It’s a beautiful, clear night outside on deck 4. Ahead of us are the lights of another cruise ship. A few days later – when we reach Puerto Vallarta – I spot it again. It’s called the Carnival Spirit. Forty-three people have vanished from Carnival cruises since 2000. Theirs is the worst record of all cruise companies. There have been 171 disappearances in total, across all cruise lines, since 2000. Rebecca is Disney’s first. A few days ago, Rebecca’s father emailed me: “Would like to inform you the number of people missing this year has just gone up to 17. A guy has gone missing in the Gulf of Mexico. The Carnival Conquest.” By the time I get off this ship, the figure will have gone up to 19.
When someone vanishes from a cruise ship, one of the first things that happens to their family members is they receive a call from an Arizona man named Kendall Carver. “When you become a victim, you think you’re the only person in the world,” Carver told me on the phone. “Well, the Coriams found out they aren’t alone. Almost every two weeks someone goes overboard.”
It’s a beautiful, clear night outside on deck 4. Ahead of us are the lights of another cruise ship. A few days later – when we reach Puerto Vallarta – I spot it again. It’s called the Carnival Spirit. Forty-three people have vanished from Carnival cruises since 2000. Theirs is the worst record of all cruise companies. There have been 171 disappearances in total, across all cruise lines, since 2000. Rebecca is Disney’s first. A few days ago, Rebecca’s father emailed me: “Would like to inform you the number of people missing this year has just gone up to 17. A guy has gone missing in the Gulf of Mexico. The Carnival Conquest.” By the time I get off this ship, the figure will have gone up to 19.
When someone vanishes from a cruise ship, one of the first things that happens to their family members is they receive a call from an Arizona man named Kendall Carver. “When you become a victim, you think you’re the only person in the world,” Carver told me on the phone. “Well, the Coriams found out they aren’t alone. Almost every two weeks someone goes overboard.”
In December 2008, DeChristopher shot to fame as Bidder 70 when he entered a Bureau of Land Management (BLM) oil- and gas-lease auction in Utah, posed as a buyer, and laid claim to 22,500 acres of wilderness worth nearly $1.8 million. His comeuppance, handed down in early March, a month before Power Shift, was a federal conviction on two felony counts: making false statements and violating the Federal Onshore Oil and Gas Leasing Reform Act. Together they carry a maximum sentence of $750,000 in fines and up to ten years in prison—a prospect that explains why he’s been packing on the muscle. DeChristopher’s reward, however, has been a rapid rise to folk-hero status.
In December 2008, DeChristopher shot to fame as Bidder 70 when he entered a Bureau of Land Management (BLM) oil- and gas-lease auction in Utah, posed as a buyer, and laid claim to 22,500 acres of wilderness worth nearly $1.8 million. His comeuppance, handed down in early March, a month before Power Shift, was a federal conviction on two felony counts: making false statements and violating the Federal Onshore Oil and Gas Leasing Reform Act. Together they carry a maximum sentence of $750,000 in fines and up to ten years in prison—a prospect that explains why he’s been packing on the muscle. DeChristopher’s reward, however, has been a rapid rise to folk-hero status.
Tonight, in a modest brick row house in the sleepy city of Carthage, beyond the Ozark Mountains and the mines of southwest Missouri, past the poultry plants and churches along Interstate 44 and U.S. 71, down the block from the Jasper County courthouse and historic town square, a five-year-old boy is going to bed.
Chances are the boy is unaware of the battery of lawyers debating his future. He’s probably oblivious to the national immigration debates he has stirred, the newspaper headlines he has generated, the two school-district employees whose firings are directly linked to his circumstances. He very likely has no idea that the Guatemalan Embassy in Washington, D.C., is in his corner, or that a lone circuit court judge will decide his fate this winter.
To many, Milner’s success is not just too much and too fast in a land of too much and too fast but … but … and here people start to petulantly phumpher … somehow unfair: Here’s an outsider who has handed out money at outrageously founder-friendly terms—paying huge amounts for relatively small stakes, essentially buying exclusive access to the most desirable companies on the web! It is his outsiderness that seems most irritating and even alarming. How is it that an outsider has spotted opportunities that the Valley’s best investors missed? Does Milner’s success suggest that the rest of the world is starting to horn in on what has been, to date, as American as apple pie—the Internet future and Internet riches?
To many, Milner’s success is not just too much and too fast in a land of too much and too fast but … but … and here people start to petulantly phumpher … somehow unfair: Here’s an outsider who has handed out money at outrageously founder-friendly terms—paying huge amounts for relatively small stakes, essentially buying exclusive access to the most desirable companies on the web! It is his outsiderness that seems most irritating and even alarming. How is it that an outsider has spotted opportunities that the Valley’s best investors missed? Does Milner’s success suggest that the rest of the world is starting to horn in on what has been, to date, as American as apple pie—the Internet future and Internet riches?
Murakami has always considered himself an outsider in his own country. He was born into one of the strangest sociopolitical environments in history: Kyoto in 1949 — the former imperial capital of Japan in the middle of America’s postwar occupation. “It would be difficult to find another cross-cultural moment,” the historian John W. Dower has written of late-1940s Japan, “more intense, unpredictable, ambiguous, confusing, and electric than this one.” Substitute “fiction” for “moment” in that sentence and you have a perfect description of Murakami’s work. The basic structure of his stories — ordinary life lodged between incompatible worlds — is also the basic structure of his first life experience.
Murakami has always considered himself an outsider in his own country. He was born into one of the strangest sociopolitical environments in history: Kyoto in 1949 — the former imperial capital of Japan in the middle of America’s postwar occupation. “It would be difficult to find another cross-cultural moment,” the historian John W. Dower has written of late-1940s Japan, “more intense, unpredictable, ambiguous, confusing, and electric than this one.” Substitute “fiction” for “moment” in that sentence and you have a perfect description of Murakami’s work. The basic structure of his stories — ordinary life lodged between incompatible worlds — is also the basic structure of his first life experience.
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