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Longreads Member Exclusive: My Body Stopped Speaking to Me, by Andrew Corsello

Longreads Pick

For this week’s Member Pick, we’re excited to share “My Body Stopped Speaking to Me,” a personal story from GQ writer and National Magazine Award winner Andrew Corsello about a near-death experience. The piece was first published in GQ in 1995.

Source: GQ
Published: Nov 1, 1995
Length: 25 minutes (6,489 words)

Housebreaking

Longreads Pick

[Fiction, National Magazine Awards finalist] A lapsed Christian Scientist meets a woman escaping her past:

“Seamus lived in Wheaton, Maryland, in the last house on a quiet street that dead-ended at a county park. He’d bought the entire property, including a rental unit out back, at a decent price. This was after the housing market crashed but before people knew how bad it would get—back when he was still a practicing Christian Scientist, still had a job and a girlfriend he’d assumed he would marry. Now, two years later, he was single, faithless, and unemployed. The money his mother had loaned him for a down payment was starting to look more like a gift, as were the checks she’d been sending for the last year to help him cover the mortgage. His life was in disrepair, but for the first time in months he wasn’t thinking about any of that: he was sitting out back on a warm spring day with a woman. Her name was Charity, and she was a stranger.”

Published: May 6, 2013
Length: 48 minutes (12,042 words)

Now on Newsstands: Modern Farmer

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One of our favorite parts about running Longreads is getting to know all the excellent magazine, book and online publishers out there producing great storytelling. We thought it would be fun to profile them—starting today with Modern Farmer. We spoke with deputy editor Reyhan Harmanci about their inaugural issue, out now.

Publication: Modern Farmer (inaugural issue)

Founded: April 2013

HQ: Hudson, New York

Editors: Ann Marie Gardner (Editor-in-Chief), Reyhan Harmanci (Deputy Editor), Andy Wright (Senior Editor), Jake Swearingen (Web Editor)

How did the magazine come together?

“The whole operation began when, a few years ago, Ann Marie was working for the New York Times and Monocle, and traveling a lot for stories. Living in upstate New York, she was surrounded by farmers, gardeners, people really connected to the food and the land; the fact that people everywhere were having the same conversations about food security, sustainability, localism, etc., surprised and inspired her. She began working on this in earnest about a year ago, and found an investor this fall. The editorial team (or part of it) began working in November.

“The basic idea behind MF is that knowing where your food comes from is extremely important — and, thanks in large part to climate change, so is self-reliance. We want to cover agriculture on a global scale, tell fascinating stories and also have fun. It doesn’t hurt that farms often have baby farm animals, key to any digital media operation.”

Tell us about the #longreads in the latest issue:

“Probably my favorite story in the magazine is by Jesse Hirsch (who has since come on as our staff writer) about the global wild pig explosion. It really needs to be read to be believed: boars are taking over the world and we can’t do anything to stop it. Less fun but extremely important is Mac McClelland’s story about humane slaughter—what does it even mean? How much should we care?”


Subscriptions: 
Print and digital

Now on Newsstands: Modern Farmer

Longreads Pick

One of our favorite parts about running Longreads is getting to know all the excellent magazine, book and online publishers out there producing great storytelling. We thought it would be fun to profile them—starting today with Modern Farmer. We spoke with deputy editor Reyhan Harmanci about their inaugural issue, out now.

Author: Editors
Source: Longreads
Published: May 3, 2013

“Escape.” Natasha Gardner, 5280 Magazine

Celebrating Four Years of Longreads

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Longreads just celebrated its fourth birthday, and it’s been a thrill to watch this community grow since we introduced this service and Twitter hashtag in 2009. Thank you to everyone who participates, whether it’s as a reader, a publisher, a writer—or all three. And thanks to the Longreads Members who have made it possible for us to keep going. 

To celebrate four years, here’s a rundown of some of our most frequent #longreads contributors, and some of their recent recommendations: 

#1 – @matthiasrascher


#2 – @hriefs


#3 – @roamin


#4 – @jalees_rehman


#5 – @LAReviewofBooks


#6 – @TheAtlantic


#7 – @nxthompson


#8 – @faraway67 


#9 – @PocketHits


#10 – @legalnomads


#11 – @brainpicker


#12 – @LineHolm1 


#13 – @Guardian


#14 – @stonedchimera


#15 – @MosesHawk


#16 – @James_daSilva


#17 – @chrbutler


#18 – @eugenephoto

#19 – @jaredbkeller


#20 – @morgank


#21 – @dougcoulson


#22 – @LaForgeNYT


#23 – @stephen_abbott

#24 – @venkatananth

#25 – @weegee

“Paying for Finn: A Special-Needs Child.” Jeff Howe, Money Magazine.

Behind the Longreads: Antonia Crane on 'Yellow,' Our Latest Member Pick

(photo by teejayfaust, Flickr)

This week’s Member Pick is “Yellow,” a story by Antonia Crane about the days following the death of her mother. The piece will be featured in Black Clock #17 this summer and is adapted from her forthcoming book Spent. We asked her to tell us how the story first came together:

“‘Yellow’ actually began as a love letter to Cheryl Strayed’s essay ‘The Love of My Life’ (The Sun, Issue #430) which begins ‘The first time I cheated on my husband, my mother had been dead for exactly one week.’ I had become fixated on that essay because in it, Strayed’s palpable sorrow contained a sexually reckless rhythm that I related to as a dancer and sex worker. My own mother died of cancer two months into grad school and I was raging with grief. At that time, I quit my half-assed personal assistant jobs and chose to sit in the dark for two years at ‘Pleasures.’

“A lifelong dancer and athlete, I was more comfortable hurling my body at the world than eating or buying toothpaste. I remember that I could go strip or meet a client for money, but I could not remember to pick up toothpaste no matter how many times I wrote in on my hand with a black Sharpie. I came home one afternoon to a Walgreens bag on my doorknob with Crest in it and bawled.

“Strayed’s essay modeled the utensils I sought to stir up my own concoction of rage and loss that was tearing at my skin. I’m grateful she allowed me to cook in her kitchen. I was mourning my mother. I was dancing; and I wrote like a motherfucker.”

Read an excerpt of “Yellow.”

Become a Longreads Member.

Longreads Guest Pick: Emily Keeler on 'To Err, Divine, so Improvise' and 'Afterlife'

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Today’s guest pick comes from Emily M. Keeler, a writer, critic, and the editor of Little Brother Magazine. She recommends two stories, “To Err, Divine, so Improvise” by Kaitlin Fontana in Hazlitt and “Afterlife” by Chris Wallace in The Paris Review:

“This past week was one of several missteps; headlines and cover lines and tweets let us down even though we already were so low. Breaking news is broken. Steven Saideman put it another way in The Globe and Mail: ‘It is natural that we are impatient and curious, but we must be conscious that false steps may do much damage to innocents along the way.’ Sometimes it’s better to wait for the longreads.

“Here are two things I read while I waited:

“1. On the topic of shortcomings, Kaitlin Fontana has a wonderful three-part essay on Hazlitt this past week, describing the evolution of failure, and it’s eventual adulation, in the public imagination. For the time pressed, I’d jump to the final section—or do it right and space parts one, two, and three out over a few days, give yourself over gradually to your own failures.

“2.  While it’s not fiction—the place I’m most likely to find solace, this essay on self mythology, the interaction between a name and a story, and Big Poppa nonetheless does the trick. After all, one particular Chris Wallace would go so far as to say that ‘Biggie was a fiction—not so farfetched as to court incredulity, but idealized, a romanticization of the writer.’”

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What are you reading (and loving)? Tell us.

Longreads Guest Pick: Emily Keeler on ‘To Err, Divine, so Improvise’ and ‘Afterlife’

Longreads Pick

Today’s guest pick comes from Emily M. Keeler, a writer, critic, and the editor of Little Brother Magazine. She recommends two stories, “To Err, Divine, so Improvise” by Kaitlin Fontana in Hazlitt and “Afterlife” by Chris Wallace in The Paris Review.

Source: Longreads
Published: Apr 22, 2013