Search Results for: The Nation

Searching for Sugar Daddy

Longreads Pick

A very blunt and humorous examination of the sugar daddy/baby dynamic.

Source: GQ
Published: Aug 27, 2015
Length: 17 minutes (4,429 words)

The Downstairs Gays

Longreads Pick

John Sherman straddles the line between cyberstalking and innocent curiosity in this humorous essay about his fascination with the downstairs neighbors.

Published: Aug 13, 2015
Length: 9 minutes (2,284 words)

Breaking the Mold

A co-housing community. Photo: Tim Pierce

Jessica Gross | Longreads | August 2015 | 17 minutes (4,402 words)

 

Bella DePaulo, a Harvard-trained social scientist who is now a Project Scientist at UCSB, started her career researching deception. But it was when she delved into singlehood, her personal passion—she describes herself as “single at heart“—that she first felt enormous synchronicity with her research. “The singles work was something entirely different,” DePaulo told me over the phone. “It is really where I live in the literal and the figurative sense.” She has chronicled this work in scholarly papers, blogs for Psychology Today and PsychCentral, and written books including Singled Out: How Singles Are Stereotyped, Stigmatized, and Ignored, and Still Live Happily Ever After and Singlism: What It Is, Why It Matters, and How to Stop It.

In her latest book, DePaulo continues to examine lifestyles that don’t quite fit cultural norms. For How We Live Now: Redefining Home and Family in the 21st Century, she traveled around the United States, looking at alternative—that is, non-nuclear—ways of living. One example of this is co-housing, in which people live in separate dwellings but meet regularly in a shared common house. Another is Golden Girl Homes, an organization that helps “women of a certain age” live together. There’s also CoAbode, a registry for single mothers who want to live with other single-mom families. And there are even multigenerational homes, which function today in very different ways than we might imagine. Throughout, DePaulo stresses the balance between autonomy and community, and how our relative needs for each are so individual. The upshot is that, finally, no matter what our predilections, there is increasing space for us to create lifestyles that suit us.

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You’ve written a lot about being “single at heart” and knowing that you love being and living alone. Why were you drawn to study alternate living arrangements?

Well, part of the interest was other people’s interest: It was a topic that other people just really liked to talk about. There was a blog post I wrote, “Not Going Nuclear, So Many Ways to Live and Love,” that got a genuine response of people wanting to hear each other’s stories. I also noticed that it was a topic that was appearing not just in casual conversations, but in the media, too. It seemed to be something that was resonating.

As for me, I feel so, so committed, and always have, to living by myself. I wasn’t really exploring for myself—although I wonder if, at some level, I was wondering whether, if I ever really couldn’t continue to live by myself, there was some way out there that really would work for me. Read more…

Why Would Two Girls Attempt Murder for Slender Man?

Photo: MDL70

In 2014, two 12-year-old girls stabbed a friend, arguing that they did it for a fictional internet horror creature named Slender Man. Lisa Miller tries to understand why in New York magazine:

By the age of 8 — and definitely by 12 — psychologists agree, most children are as able as adults to sort out what’s real from what is not. What sets children and adolescents apart from adults is a mental task psychologists call “discounting” — the rational inner voices that can subdue overheated emotional responses to the imagination’s powerful projections and that come with the maturing of the frontal lobe by around age 25. That’s why a 50-year-old can finish rinsing her hair even as she recalls the shower scene from “Psycho,” while a 16-year-old will find herself with a racing heart, soapy and dripping on the mat. But the feeling of being in the thrall of a fantasy (even a morbid one) can be seductive as well, as comforting as getting high, as mesmerizing as Minecraft.

In this way, the friendship of Anissa and Morgan, with its shared obsessions and mutually satisfying imaginary play, was the rather unremarkable effort of two bright, alienated kids to build a world more thrilling than their reality, a private bubble that offered them belonging, excitement, and a sense of their own power. The problem wasn’t that Morgan and Anissa didn’t know they were living in a fantasy world: Ultimately, when pressed by adults, they acknowledged the difference between fantasy and reality. The problem was that they couldn’t — or didn’t — extricate themselves from the ­fantasy. “He does not exist,” Anissa told police on the day of the stabbing. “He is a work of fiction.” Morgan, the more troubled one, had a more enduring attachment to the fairy tale they had told themselves and that had brought them to the woods. But even she admitted, in her interview, that the attack on Bella was “probably wrong,” she said. “I honestly don’t know why we did this.”

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The Nature of a Narrative Line

September 17

Annie Dillard talks about how the narrative line has been devalued by modern physics. The narrative line to me is like a Mexican mural: flattened in perspective so all is present; cramped by detail, erotic, various, the flat depth held up in the imagination, its transience, and impermanence nakedly apparent. The narrative does not lead from one place to another, from the past to the future, but more deeply into the present, always the present and its sense of time is in tune with the human heart rather than the chessman’s calculating mind; present moves are a means to the future. The narrative line, then, is at rest and jostling at the same time. Like a sonogram of a pregnant woman’s belly: the fetus’ tiny heartbeat jostled by gas.

—Poet and essayist Gretel Ehrlich, in a journal entry from 1985. The above passage is quoted from Our Private Lives: Journals, Notebooks, and Diaries, a wonderful anthology of chapter-long selections from the journals of writers including Ehrlich, Annie Dillard, Jim Harrison, Norman Mailer, Oliver Sacks, and others.

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Loving Books in a Dark Age

The Venerable Bede, image via Wikimedia Commons

Michael Pye | The Edge of the World: A Cultural History of the North Sea and the Transformation of Europe | Pegasus Books | April 2015 | 31 minutes (8,498 words)

 

Below is a chapter excerpted from The Edge of the World, by Michael Pye, as recommended by Longreads contributing editor Dana Snitzky

 

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There was nobody else alive, nobody who could read or preach or sing the service, except the abbot, Ceolfrith, and one bright boy: who was local, well-connected and about sixteen, and whose name was unusual. He was called Bede, and he wasn’t called ‘saint’ or ‘venerable’, not yet. Read more…

The Discovery That Spawned the Synthetic Marijuana Industry

The biological reaction that marijuana triggers in the body had long been a mystery. Scientists could dissect marijuana’s active component — THC — tinker with its structure and conjure synthetic compounds based on that. But they did not know whether THC worked through non-specific interaction with cell membranes or whether it interacted with the brain’s sensory receptors, which read neurochemical messages and tell cells what to do.

Then, in the late 1980s, came the discovery of something called the cannabinoid receptor, which confirmed the latter of the theories. This was the system that THC stimulates. But it was much more than that.

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Its discovery marked a crucial moment in the development of synthetic cannabinoids. Rather than fumbling around in the dark, chemists could aim for a specific target — the cannabinoid receptor. Pioneering researchers started synthesizing fresh compounds to see how the receptor reacted to them.

“It took the black-magic aspect of marijuana’s activity and gave it a biomolecular mechanism in your body,” said Brian F. Thomas, a principal scientist with RTI International, a research institute. “Because you had this cannabinoid receptor, you could then look and find new compounds that can bind to that receptor.”

Terrence McCoy, writing in the Washington Post about John W. Huffman, a Clemson University chemist who unintentionally helped spawn Washington D.C.’s synthetic drug epidemic. Huffman was the first person to synthesize many of the cannabinoids used in synthetic cannabis. 

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Hygge: The Dark Side of Danish Comfort, a Story by Dorthe Nors

Dorthe Nors | Longreads |  August 2015 |  8 minutes (1,904 words)

 

Our latest Longreads Exclusive is a previously unpublished short story by Danish writer Dorthe Nors, translated into English by Misha Hoekstra, and chosen by Longreads contributing editor A. N. Devers, who writes: 

“I first came across the intriguingly sparse work of Dorthe Nors in the pages of the literary magazine, A Public Space. And then the magazine went on to publish her first short story collection translated into English, Karate Chop, in partnership with Graywolf Press, and it became one of my favorite books last year. Although her stories are quite short, they are flashes of sharp and bright light into the otherwise obscure and dark corners of life. Last winter, a particularly cold and brutal season for New York, I helped curate a reading series for a temporary exhibition space called Winter Shack, themed around the idea of exploring the concept of “coziness.” In Denmark, I’d learned the pursuit of being cozy is a particular philosophy with its own rules and traditions, undertaken to beat the winter doldrums. We were lucky that Nors was game to send along an introduction to the Danish custom of cozy as well as an original short story that demonstrates the dangers of pursuing its creature comforts. Longreads is proud to be the first publisher of this eye-opening story about the happiest people in the world.”

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A Drug-Fueled Sprint Through Times Square: The Opening Credits of ‘Broad City’

“I wanted it to be big, bold, and weird,” Perry explains of his initial inspiration during our conversation with him. He highlights his exploration of color as a way to “vibrate the viewer.” His designs nail this goal, flashing fast and bright like a drug-fueled sprint through Times Square…

Artist Mike Perry had so many ideas ahead of his initial meeting with Ilana Glazer and Abbi Jacobson, the show’s creators and stars, that one was not enough. So every episode of the Comedy Central series — returning for its third season next spring — offers the viewer a different sequence and a new glimpse into Perry’s limitless imagination.

The Art of the Title takes you behind the scenes with Mike Perry, the illustrator behind the colorful chaos of the “Broad City” credits, and Julie Verardi, Comedy Central Senior Designer and Animator. Both Perry and Verardi grew up doodling; their collaboration on “Broad City” involves Perry hand-drawing 10 to 100 intricate frames, while Verardi edits and perfects the animation.

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The Top 5 Longreads of the Week

Refugee camp in Dohuk, Kurdistan. Photo: Enno Lenze, Flickr

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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