Search Results for: The Nation

Paradise (1933)

Longreads Pick

Cain, writer of “The Postman Always Rings Twice,” “Double Indemnity” and “Mildred Pierce,” on the pros and cons of living in L.A. and Southern California in the 1930s:

“There is no reward for aesthetic virtue here, no punishment for aesthetic crime; nothing but a vast cosmic indifference, and that is the one thing the human imagination cannot stand. It withers, or else, frantic to make itself felt, goes off into feverish and idiotic excursions that have neither reason, rhyme, nor point, and that even fail in their one, purpose, which is to attract notice.

“Now, in spite of the foregoing, when you come to consider the life that is encountered here, you have to admit that there is a great deal to be said for it.”

Published: Mar 1, 1933
Length: 38 minutes (9,665 words)

Lidsky Lodge: My Top Longreads of 2011

Lidsky Lodge: My Top Longreads of 2011

Ross Andersen: My Top 5 Longreads of 2011

Ross Andersen is freelancer living in Washington, D.C. He has recently written about technology for The Atlantic, and is now working on an essay for the Los Angeles Review of Books. He can also be found on Twitter at @andersen.

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“The Mother of Possibility,” by Sven Birkerts, Lapham’s Quarterly

Procrastination being my favorite vice —and the impetus behind many a plunge into Longreads.com— it is perhaps not coincidental that this essay, an elegant defense of idleness, is my favorite of the year. Reading Birkerts may mean forgoing more pressing tasks, but he at least has the decency to make you feel like a visionary for doing so:

“Idleness … It is the soul’s first habitat, the original self ambushed—cross-sectioned—in its state of nature, before it has been stirred to make a plan, to direct itself toward something. We open our eyes in the morning and for an instant—more if we indulge ourselves—we are completely idle, ourselves. And then we launch toward purpose; and once we get under way, many of us have little truck with that first unmustered self, unless in occasional dreamy asides as we look away from our tasks, let the mind slip from its rails to indulge a reverie or a memory. All such thoughts to the past, to childhood, are a truancy from productivity. But there is an undeniable pull at times, as if to a truth neglected.”

“Evolve,” by Michael Shellenberger and Ted Nordhaus, Orion

Orion, billed as America’s finest environmental magazine, is a strange place to find a moving paean to technology, but that’s exactly what Shellenberger and Nordhaus have written here: a brief, albeit sweeping, history of the relationship between man the toolmaker and his environment.

“After the project was approved, the head of World Wildlife Fund Italy said, “Today the city’s destiny rests on a pretentious, costly, and environmentally harmful technological gamble.” In truth, the grandeur that is Venice has always rested—quite literally—on a series of pretentious, costly, and environmentally harmful technological gambles. Her buildings rest upon pylons made of ancient larch and oak trees ripped from inland forests a thousand years ago. Over time, the pylons were petrified by the saltwater, infill was added, and cathedrals were constructed. Little by little, technology helped transform a town of humble fisherfolk into the city we know today.”

“Why We Shouldn’t Treat Rap as Poetry,” by Willy Staley, The Awl

Because what’s not to like about a close look at the understudied phenomenon of ghostwriting in Hip-Hop? I’d almost forgotten about this piece until this superb tweet by John Pavlus reminded me of it.

“The Next Future,” by Michael Crowley, Lapham’s Quarterly

I badgered my Google Reader clique (R.I.P.) relentlessly with this essay, a sprawling take on science fiction, prediction and futurism—first by sharing it twice, and second by commenting on both shares with selected excerpts from the piece, so that it would show up at the top of Reader’s (since departed) Comment View. One such excerpt:

“And when read now, forty years from when I first began to write it, what is immediately evident about my future is that it could have been thought up at no time except the time in which I did think it up, and has gone away as that time has gone. No matter its contents, no matter how it is imagined, any future lies not ahead in the stream of time but at an angle to it, a right angle probably. When we have moved on down the stream, that future stays anchored to where it was produced, spinning out infinitely and perpendicularly from there.”

“Windsor Knot,” by Jonathan Freedland, New York Review of Books

Sure, Christopher Hitchens’ takedown of the Royal Wedding was a more satisfyingly vicious read (“By some mystic alchemy, the breeding imperatives for a dynasty become the stuff of romance, even fairy tale.”) but it missed the complexity of Freedland’s piece, which opens with a withering run of digs at the crown, before finishing on a grace note about the Queen’s place in British culture.

“Fear and Self-Loathing in Las Vegas,” by Zach Baron, The Daily

As the author notes, Vegas, particularly Hunter S. Thompson’s Vegas, is without peer as clichéd essay subject. Nonetheless, Baron manages a dazzling walk along the meta-tightrope he has stretched between himself and the strip’s gaudy towers. He manages to generate fresh insights about the culture of the city, while serving up a penetrating, and at times unflattering, look at the impulse behind Thompson’s original project and his own. Oh and all this before Baron goes undercover at DEFCON, an annual hacker convention at which journalists are notoriously unwelcome. 

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Brian Wolly: My Top 5 Longreads of 2011

Brian Wolly is an associate web editor at Smithsonian Magazine.

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1. Tom Bissell’s Breakdown of L.A. Noire on Grantland

When ESPN and Bill Simmons’ Grantland debuted in early June, the knives were out and its initial reaction was mixed at best. Like many, I approached the new project with simultaneous skepticism and optimism, but it wasn’t Simmons or Chuck Klosterman that sold me on the site’s potential. Bissell’s searingly accurate review and analysis of Rockstar’s supposedly groundbreaking video game L.A. Noire was the revelatory pice of writing that said, “Grantland will be around for a long time.” With his wit and contemplative style of placing L.A. Noire in the context of where the video game industry is headed, Bissell brought two much-vaunted products (Grantland and the game) down to Earth.

2. Sarah Stillman on the Invisible Army in Iraq

Perhaps no story from the New Yorker this year was more under-recognized than Stillman’s devastating expose on the third-country nationals working on U.S. military bases. The never-ending strata of deception piled upon political indifference was staggering. Her reportingwas a mash-up between the existential dread of The Wire with Eugene Jarecki’s Why We Fight and it deserves to be recognized for its brilliance.

3. The Film Nerd 2.0 Series on Star Wars: Parts 1, 2, 3, 4, 5, and 6

The six posts that encompass Drew McWeeny’s adventure in introducing his two sons to the six Star Wars films are a joyous series that reawakened the film nerd in me as well. McWeeny does the impossible: he makes me appreciate the Phantom Menace. For any parent (or eventual parent) who dreams of showing their own kids the two trilogies, McWeeny offers an endearing road map for how to do so. For those who want to just show the original trilogy, he’ll show you why you’re wrong.

4. Jonathan Bernhardt on Peter Angelos and the Orioles

In 2005, with the introduction of the Washington Nationals, I had to choose between my hometown’s new team and the team I had grown up rooting for, the Baltimore Orioles. I picked the Nats and have never looked back. Here are Bernhardt’s catalogues of Angelos’ transition from working class hero to the most despised owner in professional baseball. Taken in aggregate, the list of misdeeds gets to the heart of loving a team that will always disappoint.

5. James Fallows on Hacked!

In his Atlantic cover story, Fallows relates what everyone’s biggest nightmare, losing control of their gmail, happened to his wife. I sent the piece around to friends and family, insisting that they implement the steps Fallows recommended. Service journalism at its best.

And quickly, 3 great longreads from Smithsonian.com:

1. A Mega Dam Dilemma in the Amazon

Clay Risen weighs the positives and negatives with the Inambari Dam in Peru — the astounding photos by Ivan Kashinsky are also worth a look.

2. The Beer Archaeologist

Staff writer Abigail Tucker takes on the toughest assignment ever: reporting on Dogfish Head Brewery’s attempts to recreate ancient beer recipes.

3. Minter’s Ring: The Story of One World War II POW

Our new history blog is a great source for so many #longreads, but Gilbert King’s retelling of Minter Dial’s lost ring is a stirring tribute to the “Greatest Generation.”

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Kevin Smokler's Top 5 Deep Interviews of 2011

Kevin Smokler is the author of the forthcoming essay collection Practical Classics: Rereading Your Favorite Books from High School (Prometheus Books, 2013) and curator of Deep Interviews here on Longreads. 

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Here on Longreads, I’m curating Deep Interviews (#deepinterviews)—lengthy interviews with interesting people—a format I’ve grown to love. It’s not quite original reporting but certainly more than transcription, a showcase for at least three of my favorite art forms—conversation, listening and set decoration. A great interview not only brings us inside the mind of an interesting person but inside the room where the conversation happened. And while many of the best presenters of interviews (The Paris Review, Playboy, Bomb) use an iterative process—the final interview emerging from several sessions like portrait painting—many others, equally loved, are on-the-spot reporting while all the action sits in hotel room club chairs. We the reader are invited in but are not the important person. We’re probably leaning uncomfortably against the bathroom door and trying to stay out everyone’s way. 

For this best-of list, I’ve chosen only interviews that you can read right now, no subscription required, from 5 different publications, at five different points in the trajectory of a culturally-known person. If the Deep Interview is a butterfly, below we’ve got pupae to pretty flying thing, though in no order biology would understand. 

2012 is looking to be a denser, dizzier time for the Deep Interview. More publications are opening their archives and the Charles Foster Kane basement of the genre (explained below). The hashtag #deepinterviews will keep you up to date on all these developments starting right now. 

I. William Gibson, The Paris Review Interview (Summer 2011 Issue)

Gibson knocks ‘em dead here—funny, smart, but plain and practical. A line like “We’re increasingly aware that our society is driven by these unpredictable uses we find for the products of our imagination,” which left me thinking for a solid 40 minutes, is tossed off without pause. There’s also plenty for those of us who know science fiction much more as cultural phenomenon than by the particulars of the author’s worlds. I’m also guessing that even the diehards will be pleased by Gibson calling Neuromancer, his most famous novel, “a soap box derby car.” 

II. Scott Shepherd and Richard Maxwell: Bomb Magazine (Summer 2011 Issue)

BOMB has featured artist-on-artist interviews as its signature offering since 1981. About 90% of the time I have no idea who the subjects are and that’s just the way I like it. I read BOMB to unearth areas of creativity. Their interviews are my miner’s helmet. 

Scott Shepherd is an actor with the New York theater company Elevator Repair Service. ERS was profiled last year in the New Yorker as they were putting up GATZ, a six-hour word-for-word retelling of The Great Gatbsy. Richard Maxwell is an experimental theater director. Of them, I know The Great Gatsby, the New Yorker and that’s it. These guys don’t have a bunch of old war stories but rather experience collected as the raw material of the future, of projects yet conceived and horizons yet crossed. I don’t understand a fair amount of the theorizing about theater that they do. But the conversation is open enough for curiosity and learning and in that way, is the creative process itself in miniature. 

III. tUnE-yArDs: Pitchfork Interviews (April 25, 2011)

I loved Merrill Garbus (TY is her project) after reading this interview. She’s funny, self-aware, thoughtful. She’s also exactly the kind of musician you want big sloppy success for, which is what makes this piece such a great example of a type: The interview that catches a star on the rise. 

Pitchfork catches Garbus right before a tour, when she’s “doing a lot of boring and wonderfully domestic things.” Read the rest and you’ll think “I don’t think Merrill Garbus will be doing her own laundry much longer unless she wants to.” Also the interviewer both acknowledges that TY does not fit a current musical trend yet nonetheless insists on asking if Garbus went through a “punk phase” (nothing in her afro-pop-inspired-vocal-heavy songs would indicate this. The interviewer seems to think that any musician not wearing glitter must have had a punk phase) and rushing past Garbus’s narration of her musical salad days in the uncool 1980s to get to her time spent in the more culturally approved 1990s. 

Garbus is having none of it. She is straight with the journalist but firm that her story not fit any convention but her own. 

I wish only great things for Merrill Garbus after reading this. And I hope she also files it away as capturing a moment before all those big things happened. 

IV. Giancarlo Esposito: The Onion AV Club Interview (Oct. 7, 2011)

Read enough interviews and you thank 18 different gods when someone with a criminally underrated career is given room to talk about themselves. Such is the case with Giancarlo Esposito, a character actor who makes everything he appears in better just with his presence. 

Esposito has been acting since the 1980s and I became aware of him from starring roles in Spike Lee’s early films. If you’re around my age (38) you probably remember him as Buggin’ Out in Do the Right Thing or as Cab Driver YoYo in Jim Jarmusch’s Night on Earth. The AV Club’s got him here for his role as Gustavo Fring, the newest addition to the acclaimed series Breaking Bad, unseen by me. But I still say “thank god” and “about time.” Fifty more like this with Mr. Esposito please and at least that many actors like him. 

V. Martin Luther King Jr: The Playboy Interview (January, 1965, republished Oct. 21, 2011)

I’ve got this one here as a representation of where the availability of Deep Interviews is going. Playboy has taken to republishing from its 50-year archive of interviews via reader requests on the magazines Facebook page. Martin Luther King Jr.’s is here by reader demand, a rebuke to the idea that no one reads Playboy for the articles. 

Beyond that, Playboy’s efforts are an indicator of reader demand for this kind of journalism. And with any luck, more availability, more openness, at whatever rate, is where we’re headed. BOMB and The Paris Review already have their complete interview archives available on line and free. I’d love to see more publications head that way. 

An even bigger interview drop is coming in the next two years. The Library of Congress is in the process of digitizing the entire collection of interviews by Studs Turkel, perhaps America’s greatest interviewer. The first of those nearly 7,000 conversations is due to be made publicly available sometime next year. 

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New York Magazine's Ben Williams: My Top Longreads of 2011

Ben Williams is the online editorial director at New York Magazine.

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1. Celebrity profiles are the hardest genre to make fresh. So props to GQ for doing it not once but three times, with Jessica Pressler on Channing Tatum, Edith Zimmerman on Chris Evans, and Will Leitch on Michael Vick. With Pressler and Zimmerman, what’s great is the willingness of both subject and writer to play, and the dynamic between them—these pieces exploit the “profile as date” subtext really well. It’s fun to think about them as a sort of inverse to Jennifer Egan’s brilliant satire of the profile biz in A Visit From the Goon Squad.  In the Vick piece, what I like is the way that Leitch uses the PR apparatus around the process of profiling Michael Vick to reveal what’s at stake for him. He didn’t get much time with Vick, just a photo shoot and a phone call, but he used it to both explain and complicate the Michael Vick Story that the quarterback’s handlers want to tell. 

2. There are a bunch of New Yorker stories I could pick—Ryan Lizza’s “leading from behind” piece on Obama’s foreign policy was so influential; Jane Mayer on Thomas Drake and state secrets was fascinating and moving; Kelefah Sanneh not only wrote a great analysis of Odd Future, he tracked down their missing member; David Grann is David Grann—but my favorite was Jeffrey Toobin’s take on Clarence Thomas. There are so many things going on here: It’s a revisionist view that frames Thomas as very smart and canny; it shows how one justice can move the entire Supreme Court over decades through the way opinions are written; it sets the stage for next year’s healthcare ruling as a culmination of Thomas’s entire mission; and it makes clear once again just what a strange, extremist man he is.

3. Overall, my favorite thing in the new New York Times Magazine is probably the Riffs section—it identified a gap in the preview-and-review saturated culture journalism market, which is (relatively) long form argument/idea-driven pieces. To pick a few highlights: Dan Kois’s piece on avant-garde movies kicked off a fierce, endless, at times kind of ridiculous debate that just about every movie critic had to weigh in on; Adam Sternbergh’s piece on jokeless comedies defined an era; Sam Anderson on Derek Jeter both mocked empty sports hagiography and read like a hilarious version of Donald Barthelme. Alternate winner in this category is the New York Review of Books, which published some of the best cultural essays this year—Daniel Mendelsohn on Mad Men and Spiderman, Lorrie Moore on Friday Night Lights, and Dan Chiasson on Keith Richards were all delightful and provocative.

4. I just loved Paul Ford’s “The Web is a Customer Service Medium.” It’s the kind of piece that would be hard to get into a print magazine for various reasons, but it resonated instantly online. It’s a pretty abstract argument about a subject that’s not exactly under-analyzed—what is web content about, and how is it different from other forms of content?—but it opens by coining a phrase which instantly makes sense to anyone who works on the web: “Why wasn’t I consulted?” And then it goes on to make a very detailed, specific, convincing, and non-buzzword-filled argument that isn’t formulated expressly to piss off anyone who works in “old media,” which is refreshing.

5. Finally, some favorites in the emerging multimedia genre of longform tweeting. I probably read more words on Twitter than anywhere else this year, and I am grateful for the stamina of those who somehow manage to tweet and retweet extended thoughts all day, every day on specific themes. I learned as much about the Arab Spring by dipping into @acarvin’s feed as from any essays about it. @daveweigel is constantly insightful, and one of the few people capable of being funny about politics. Following @questlove’s stream is like listening to the world’s kindest, most passionate music geek.

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From the beginning, their physical relationship was governed by the peculiar ways their respective brains processed sensory messages. Like many people with autism, each had uncomfortable sensitivities to types of touch or texture, and they came in different combinations.

Jack recoiled when Kirsten tried to give him a back massage, pushing deeply with her palms.

“Pet me,” he said, showing her, his fingers grazing her skin. But Kirsten, who had always hated the feeling of light touch, shrank from his caress.

“Only deep pressure,” she showed him, hugging herself.

He tried to kiss her, but it was hard for her to enjoy it, so obvious was his aversion. To him, kissing felt like what it was, he told her: mashing your face against someone else’s. Neither did he like the sweaty feeling of hand-holding, a sensation that seemed to dominate all others whenever they tried it.

“Navigating Love and Autism.” — Amy Harmon, The New York Times

See more #longreads about autism

Gangrey: Our Top 5 Longreads of 2011

Gangrey.com is a site dedicated to the practice of great newspaper and magazine storytelling. 

Some of these picks make it seem like we like each other. We do, most of the time. But we’re also intense critics. We get together in the woods in Georgia one weekend each year to tear one another apart. Physical combat is not rare. It’s in that spirit that you’ll find some cross pollination in the picks below. You’ll also see some good stuff that hasn’t shown up on the Top 5 lists so far. That’s on purpose. Hope you enjoy, and please know you’re welcome to come join us for last call over at gangrey.com. Drinks are on Wright.

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Wright Thompson

Thompson is a senior writer for ESPN.com and ESPN The Magazine, and he lives in Oxford, Mississippi.


“A Brevard Woman Disappeared, But Never Left Home,” Michael Kruse, St. Petersburg Times

“You Blow My Mind. Hey, Mickey!” John Jeremiah Sullivan, New York Times Magazine

“The View From Within,” Seth Wickersham, ESPN The Magazine

“Why Does Roger Ailes Hate America?” Tom Junod, Esquire

“The Real Lesson of the Tucson Tragedy,” David Von Drehle, Time

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Justin Heckert

Heckert is a writer living in Atlanta. 

“The Apostate” by Lawrence Wright, The New Yorker

 ”The Bomb That Didn’t Go Off,” Charles P. Pierce, Esquire

“Could Conjoined Twins Share a Mind?” Susan Dominus, New York Times Magazine

“A Brevard Woman Disappeared, but Never Left Home”, by Michael Kruse, St. Petersburg Times

“Staying the Course”, Wright Thompson, ESPN 

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Thomas Lake

Lake is a senior writer for Sports Illustrated living in Atlanta.


 “A Brevard Woman Disappeared, But Never Left Home,” Michael Kruse, St. Petersburg Times

“True Grits,” Burkhard Bilger, The New Yorker (sub. required)

“Diving Headlong Into A Sunny Paradise,” Lane DeGregory, St. Petersburg Times

“Could This Be Happening? A Man’s Nightmare Made Real,” Christopher Goffard, Los Angeles Times

“When A Diver Goes Missing, A Deep Cave Is Scene Of A Deeper Mystery,” Ben Montgomery, St. Petersburg Times

“The Beards Are A Joke,” Justin Heckert, Atlanta Magazine, April 2011

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Mark Johnson

Johnson is a 2010 Pulitzer winner who covers health and science for The Milwaukee Journal Sentinel and once played guitar for a Rockford, Ill., grunge band called The Bloody Stumps.


“Watching the Murder of an Innocent Man,” Barry Bearak, New York Times Magazine

“Punched Out,” John Branch, New York Times

“The Incredible True Story of the Collar Bomb Heist,” Rich Schapiro, Wired

“Imminent Danger,” Meg Kissinger, Milwaukee Journal Sentinel

“Diving headlong into a sunny paradise,” Lane DeGregory, St. Petersburg Times

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Michael Kruse

Kruse, a staff writer at the St. Petersburg Times and contributing writer to ESPN’s Grantland, won this year’s ASNE award for distinguished non-deadline writing.


“The Lost Boys” Skip Hollandsworth, Texas Monthly

The easiest-to-read hardest thing I read this year.

“The Lazarus File,” Matthew McGough, The Atlantic

Simple: suspense and surprise.

“You Blow My Mind. Hey, Mickey!” John Jeremiah Sullivan, The New York Times Magazine

My first reaction when I read this? Jealousy and awe. And when I read it a second time? And a third? Same.

“A man’s nightmare made real,” Chris Goffard, the Los Angeles Times

Riveting. The work of a master.

“God’s Away on Business,” Spencer Hall, Every Day Should Be Saturday

George Teague, college football and big thoughts.

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Ben Montgomery

Montgomery is an enterprise reporter for the St. Petersburg Times, and he lives in Tampa.


“If I Die Young,” Lane DeGregory, St. Petersburg Times

“The Guiltless Pleasure,” Rick Bragg, Gourmet

“A Lot To Lose,” Tony Rehagen, Indianapolis Monthly

“The Shepard’s Lamb,” Danielle Paquette, Indiana University Daily Student

“Voice of America,” by Coozledad, rurritable

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Navigating Love and Autism

Longreads Pick

From the beginning, their physical relationship was governed by the peculiar ways their respective brains processed sensory messages. Like many people with autism, each had uncomfortable sensitivities to types of touch or texture, and they came in different combinations.

Jack recoiled when Kirsten tried to give him a back massage, pushing deeply with her palms.

“Pet me,” he said, showing her, his fingers grazing her skin. But Kirsten, who had always hated the feeling of light touch, shrank from his caress.

“Only deep pressure,” she showed him, hugging herself.

He tried to kiss her, but it was hard for her to enjoy it, so obvious was his aversion. To him, kissing felt like what it was, he told her: mashing your face against someone else’s. Neither did he like the sweaty feeling of hand-holding, a sensation that seemed to dominate all others whenever they tried it.

Author: Amy Harmon
Published: Dec 26, 2011
Length: 21 minutes (5,446 words)

Mike Dang: My Top 5 Longreads of 2011

Mike Dang is editor of Bundle and managing editor for Longreads. See his longreads page here.

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I’ve read a lot of great longreads this year, but I know that a longread is truly special when I become its biggest cheerleader. I’ll casually slip the story into conversations, teasing out some of its best bits to wheedle the person into reading it later on his or her own. Here are five of those stories:

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“Windeye.” Brian Evenson, PEN America

Although this story wasn’t published in 2011, it was one of my favorites from the 2011 Pen/O. Henry Prize winners published in an anthology earlier this spring. The set up is terrific:

“Something wrong with the window,” he said. “Or not the window exactly but the number of windows.” She was smiling, waiting. “The problem is the number of windows. There’s one more window on the outside than on the inside.” He covered his mouth with his hand.

“Chat History.” Rebecca Armendariz, GOOD

Most of our casual conversations occur over e-mail threads or instant messenger, rather than the telephone. This happens so frequently that we rarely go back to read those threads and chats. In this heartbreaking longread, a woman remembers a relationship through a series of chats archived in her Gmail inbox. It compelled me to go through my own archives.

“Getting Bin Laden,” Nicholas Schmidle, The New Yorker

Already on many people’s Top 5 lists, this is one of the most exciting stories I’ve read. Schmidle was able to make you feel like you are with the 23 Navy SEALs who were on the ground in Abbottabad the night we got Bin Laden, even though he was only able to piece the story together by interviewing a number of people directly involved in the raid. I love how he focused on all the minute details — including a bit where the White House ordered sandwich platters from Costco before turning the Situation Room into a war room.

When Irish Eyes Are Crying.” Michael Lewis, Vanity Fair

I write about money for a living, so I read everything about the financial crisis. Michael Lewis is one of the best financial journalists of our time, and he has pointed out time and again how terrible countries and its people can be with money (the U.S. in “The Big Short,” Iceland in a V.F. longread published in April 2009, and Greece in a V.F. longread published in Oct. 2010). Lewis continues his “financial disaster tourism” with Ireland this year, and, once again, leaves us shaking our heads.

“Mister Lytle: An Essay.” John Jeremiah Sullivan, Paris Review

I know. JJS is clearly the Ryan Gosling of longreads this year. This essay was published last fall, but I didn’t get a chance to read it until I picked up Sullivan’s collections of essays, Pulphead. Sullivan recalls a time when he served as a houseboy for Andrew Lytle, a revered Southern author. The way Sullivan unfolds his story is just: magical. Other readers agree — the essay won a National Magazine Award in May.

Bonus:

“The Fresh Air Interview: Jay-Z ‘Decoded.’” Terry Gross, Fresh Air

The great thing about radio longreads — otherwise known as #audiofiles — is that producers get some poor intern to transcribe the entire broadcast so it doubles as a longread. I love the part where Terry and Jay-Z discuss the story behind “99 Problems” — really just the idea that Terry sat down to listen to Jay-Z’s records for this interview is perfect.

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