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Unauthorized, but Not Untrue: The real story of a biographer in a celebrity culture of public denials, media timidity, and legal threats

Unauthorized, but Not Untrue: The real story of a biographer in a celebrity culture of public denials, media timidity, and legal threats

Alex Pappademas: My Top 5 Longreads of 2010

Alex Pappademas is a staff writer for GQ

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Rules: Nothing not published this year, nothing from GQ, because I work there, and—in the spirit of the assignment—nothing I didn’t first read on my iPhone. (And I realize now, having done this whole thing, that everything on the main list is from a print-based publication, which should not be taken as some kind of a Statement. I still love you, Internet!)

Michael Kruse, Lonely, Stressed and Frustrated: Inside the Mind of the Pinellas Monkey (St. Petersburg Times, May 16, 2010)

Best celebrity profile I read this year, and it’s a write-around. About a monkey. “People who are alone tend to make self-destructive decisions. They might drink too much or not eat right. They start giving up. And the monkey here, he explains, isn’t all that different.”

Mark Harris, The Red Carpet Campaign (New York, 2/7/10)

Reported essay about awards-season swirl and how the pseudo-event sausage of the Academy Awards gets made. The gist: “A good Oscar narrative makes voters feel that, by writing a name on a ballot, they’re completing a satisfying plotline. Only a few of these stories are effective, and every campaign season, movies scramble to own them.” Sprawling yet surgical; managed to make me care, in February, about a subject I’m usually utterly post-give-a-shit about by Thanksgiving.

Rob Tanenbaum, The Playboy Interview: John Mayer (Playboy, March 2010)

Yeah, this is the one where Mayer rendered himself culturally leprous with a few spectacularly ill-advised comments about African-Americans and his weiner— but it’s also the best Q&A with a rock personality I read this year. Speaking as somebody who does this for a living: It’s hard to get something interesting out of a subject who’s reluctant or dumb, but it’s actually way harder to take a quote machine like Mayer— who’s historically used compulsive self-disclosure and meta-acknowledgements of what he knows about the interview process to completely run the table in these situations— somewhere he doesn’t want to go. And, uh, obviously, that’s what happened.

Chris Jones, Roger Ebert: The Essential Man (Esquire, February 2010)

I spent an embarrassing amount of time—like, months—working on a snakebit-from-the-beginning Ebert profile for GQ five years ago. It never ran, mostly because it sucked. Sucked on draft 1, sucked worse on draft 18. (Like Rog once said about certain reviews: “The bad ones take forever.”) So I was all ready to hate this Ebert story just for existing and appearing in a magazine and reminding me of how spectacularly I blew it in 2005—but I didn’t, because it’s so goddamn good it turned off the part of my brain that hates people for being better than me. That part where Ebert gets mad at Disney’s copyright police for taking down YouTube videos of him and Siskel, and because he can’t yell, he makes the font bigger and bigger? “He presses the button again and again and again, the words growing bigger and bigger and bigger until they become too big to fit the screen, now they’re just letters, but he keeps hitting the button, bigger and bigger still, now just shapes and angles, just geometry filling the white screen with black like the three squares. Roger Ebert is shaking, his entire body is shaking, and he’s still hitting the button, bang, bang, bang, and he’s shouting now. He’s standing outside on the street corner and he’s arching his back and he’s shouting at the top of his lungs.” Holy fucking shit.

Joe Hagan, The Return of Governor Moonbeam, And Other Hallucinations From The Golden State (New York, October 10, 2010)

Schwarzenegger, Jerry Brown and Meg Whitman contest the California narrative as the state, fiscally gut-shot by the housing collapse, tumbles broke and stoned into the sea; Hagan weaves Jerry’s free-association and Schwarzenegger’s puny-humans ranting and Meg Whitman’s total carpetbagging bullshit in and out of a bunch of elegant set pieces—the Hyatt-ballroom rally, the pot dispensary, David Boies’ beach house. The obvious comparison to make when you’re talking about a story where a writer tries to comprehend weed-hazy apocalyptic California is Joan Didion, but the real bookend for this one—culturally, decade-wise, whatever—is the series of dispatches Hank Stuever filed from L.A. and Sacramento back in 2003, during the nutsoid recall election that led to Schwarzenegger taking office in the first place. (They’re collected in his book OFF RAMP as one essay, “Recallifornia”; the story about Gary Coleman is here. Read those and Joe’s story back to back, groove on the paradox of Californian perma-decline.)

Honorable mentions, aka “I could have done 15 of these”:

Jay Caspian Kang, The High Is Always The Pain and the Pain Is Always the High (The Morning News, 10/8/10), which I read after everybody else put it on their Top 5 lists, so I’m not counting it, because totally arbitrary rules are rules.

Sean Witzke, Emma Peel Sessions 39 – ‘Have you seen the Lady From Shanghai? Orson Welles… that one makes no sense’ (supervillain.wordpress.com, 7/5/10)

Molly Lambert, In Which We Eagerly Await Aaron Sorkin’s Friend Request (thisrecording.com, 10/7/10)

Michaelangelo Matos, eMusic Q&A: Rob Sheffield (17dots, 8/5/10)

Mary HK Choi and Natasha Vargas-Cooper, On ‘New Moon’: ‘Teenage Female Desire Manifest’ (The Awl, 11/20/10)

Oh, and it’s from 2009, but: Chris Stangl, Ghost Train: The Lost Pauline Kael Review of PLAN 9 FROM OUTER SPACE (1959) (The Exploding Kinetoscope, 7/7/09)

The Fall of Niagara Falls

The Fall of Niagara Falls

Teen Mathletes Do Battle at Algorithm Olympics

Teen Mathletes Do Battle at Algorithm Olympics

The Pentagon Papers Trial

The Pentagon Papers Trial

Matt O'Rourke: My Favorite Longreads from 2010

Matt O’Rourke is interactive group creative director for Crispin Porter+Bogusky in Boulder.

copymattt:

For those of you that like the internet for things other than cats and boobies, I give you 5 of my favorite Longreads from the past 12 months.

Hit-and-run vicitm was quiet, dependable, co-workers say

If you’re really lucky, Andrew Meacham will still be alive when you die.

The 2010 Rapha Gentleman’s Race Report

Heidi Swift on bikes, dirt, enduring love and lots of vomit. 

5 Year-Old Slugger

A simple story told beautifully by one of the best sports-writers on earth. 

Letter From Manhattan

Joan Didion’s original review of Woody Allen’s last great movie.

And God Created Controversy

On the surface this seems like one of the dumbest interviews ever documented. It is.

Choire Sicha: Five Longreads from 2010: Boundary Issues

Choire Sicha is (of course) co-founder/editor of The Awl, which also happened to publish some of my favorite longreads of 2010.

choire:

In honor of the Longreads year-end fiesta of Things That People Have Read That Are Considered Long (And Also Worthy) from 2010, herewith, five things that stuck with me.

But first, a note about what was excluded. For starters, a number of things from The Awl, which were of course my ultimate favorites. (I won’t name names, because I love everyone who writes for us equally but also in a unique and special way, but I will point out that we have a delightfully browsable Longreads tag!)

Then also, what I think is my favorite story of the year, Janet Malcolm’s “Iphigenia in Forest Hills,” is subscription-only online. (It is here.) So it can’t be included, because, democracy now! Or something. (Attention currency now?) Likewise, Emily Witt’s excellent “Miami Party Boom” is excerpt-only online (it is here) and so must also be excluded. (But you should buy that issue just to read it. And I do mean “just”! (I’m kidding, n+1! Love you! Because also the second part of the Elif Batuman travelogue about Samarkand in that issue is totally worth reading.)

Preamble over!

So here are five complicated, thorny, sometimes even aggravating pieces of writing that stuck with me throughout the year, usually for better, only rarely for worse. These address, in different ways, issues of how we we write. With what sort of language? What do we disclose and when? How do we discuss ourselves? What is the value of talking to other people when writing about our experiences? And then what do we do with that information? Most importantly, exactly how can and should we write about others? (That is another reason why the Janet Malcolm piece was so important.) What obligations do we have?

• Maureen Tkacik, “Look at Me!

• Jay Caspian Kang, “The High is Always the Pain and the Pain is Always the High

• Emily Gould, “Death and Blogging

• Sady Doyle, “13 Ways of Looking at Liz Lemon

• Pitchfork Reviews Reviews, “wrote this last night on my blackberry at
the forever 21 flagship launch party

Jamie Dimon: America's Least-Hated Banker

Jamie Dimon: America’s Least-Hated Banker

Chris Jones: My Top 5 Longreads of 2010

Chris Jones is a writer at large for Esquire. (His stories are on many of your Top Fives.) He’s currently blogging at My Second Empire.


David Grann: The Mark of a Masterpiece, The New Yorker, July 12, 2010

Just a perfectly constructed, painful reveal of the sinister side of the art world, starting at its origins, with the artist’s fingerprints.

Michael Kruse: Stories of LeBron and sportswriter intertwined, tangled, The St. Petersburg Times, Nov. 21, 2010

Maybe the best way to approach an over-covered subject: write about him by writing about someone else. (See Breslin, Jimmy. Digging JFK Grave was His Honor.)

Eli Saslow: For a look outside the presidential bubble, Obama reads 10 personal letters a day, The Washington Post, March 31, 2010

For a look inside the presidential bubble, report the hell out of the story of a single letter.

CJ Chivers: A Firsthand Look at Firefights in Marja, The New York Times, April 19, 2010

Every time CJ Chivers heads off to war and sends back a story, I feel like less of a man and less of a writer.

Tom Junod: Eating the Whole Animal, from the Inside-Out, Esquire, April 2010

Pure entertainment by one of the all-time great magazine writers. Also contains the sentence: “The veins are what freaked me out.” Impossible to resist. Reading, not eating, that is.

Matthew Aldridge: My Top 5 #longreads, 2010

aldridge:

My Top 5 #longreads of 2010, featuring a thief, a killer, a fraudster, two musicians, and a film critic:

The Art of the Steal Joshuah Bearman, Wired
“Blanchard slowly approached the display and removed the already loosened screws, carefully using a butter knife to hold in place the two long rods that would trigger the alarm system. The real trick was ensuring that the spring-loaded mechanism the star was sitting on didn’t register that the weight above it had changed. He reached into his pocket and deftly replaced Elisabeth’s bejeweled hairpin with the gift-store fake.”

Roger Ebert: The Essential Man Chris Jones, Esquire
“He opens a new page in his text-to-speech program, a blank white sheet. But Ebert doesn’t press the button that fires up the speakers. He presses a different button, a button that makes the words bigger. He presses the button again and again and again, the words growing bigger and bigger and bigger until they become too big to fit the screen, now they’re just letters, but he keeps hitting the button, bigger and bigger still. Roger Ebert is shaking, his entire body is shaking, and he’s still hitting the button, bang, bang, bang, and he’s shouting now.”

The Hunted Jeffrey Goldberg, The New Yorker
“Then comes an arresting sequence, one seldom seen on national television: the killing of a human. The scout, his face blotted out electronically, fires a single shot at him. Then, from offscreen, come three more shots. The camera stays focussed on the wounded man, lying on the ground. His body jerks at the first and third shots. Then it is still.”

The Mark of a Masterpiece David Grann, The New Yorker
“Reporters work, in many ways, like authenticators. We encounter people, form intuitions about them, and then attempt to verify these impressions. I began to review Biro’s story. As I probed further, I discovered an underpainting that I had never imagined.”

Insane Clown Posse: And God Created Controversy
Jon Ronson, The Guardian
“I suddenly wonder, halfway through our interview, if I am looking at two men in clown make-up who are suffering from depression. Shaggy nods quietly. ‘I get anxiety and shit a lot,’ he says. ‘And reading that stuff people write about us… It hurts.’”

See my (much longer) list of the best long-form journalism of 2009.

Follow @longreads, or search for #longreads on Twitter. Or follow me, @mpaldridge.