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Longreads Best of 2013: Best Old Story That I Didn't Read Until This Year

Is John Lindsay Too Tall To Be Mayor?

Jimmy Breslin | New York magazine | July 28, 1969

 

Mark Lotto (@marklotto) is a senior editor at Medium, and a former editor at GQ and The New York Times Op-Ed page.

In the month since I happened upon Jimmy Breslin’s story about the 1969 New York City mayor’s race, I’ve probably reread it a dozen times; I’ve recommended it to college kids, writers of mine, fellow editors, and when Marshall Sella and I were working on our own story about Anthony Weiner’s tragicomic run, I thought about it every single damn day. My love of it is almost hard to explain, but: It’s an adventure. It starts in a leisurely and apathetic place, ends with a startling announcement, and in between twists and turns through gossip, memoir, poetry, politics, polemic. It’s beautiful; it’s funny; it’s angry; it’s self-lacerating; it looks at the city from 10,000 feet and then zooms in at the ice in a glass. Nowadays, most magazine features hit you with a nut graph somewhere near the bottom of the first section or the top of the second, and then spend 4,000 words fulfilling your exact expectations. But Breslin surprises, again and again. You don’t even know what the story is really about until you’ve read the last line.

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Appetite of Abundance: On the Benefits of Being Eaten

Photo by born1945

J.B. MacKinnon | Orion | July 2013 | 12 minutes (2,875 words)

 

Our latest Longreads Member Pick comes from Orion magazine and J.B. MacKinnon, author of The Once and Future World.

Thanks to Orion and MacKinnon for sharing it with the Longreads community. They’re also offering a free trial subscription here.

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Longreads Best of 2013: The Best Sentence I Read This Year

Aileen Gallagher (@aegallagher) teaches magazine journalism at Syracuse University and is a contributing editor to College @Longreads.

“The way it worked was that they joined the Army because they were starry-eyed or heartbroken or maybe just out of work, and then they were assigned to be in the infantry rather than to something with better odds, like finance or public affairs, and then by chance they were assigned to an infantry division that was about to rotate into the war, and then they were randomly assigned to a combat brigade that included two infantry battalions, one of which was going to a bad place and the other of which was going to a worse place, and then they were assigned to the battalion going to the worse place, and then they were assigned to the company in that battalion which went to the worst place of all.”

-From David Finkel’s “The Return,” in The New Yorker (subscription required). Not sure how such an Esquire-y sentence made it into The New Yorker, but I’m glad it did. The sheer weight of the sentence and its many clauses suggests the soldiers’ psychological burden. That sentence carries the cruelty of fate.

The Return

David Finkel | The New Yorker | September 2013

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Reading List: When We Fall In Love

Longreads Pick

This week’s picks from Emily include stories from Vulture, New York magazine, The Rumpus, and The New Inquiry.

Source: Longreads
Published: Dec 15, 2013

Reading List: When We Fall In Love

Emily Perper is a word-writing human working at a small publishing company. She blogs about her favorite longreads at Diet Coker.

What does love look like and feel like and sound like to you? What have you read that changed the way you think about love? I’d like to know. Reblog your suggestions or comment or drop them in dietcoker.tumblr.com/ask.

1. “Him and Her: How Spike Jonze Made The Weirdest, Most Timely Romance of the Year.” (Mark Harris, Vulture, October 2013)

Have you heard of Her? Spike Jonze’s latest is about a man who falls in love with his cell phone’s AI interface. Sound hokey? If you know anything about Jonze (and you will after reading this), then you know Her will be anything but.

2. “The Cuddle Puddle of Stuyvesant High School.” (Alex Morris, New York magazine, February 2006)

In this 2006 piece, privileged New York school kids navigate the lack of binary between friendship and romance.

3. “Love Love Love.” (Lizzy Acker, The Rumpus, September 2013)

So often Rumpus essays read like songs. This, thankfully, is no exception: “When you love someone, you will sacrifice everything for them, even if that means they never exist at all.”

4. “K in Love.” (Hannah Black, The New Inquiry, February 2013)

Cop goes undercover. Cop meets girl. Cop falls in love. Cop’s cover is blown. Cop sues his superiors. “Love is most private, most public, of all.”

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Photo: Wikimedia Commons

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Longreads Best of 2013: The Best Story About Storytelling

In Conversation: Robert Silvers

Mark Danner | New York magazine | April 2013 | 28 minutes (7,063 words)

 

Nicholas Jackson is the digital director at Pacific Standard, and a former digital editor at Outside and The Atlantic.

These year-end lists tend to be like the Academy Awards in that only work released during the last couple of months of the year are remembered well enough to make the cut. That’s a good thing. Sure, I’d like to recall every great quotation I read in 2013, every delightful turn of phrase. But it’s better that I can’t. It means, like movies, that there’s more work I would consider worthy of my time being produced than I could possibly make time for, and plenty that I did make the time for that’s already been displaced in my mind by just the latest of the hundreds of stories I read this year. So, I cheated. I went back through some archives to jog my memory and pulled up this comprehensive interview with Bob Silvers to mark the 50th anniversary of The New York Review of Books. Silvers has had his hands on several big pieces this past year (must-read stories by Zadie Smith and Nathaniel Rich; something about the favelas of Brazil; I vaguely recall an Oliver Sacks essay on, of course, memory), but ask any editor and I bet most would tell you that he’s influenced every piece on these round-ups … and any others you’ve read over the past five decades. This is a story about stories: How we make them, and why.

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Photo: Wikimedia Commons

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Longreads Best of 2013 Postscript: Janet Reitman on Her Rolling Stone Cover Story, 'Jahar's World'

Jahar’s World

Janet Reitman | Rolling Stone | July 2013 | 45 minutes (11,415 words)

Janet Reitman is a contributing editor for Rolling Stone.

I was completely unprepared for the response to “Jahar’s World,” which was published in mid-July as a Rolling Stone cover story. The piece tells the story of accused Boston bombing suspect Dzhokhar “Jahar” Tsarnaev, a hip-hop loving, hoodie-wearing, pot smoking 20-year-old from Cambridge, Mass., who is accused of committing the worst act of terrorism on US soil since 9/11. As a character, Jahar was hugely compelling: utterly likable, extremely “normal,” the kid who could have been your dorm mate, or your high school crush, or the stoner down the hall—which he was, to many people. He was also, apparently, capable of murder. I was fascinated by this dichotomy, the absolute normalcy and absolute monstrousness within a single human being, and spent several months exploring it. My editors also explored it in the choice of that issue’s cover image: an undoctored self-portrait of a gorgeous young man accused of committing an absolutely abhorrent crime. I think we all hoped the story would be read and talked about, which is what every magazine writer and editor wants.

What happened was this: Within minutes of my piece being published and posted online, Twitter exploded, followed by a deluge of hate mail sent to the magazine and to me, directly, by people who were furious we had given Tsarnaev that kind of attention. I was attacked for not caring about victims—even though I, myself, lived through the 9/11 attack on New York City, where I live and where a high school friend of mine died in one of those towers. I received hundreds of emails attacking not my journalism, but me, as a human being. On Twitter, one person said I deserved to be raped and killed because of this story, and someone else took it upon himself to hunt down and then post my cell phone number, which resulted in a few dozen scary texts and anonymous calls. I received death threats against myself, and even against my dog. One person wrote me several days in a row saying that he hoped that I, and my entire family, would be killed in a terrorist attack.

For the record, I believe that Rolling Stone did not, as we were accused, “glamorize” a terrorist. We did a very serious story about one, and by putting his face on the cover, we challenged our readers to look him in the face. This was not, as many believed, an air-brushed or otherwise touched up photograph. It was the raw selfie. The photo invited the reader to look at this kid, in all of his beauty, frankly, and when they did that, it made a lot of people extremely uncomfortable, and to be honest, I thought that was great. I thought our cover was fantastic and did exactly what great covers are supposed to do, which is to make people think, read, and discuss. But the outrage it caused was so over-the-top, it not only took me completely by surprise, but made me think very hard about what has happened to our country in the twelve years since 9/11.

Because of this story, Rolling Stone was actually banned—boycotted—by chain stores like Wal-Mart, across the country. They did this on “principle.” What principle? That “knowing our enemies” is somehow wrong? That one of the biggest stories of the year does not belong on a magazine cover simply because the subject, a so-called “bad guy,” is also handsome? Or is it that by covering him at all, giving his story some form of meaning, we were being un-American?

Since 2001, American journalism has been consumed with so-called “War on Terror” coverage, and yet, with a few notable exceptions, much of it hasn’t bothered to examine just who these supposed terrorists are. Why is that? Because we don’t really care? Or, because we might discover, as I did, that the terrorists are not what we expect? It really worries me that as a country we have not only “othered” the so-called terrorists, we’ve refused to grant them humanity. And I think what my story, and our cover, proved is that in some cases, these amorphous “bad guys” look and act, and in many cases are, just like the rest of us. That Jahar Tsanaraev was, by every single account, a very average boy who did a very terrible thing, is not something to reject or be afraid of. It’s something to learn from. That is why we write about the terrorists, it’s why these stories matter.

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How Oil Money From Texas Fuels Hollywood

“The story begins in the 1930s, with Glenn McCarthy striking oil in Beaumont. McCarthy—who was the inspiration for the Jett Rink character in Edna Ferber’s Giant—used his millions to bankroll the 1949 drama ‘The Green Promise’, starring Natalie Wood and Walter Brennan. The movie was almost immediately forgotten, but McCarthy established a much-repeated role: the Texas oilionaire eager to rub shoulders with the stars.

“Fast-forward to the early 2000s, when Tim Headington, the CEO of Dallas-based Headington Oil, hooked up with Graham King, a British-born producer whose first credit was on the Dallas-shot film ‘Dr. T. and the Women’. The duo has since produced ‘Hugo’, ‘The Tourist’, and last year’s Best Picture winner, ‘Argo’. (The famously press-shy Headington has said little of his attraction to Hollywood, other than to tell Forbes, in 2012: ‘[M]ovies have intrigued me for many years, both as a fan and as a possible participant in the process.’

“Fort Worth-based John Goff, chairman and CEO of Crescent Real Estate Holdings, invested a reported $2 million in the 2012 Glenn Close drama ‘Albert Nobbs’. Businessman Bob Kaminski led a group of approximately a dozen area investors to put up a third of the $12 million budget for the Navy SEAL thriller ‘Act of Valor’. According to Variety, at least one high-profile Hollywood producer, Brian Oliver (‘The Ides of March’, Ron Howard’s ‘Rush’), has been putting together financing packages ‘with coin coming mostly from oil and real estate investments in Texas.'”

— In D Magazine, Christopher Kelly examines the rise of Christian entertainment in North Texas, which is being funded in part with oil money. See more stories about movies.

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Photo: A Scene from the film Hugo

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Reading List: Teenage Girls As Role Models

Emily Perper is a word-writing human working at a small publishing company. She blogs about her favorite longreads at Diet Coker.

When I was a teenager (I know, plop me in a rocking chair and call me Grandma), I pored over my mom’s Seventeen magazines from the ’70s and ’80s and amassed a huge collection of my own. My 13-year-old style icon was Lindsay Lohan’s character in Confessions of a Teenage Drama Queen (I’m proud of that phase), and later, Freaky Friday. I studiously went out to Best Buy one January after reading the music issue of a now-defunct teen magazine and chose CDs that radically altered my future tastes in music. I was on the edge of the “nostalgia in real time” Tavi Gevinson discusses in her latest Editor’s Letter (see below), but didn’t yet have access to the unmitigated internet archivism and alt-teen community. I think part of me is trying to reclaim my teen years as I listen to One Direction at my nine-to-five job, collage and self-consciously drink coffee with a notebook at hand. I’m learning to be a post-teen: all the insecurity of a twenty-something with the creative menace of an adolescent. I’m navigating a transitional space; my role models are teenage girls.

1. “Lorde Sounds Like Teen Spirit.” (Ann Powers, NPR, December 2013)

Her stripped synth beats kicked Miley out of the number one spot, but Lorde’s not finished yet. Ann Powers posits that she’s the Nirvana of pop music and examines the intersection of class and race with Lorde’s bohemian roots and youth experience.

2. “What ‘Forever’ Means to a Teenager: Editor’s Letter.” (Tavi Gevinson, Rookie, December 2013)

Tavi is one of the most self-aware humans on the planet, so it’s no surprise that her analysis of “Forever” (“the state, exclusive to those between the ages of 13 and 17, in which one feels both eternally invincible and permanently trapped”) is stunning and tender and meta.

3. “Time for Teen Fantasy Heroes to Grow Up.” (Laura C. Mallonee, The Millions, November 2013)

I’d also like to add Eliana’s plea: “petition to make young adult authors stop writing about girls whose lives change when they meet a boy.”

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Photo: Wikimedia Commons

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How A Black High School Basketball Coach Transformed A White, Mennonite Town: A Longreads Guest Pick By Chris Mahr

Chris Mahr is the managing editor of Lost Lettermen, a college sports website and athlete database.

“Talk to any young sportswriter today and odds are that their introduction to both Sports Illustrated’s long-form journalism and renowned writer Gary Smith are one in the same: ‘Higher Education.’ Smith’s March 2001 masterpiece tells the tale of Perry Reese Jr., a black Catholic basketball coach at Hiland High in the predominantly Mennonite town of Berlin, Ohio. A man whose force-of-nature personality on and off the court transformed a town ‘whose beliefs had barely budged in 200 years’ and forced his players and neighbors to rethink their long-held tenets on race, religion and life.”

Higher Education

Gary Smith | Sports Illustrated | March 2001 | 35 minutes (8,619 words)

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