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Longreads Guest Pick: Todd Olmstead on 'Random Access Denied'

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Todd Olmstead is Mashable’s Associate Community Manager and an occasional music writer. He lives in Brooklyn.

My favorite longread this week is ‘Random Access Denied,’ by Sasha-Frere Jones in the New Yorker. It takes you through the mind of the reviewer, writing about a big-deal album, and peels back the curtain a bit. Who wouldn’t want to be part of that initial listening party? And yet, it’s about more than just an album. It’s about the way we listen to music. Frere-Jones, despite being a critical listener, isn’t lamenting leak culture or the rush for journalists to judge albums, though no one would blame him if he did. Rather, he presents an honest case for how we listen: Oftentimes in phases, via iterations of songs and bits of marketing, piecing together our opinions as we go. Rarely do we as listeners arrive at the finished product on album release day anymore, and that’s okay. As we come up on the summer’s next massively anticipated music release — Kanye West’s “Yeezus” — it’s worth this reflection before we rush in.

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What are you reading (and loving)? Tell us.

3 Stories from Young Journalists Honored at the Livingston Awards

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The Livingston Awards are handed out every year to celebrate outstanding work from journalists under 35. Here are this year’s winning stories, honored this week in New York: 

“Slavery’s Last Stronghold” (John D. Sutter & Edythe McNamee, CNN.com)

International Reporting winner: A trip to Mauritania, where an estimated 10% to 20% of the population lives in slavery.

“The Things They Leave Behind” (Rachel Manteuffel, Washingtonian)

National Reporting winner: A closer look at the letters, mementos and other artifacts left behind at the Vietnam Veterans Memorial.

“In God’s Name” (Alexandra Zayas and Kathleen Flynn, Tampa Bay Times)

Local Reporting winner: An investigation into the abuse of children at unlicensed religious group homes in Florida.

Longreads Guest Pick: BKLYNR's Favorite Brooklyn Stories

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Thomas Rhiel and Raphael Pope-Sussman are the founding editors of BKLYNR, a new online publication that features in-depth journalism—including more than a few #longreads—about Brooklyn.

Thomas’s pick: “Brooklyn: The Sane Alternative,” by Pete Hamill in New York magazine

It’s 2013—three long years since New York magazine asked “What was the hipster?”—and yet there are still people for whom Brooklyn means Bedford Avenue. It’s depressing that so played out a trope could displace, in the popular imagination, everything else that the borough is: more populated than Manhattan and three times as massive; a patchwork of neighborhoods, some of which, incredibly, aren’t Williamsburg or Park Slope; and a place whose history stretches as far back as the country’s.

A restorative for the trend piece du jour is Pete Hamill’s “Brooklyn: The Sane Alternative,” a New York magazine cover story from 1969. It’s an oldie but goodie, a look at the borough’s bounce back from what Hamill sees as its postwar (and post-Dodgers) decline. As a snapshot of an evolving Brooklyn from decades ago, the story’s a fascinating read today. And Hamill’s wide-angle view of the borough’s complexities, as well as his celebration of its energy and diversity, still rings true.

Raphael’s pick: “Gentrified Fiction,” by Elizabeth Gumport in n+1

There’s a story many Brooklynites tell in which the moment of their arrival in a neighborhood coincides with the last breath of its “authentic” life. Those who came after, this story goes, never knew the “real” neighborhood. They missed the junkies who hung out on the stoops down the block, the bodega on the corner that sold 40s, the drop ceilings and vinyl siding and linoleum. It’s a seductive story, to hear and to tell. But it’s also a destructive story—really a myth—that valorizes an arbitrary authenticity at the expense of a more complex understanding of the place we call home. What is the “real” Brooklyn—what is the “real” anywhere?

If you’re interested in interrogating that question, I strongly recommend Elizabeth Gumport’s 2011 essay “Gentrified Fiction,” which explores the fixation on authenticity in contemporary literature about Brooklyn.

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On the Banks of the River Lex

Longreads Pick

[Fiction, sci-fi] Death walks the streets of New York and ponders the Big Questions:

“Death liked to walk across bridges. For this reason he had claimed a home for himself relatively far from the center of town. This was in a big ugly gray stone of a building that had once been a factory, and then had been colonized by artists, and then by trend-obsessed young professionals. Now it was ruled by cats. Death passed perhaps a dozen of them on his way down the stairs, including one mother briskly carrying a mouse and trailed by two gangling adolescents. As usual they ignored his presence, merely slinking out of the way as he passed. On the rare occasions when one would deign to look at him, he nodded in polite greeting. Sometimes they even nodded back.

“He had attempted, once, to entice a kitten to live with him. This was something he knew humans had done. But he kept forgetting to bring food, and because he did not sleep, the kitten was unable to cuddle with him at night. After a few days the kitten had left in a huff. He still saw its descendants around the building, and felt lingering regret.

“The Williamsburg Bridge had not yet begun to warp and sag like the Manhattan and Brooklyn Bridges. Death suspected there was some logical reason for this — perhaps the Williamsburg had been renovated more recently, or built more sturdily in the first place. But in his heart, Death believed that he helped to keep the bridge intact. By walking across it, he gave the bridge purpose. For all things created by humankind, purpose was the quintessence of existence.

“So Death walked into town every day.”

Source: Clarkesworld
Published: Nov 1, 2010
Length: 18 minutes (4,714 words)

Longreads Guest Pick: Pravesh Bhardwaj on Alice Munro's 'The Bear Came Over the Mountain'

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Today’s guest pick comes from frequent Longreads contributor Pravesh Bhardwaj:

“I am a filmmaker based in Mumbai. These days I am writing a screenplay, which might become my next film. I spend more time ‘trying to write’ than doing the real writing. So I have made a deal with myself: Read a piece of fiction I have not read before, and read it online so that I don’t run away from the computer—and then go back and take another stab at writing. The idea is to relax in front of the screen that scares me as I have not written enough on the day.

“Alice Munro’s ‘The Bear Came Over the Mountain’ (The New Yorker, 1999) is one of the finest stories I have ever read. It is about Grant and Fiona, who have been married for many decades, and how their relationship changes once Fiona gets institutionalized as she is in early stages of Alzheimer’s disease. I am yet to see Sarah Polley’s film adaptation (Away From Her). Maybe I will, after I have read the story a few times—maybe never. Yes, I love the story that much.”

Read the story here.

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Celebrating Four Years of Longreads

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Longreads just celebrated its fourth birthday, and it’s been a thrill to watch this community grow since we introduced this service and Twitter hashtag in 2009. Thank you to everyone who participates, whether it’s as a reader, a publisher, a writer—or all three. And thanks to the Longreads Members who have made it possible for us to keep going. 

To celebrate four years, here’s a rundown of some of our most frequent #longreads contributors, and some of their recent recommendations: 

#1 – @matthiasrascher


#2 – @hriefs


#3 – @roamin


#4 – @jalees_rehman


#5 – @LAReviewofBooks


#6 – @TheAtlantic


#7 – @nxthompson


#8 – @faraway67 


#9 – @PocketHits


#10 – @legalnomads


#11 – @brainpicker


#12 – @LineHolm1 


#13 – @Guardian


#14 – @stonedchimera


#15 – @MosesHawk


#16 – @James_daSilva


#17 – @chrbutler


#18 – @eugenephoto

#19 – @jaredbkeller


#20 – @morgank


#21 – @dougcoulson


#22 – @LaForgeNYT


#23 – @stephen_abbott

#24 – @venkatananth

#25 – @weegee

The Re-education of Chris Copeland

Longreads Pick

How Copeland went from European basketball unknown to 29-year-old rookie for the New York Knicks:

“You are never fully at ease, but you begin to transition. Maybe you date a local girl, or even marry her. You begin to buy tighter jeans, learn some of the language and before you can blink, you are in the twilight of your career. Eventually, you do move back home and tell anyone that will listen that you did, in fact, play pro basketball. You try to find a 9-to-5 job while fighting off the inevitable depression that comes from losing the only thing you’ve ever truly loved, and, over time, you forget you ever had a dream in the first place. It’s a good life, at times an amazing life, filled with peaks and valleys higher and lower than you could ever imagine. And then, it’s over.

“For Copeland, however, there remained a gnawing inside his gut. No matter how well he did, it wasn’t quite enough. ‘I was feeling sad even though I was having a lot of success. In my head,’ he said. ‘I just still believed I could do better. I knew if I didn’t make it, I’d look back with a lot of regrets.'”

Source: SB Nation
Published: Apr 12, 2013
Length: 24 minutes (6,198 words)

Longreads Member Pick: Jason Zengerle's First Assignment for Might Magazine

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This week, we’re thrilled to feature Jason Zengerle, a contributing editor for New York magazine and GQ who has been featured on Longreads many times. Our Member Pick is Jason’s 1997 story on Michael Moore for Might magazine: “Is This Man the Last, Best Hope for Popular Liberalism in America? And, More Importantly, Does He Have a Sense of Humor?”

Jason explains:

This was the first story I wrote that could qualify as a long read—and it certainly wasn’t by choice. I’d just graduated from college and was doing an internship at The American Prospect, but I spent most of my time daydreaming about being an intern at The New Republic, which hadn’t seen fit to hire me. Hoping to change their mind, I’d routinely pitch TNR freelance stories, and one day I got the idea to write a takedown of Michael Moore: I sent in at a tightly-argued, perfect-for-TNR 1,000 words; TNR sent back its customary 20-word rejection. That would have been the end of it, but I showed the piece to my friend Todd Pruzan, who offered to show it to his friend Dave Eggers, who was then editing a little magazine called Might.

It turned out that Eggers didn’t share my dim opinion of Moore, but he did see the potential for a fun stunt. He said Might would be willing to take my 1,000 words arguing that Moore was a hack, if I’d be willing to embed them in a much longer shaggy-dog story of trying to track down and meet with Moore himself. By now, of course, the idea of pulling a Roger & Me on Michael Moore is pretty played-out, but at the time, I don’t think anyone had thought of it yet. And so on MLK Day weekend of 1997, I took a Peter Pan bus from Boston to New York, rented a gorilla suit for my unemployed actor friend Morgan Phillips, and set off on our little adventure.

The rest is history. By the end of that year, Might was out of business. Eggers was writing A Heartbreaking Work of Staggering Genius and on his way to becoming the voice of a generation. And I was an intern at TNR.

Read an excerpt here.

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Photo by Jimmy Hahn

Longreads Member Exclusive: Jason Zengerle’s First Assignment for Might Magazine

Longreads Pick

This week, we’re thrilled to feature Jason Zengerle, a contributing editor for New York magazine and GQ  who has been featured on Longreads  many times. Our Member Pick is Jason’s 1997 story on Michael Moore for Might magazine: “Is This Man the Last, Best Hope for Popular Liberalism in America? And, More Importantly, Does He Have a Sense of Humor?”

Support Longreads—and get more stories like this—by becoming a member for just $3 per month.

Source: Might magazine
Published: Mar 15, 2013
Length: 18 minutes (4,685 words)

Our Top 5 Longreads of the Week—featuring The New Yorker, Esquire, Miami New Times, Columbia Magazine, New York magazine, and a guest pick by Greg Spielberg.