The battlefield honor, which he knew his son would have cherished, did nothing to ease Dave Brostrom’s anguish. Beyond the grief, he felt a heart-crushing mix of anger, guilt, and betrayal. The anger was unfocused but rooted in his earlier suspicions that his son’s platoon had been inadequately supported and directed. The guilt was more insidious and ran deep. He felt terrible for how the lifetime of competition between himself and Jonathan had fed his son’s ambition. He felt guilty about having pulled strings to get Jonathan into the 173rd. That was where the sense of betrayal was rooted. He had done his homework before approaching Preysler. In 2007 all of the official reports from Afghanistan had been rosy. The fighting was all but over, the assessments read; the work was all humanitarian projects and nation building. Brostrom now saw that as propaganda, and he had fallen for it.
The battlefield honor, which he knew his son would have cherished, did nothing to ease Dave Brostrom’s anguish. Beyond the grief, he felt a heart-crushing mix of anger, guilt, and betrayal. The anger was unfocused but rooted in his earlier suspicions that his son’s platoon had been inadequately supported and directed. The guilt was more insidious and ran deep. He felt terrible for how the lifetime of competition between himself and Jonathan had fed his son’s ambition. He felt guilty about having pulled strings to get Jonathan into the 173rd. That was where the sense of betrayal was rooted. He had done his homework before approaching Preysler. In 2007 all of the official reports from Afghanistan had been rosy. The fighting was all but over, the assessments read; the work was all humanitarian projects and nation building. Brostrom now saw that as propaganda, and he had fallen for it.
With some of these pop pieces, partly what you’re doing is writing your way out of a confused admiration for the subject. But Axl retains his power to disturb, always his greatest weapon. I don’t remember there being much resistance from the Quarterly. Which suggests either a level of confidence for which I’m grateful, or a level of drug abuse that is worrisome. Granted the brakes did screech a little when I called Joel from Bilbao asking if we could put Axl on the cover. His manager had said it was the only way we’d get an interview. (We didn’t do it.) In retrospect that was dumb of him/them, as it would have been killer PR for Axl and that incarnation of the band to grant us an interview, PR that didn’t really materialize further down the road; but Axl is not always focused on the smart thing to do; he asks himself instead, what is the most “Axl” thing to do?
With some of these pop pieces, partly what you’re doing is writing your way out of a confused admiration for the subject. But Axl retains his power to disturb, always his greatest weapon. I don’t remember there being much resistance from the Quarterly. Which suggests either a level of confidence for which I’m grateful, or a level of drug abuse that is worrisome. Granted the brakes did screech a little when I called Joel from Bilbao asking if we could put Axl on the cover. His manager had said it was the only way we’d get an interview. (We didn’t do it.) In retrospect that was dumb of him/them, as it would have been killer PR for Axl and that incarnation of the band to grant us an interview, PR that didn’t really materialize further down the road; but Axl is not always focused on the smart thing to do; he asks himself instead, what is the most “Axl” thing to do?
I have covered Israeli hostage and M.I.A. cases for more than 15 years, including the covert ways in which Israel’s powerful espionage agencies operate to bring soldiers home alive or dead. Over that time, the issue has come to dominate public discourse to a degree that no one could have predicted. Israeli society’s inability to tolerate even a single soldier held in captivity results in popular movements that have tremendous impact on strategic decisions made by the government. The issue has become a generator of history rather than an outcome of it.
Why this is the case is difficult to say, because it requires a plumbing of the Israeli psyche. Certainly, part of it has to do with a Jewish tradition that sanctifies life, and with the necessity for Jews of a proper burial. And part, too, is rooted in the tradition expressed by Maimonides, that there is no greater religious duty than the redemption of prisoners — a powerful idea in a country whose citizens are required to be soldiers. As Noam Shalit emphasized, there is an “unwritten contract” between the government and its soldiers.
She has an underlying vocabulary of about nine favorite words, which occur several hundred times, and often several times per page, in this book of nearly six hundred pages: “whore” (and its derivatives “whorey,” “whorish,” “whoriness”), applied in many contexts, but almost never to actual prostitution; “myth,” “emblem” (also “mythic,” “emblematic”), used with apparent intellectual intent, but without ascertainable meaning; “pop,” “comicstrip,” “trash” (“trashy”), “pulp” (“pulpy”), all used judgmentally (usually approvingly) but otherwise apparently interchangeable with “mythic”; “urban poetic,” meaning marginally more violent than “pulpy”; “soft” (pejorative); “tension,” meaning, apparently, any desirable state; “rhythm,” used often as a verb, but meaning harmony or speed; “visceral”; and “level.” These words may be used in any variant, or in alternation, or strung together in sequence—”visceral poetry of pulp,” e.g., or “mythic comic-strip level”—until they become a kind of incantation.
She has an underlying vocabulary of about nine favorite words, which occur several hundred times, and often several times per page, in this book of nearly six hundred pages: “whore” (and its derivatives “whorey,” “whorish,” “whoriness”), applied in many contexts, but almost never to actual prostitution; “myth,” “emblem” (also “mythic,” “emblematic”), used with apparent intellectual intent, but without ascertainable meaning; “pop,” “comicstrip,” “trash” (“trashy”), “pulp” (“pulpy”), all used judgmentally (usually approvingly) but otherwise apparently interchangeable with “mythic”; “urban poetic,” meaning marginally more violent than “pulpy”; “soft” (pejorative); “tension,” meaning, apparently, any desirable state; “rhythm,” used often as a verb, but meaning harmony or speed; “visceral”; and “level.” These words may be used in any variant, or in alternation, or strung together in sequence—”visceral poetry of pulp,” e.g., or “mythic comic-strip level”—until they become a kind of incantation.
In a secluded area on the ground floor, six brave young men (three Russians, an Italian, a Frenchman, and a Chinese national) are simulating a mission to Mars. For 520 straight days—that’s more than 17 months—the volunteers will be sequestered in a tubular steel stand-in for a spacecraft whose 775-square-foot living area is so cramped and spare it might have been designed by Dostoyevsky himself. Mars500, as their mission is called, is jointly sponsored by the Institute for Biomedical Problems and the European Space Agency. It seeks to answer a question that looms as the EU, the US, Russia, and India all look to put a man on Mars by the 2030s: Can the human animal endure the long isolation and boredom implicit in traveling to a planet that is, at its closest, 35 million miles—and roughly six months of rocket travel—away? Will one of the volunteers crack before the faux mission’s scheduled conclusion on November 5, 2011?
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