeney’s)

This is the sort of piece you want to compare to other writers like Didion or Carver or even James Baldwin, but you hold off because you don’t want to piss off the author by getting it wrong. Yes, there’s a bit of Didion’s calmness here, a bit of Carver’s bleariness, and a bit of Baldwin’s honesty-at-all-costs, but David Hill’s prose sings with a melancholy that’s truly original. The one piece from 2011 that had me punching the wall with jealousy. By far my favorite read of the year.

Mike Kessler: “What Happened to Mitrice Richardson?” (Los Angeles magazine)

Great crime writing. Thoroughly reported and well constructed.

Alma Guillermoprieto: “In the New Gangland of El Salvador” (New York Review of Books)

My thoughts on Guillermoprieto can be found here.

Francisco Goldman: “The Wave” (The New Yorker, sub. required)

This is gut-wrenching. Goldman’s novel, Say Her Name, is somehow even more powerful.

Jon Ronson: “Robots Say the Damnedest Things” (GQ)

When this very funny piece about robots is over, you start thinking a bit differently about love. I don’t know how Jon Ronson achieved that effect, but “Robots Say the Damnedest Things,” was my most fun read of 2011.

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See more lists from our Top 5 Longreads of 2011 >

Share your own Top 5 Longreads of 2011, all through December. Just tag it #longreads on Twitter, Tumblr or Facebook. 

Possibly the best living American essayist and probably the most influential, Didion has always maintained that she doesn’t know what she’s thinking until she writes it down. Yet over the past decade, she’s been writing down more about her own life than ever before. If you want to know about her upbringing, readWhere I Was From, about the delusions of her California pioneer ancestors. If you want to know how she feels about the sudden 2003 death of her husband, the writer John Gregory Dunne, you can readThe Year of Magical Thinking,her stark but openhearted account of emotional dislocation. And if you want to know how she feels about the drawn-out death of her adopted daughter, Quintana Roo, two years later at the age of 39, you can order her new memoir, Blue Nights, on Amazon.

“I Was No Longer Afraid to Die. I Was Now Afraid Not to Die.” — Boris Kachka, New York magazine

See some #longreads by Joan Didion

“I Was No Longer Afraid to Die. I Was Now Afraid Not to Die.”

Longreads Pick

Possibly the best living American essayist and probably the most influential, Didion has always maintained that she doesn’t know what she’s thinking until she writes it down. Yet over the past decade, she’s been writing down more about her own life than ever before. If you want to know about her upbringing, readWhere I Was From, about the delusions of her California pioneer ancestors. If you want to know how she feels about the sudden 2003 death of her husband, the writer John Gregory Dunne, you can readThe Year of Magical Thinking,her stark but openhearted account of emotional dislocation. And if you want to know how she feels about the drawn-out death of her adopted daughter, Quintana Roo, two years later at the age of 39, you can order her new memoir, Blue Nights, on Amazon.

Published: Oct 16, 2011
Length: 20 minutes (5,198 words)