Search Results for: Terry Gross

Longreads Best of 2015: Arts & Culture

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in arts and culture writing.

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Shannon Proudfoot
Senior writer with Sportsnet magazine

The Late, Great Stephen Colbert (Joel Lovell, GQ)

Stephen Colbert has pulled off the rare feat of being a public figure for the better part of a decade while keeping his true self almost entirely obscured behind a braying façade. Here, with such uncommon intelligence, sensitivity and nuance, Joel Lovell shows us who’s been under there the whole time. The writer is very present in the story, sifting through the meaning of what he finds and tugging us along behind him through reporting and writing that starts out rollicking and then turns surprisingly raw and emotional. But Lovell never gets in his own way or turns self-indulgent; that’s a tough thing to pull off. The word I kept coming back to in thinking about this story was “humane”—it just feels so complex and wise, and unexpectedly aching, buoyed with perfect, telling details and effortlessly excellent writing. Read more…

A Moment of Zen: Seven Stories Looking Back at Jon Stewart’s Fake-News Legacy

Photo: Cliff

Tonight, Jon Stewart ends his 16-year run as host of “The Daily Show.” Here are seven stories looking back at how Stewart became the most influential fake-news anchor in the history of television:

1. Is Jon Stewart the Most Trusted Man in America? (Michiko Kakutani, New York Times, Aug. 15, 2008)

“Hopefully the process is to spot things that would be grist for the funny mill,” Mr. Stewart, 45, said. “In some respects, the heavier subjects are the ones that are most loaded with opportunity because they have the most — you know, the difference between potential and kinetic energy? — they have the most potential energy, so to delve into that gives you the largest combustion, the most interest. I don’t mean for the audience. I mean for us. Everyone here is working too hard to do stuff we don’t care about.”

Read more…

The Perils of Writing About Your Own Family: A Conversation with George Hodgman

George Hodgman and his mother Betty.

Sari Botton | Longreads | April 2015 | 15 minutes (3,752 words)

 

Sometimes life’s most inconvenient surprise detours ultimately yield great rewards we never could have predicted. For writer George Hodgman—who’s been whisked away indefinitely from his tidily self-contained life in New York City to care for his ailing mother—one of those rewards was a chance to better know and appreciate Betty (now 94) before she’s gone. Another benefit: the conditions he hadn’t even known he needed to finally, at 55, write and publish his first book. The New York Times Bestselling memoir, Bettyville, is the result. Read more…

The Origins of ‘You’ve Lost That Lovin’ Feelin”

Photo by mrbluegenes

TERRY GROSS: So were you writing the song on assignment? Were you writing it for The Righteous Brothers?

BARRY MANN: Yes.

CYNTHIA WEIL: When we wrote the song, they weren’t that crazy about it (laughter).

GROSS: Really?

MANN: Well, when I sang it – I loved The Everly Brothers at the time, and I sounded like The Everly Brothers. So when I sang it to Bill and Bobby, they said, you know, it sounds really good, very good for The Everly Brothers. And another thing that happened is that at the time, you know, the records that they had been putting out, they both sang together, and this one, Bill Medley had the lead. So Bobby said, well, what am I going to do while he sings? And I think Phil Spector says, well, you’ll be walking to the bank.

-Legendary songwriting team Barry Mann and Cynthia Weil, with Fresh Air’s Terry Gross, in 2000.

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David Carr: 1956-2015

Photo by internaz

David Carr, the acclaimed journalist, media columnist for The New York Times, and author of the bestselling Night of the Gun, died February 2015 in New York at the age of 58.

Here is a brief reading list of stories by and about Carr, his life and work. It doesn’t even begin to cover it. We will miss him. Read more…

Joan Rivers: 1933-2014

Joan Rivers, comedy legend, has died at age 81. Three stories from the Longreads Archive:

The Fresh Air Interview: Joan Rivers (Terry Gross, NPR)

GROSS: So, like, that’s kind of a paradox to me that you live to be on stage and at the same time, there’s this dread of being on stage.

Ms. RIVERS: Not a dread of being on stage, a dread of not doing well, of disappointing them. I you know, I always you think I have one friend who’s a very good, very, very famous comedian, comic, who once said to me: I give them five minutes. If they don’t like me, I go on automatic.

And I thought: They have bought the tickets, they have paid for a babysitter, they have come out to see you. They want to have fun. I want them to walk out of a show and say, that’s the best show I’ve ever seen.

I fight to the end. I worry to the end, worry are they having a good time?

 

Joan Rivers Always Knew She Was Funny (Jonathan Van Meter, New York magazine, 2010)

At the age of 76, it seems, she has been rediscovered. Much of it has to do with a new documentary about her life, Joan Rivers: A Piece of Work, which opens in theaters on June 11. Roger Ebert wrote, in one of the film’s many rave reviews, that it is “one of the most truthful documentaries about show business I’ve seen. Also maybe the funniest.” The film comes at the end of a remarkable year for Rivers, one that began when she won The Celebrity Apprentice (after one of the uglier reality-TV showdowns), outfoxing all those bimbos, has-beens, and two-bit poker players to emerge—somehow—as the sympathetic character. At long last, not fired! It’s unfamiliar territory for Rivers: to be the one people root for.

 

The Playboy Interview: Joan Rivers (1986)

I didn’t realize what a liberated lady I was. I always said, “My life is liberated. Leave me alone. I have no time to join a movement, because I am the movement.” I didn’t have time to go up to anyone and say, “Go out and make it in a man’s world.” I just said, “Look at me and you can see what I’m doing.” I never wanted to say that because I was a woman, things were harder for me or I was judged separately. It took two incidents — my book and this business about leaving the Carson show — to turn me around. With my book, as I said, women seem to understand it more than men. And when I left The Tonight Show, I got such good wishes, such support from women. I didn’t realize how nice it was that women were behind what I did. It’s wonderful.

Robin Williams: 1951-2014

Comedian and actor Robin Williams died today at the age of 63. Here are five in-depth interviews with him.

1. Robin Williams: ‘The Night Listener’ (Terry Gross, Fresh Air, Aug. 3, 2006)

Terry Gross talks to Robin Williams, and, towards the end of the interview, asks him about depression: “Do I get sad? Oh yeah. Does it hit me hard? Oh yeah.”

Read more…

Joan Rivers on Humor and Loss

GROSS: What are some of the most painful things that have happened to you that you’ve ended up making jokes about on stage?

Ms. RIVERS: Oh, where do you start? My husband’s suicide.

GROSS: Right.

Ms. RIVERS: Some man, 60 years old, that couldn’t take the business and went and killed himself. How do you deal with that? How do you deal with that when you’ve got a 16-year-old daughter who gets the call? Huh?

And I’ll tell you how you deal with that. You go through it, and you make jokes about it, and you continue with it, and you move forward. That’s how you do it, or that’s how I do it. Everyone handles things differently.

-Joan Rivers, in a 2010 interview with Fresh Air’s Terry Gross.

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More interviews in the Longreads Archive

Photo: Steve Rhodes, flickr

A Brief History of Disney

Walt Disney, from the 1937 trailer for "Snow White," via Wikimedia Commons

Here’s a reading list exploring Disney’s more than 80-year grip on popular culture—the animation, the music, the princesses, and the parents killed off in the First Act. Read more…

What Goes On in Joaquin Phoenix's Head When He's Shooting a Movie

When I first started the film [“The Master”] — when I first read the script — there was a great deal of flashbacks where we actually saw all these injuries and these were things we were going to shoot; but as the film progressed we didn’t end up shooting those things so I’d kind of been developing this physical reaction to these things that I thought might be happening that we might be seeing but we weren’t no longer shooting them and seeing them, I imagine, because of budget.

That’s actually what I love about movies; like, when you start kind of investigating them and going into it, you realize that so much of it sometimes is just, like, luck. Because, you know, you just, you don’t know how it’s going to go and I think you just come up with these ideas and you’re just trying things and you don’t know what’s going to work, you don’t know what the final film is gonna be.

That’s why I always give credit to the directors because I feel like they’re the ones that are ultimately responsible for the performance.

Joaquin Phoenix, in a rare interview with Fresh Air’s Terry Gross, on what you don’t see in the movies. Read more Fresh Air interviews.

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Photo: ssoosay, Flickr

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