The Top 5 Longreads of the Week

Below, our favorite stories of the week.
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Below, our favorite stories of the week.
Sign up to receive this list free every Friday in your inbox. Read more…

Now 26, the thick curtain of bangs cut above her eyebrows has grown. Several years of braces corralled her front teeth. She finally learned it wasn’t her pinky she should thrust in the air if she wanted to give someone the finger. But she still wants to play like we did when we were younger.
“I’m not a kid anymore,” my mom told Ellie recently as she explained why she didn’t want to join her in a game we enjoyed in elementary school. Ellie and I would crawl on the carpet pretending to be dogs while our mom faithfully fed us invisible bowls of food and scratched our heads. She had retired from the role when Ellie last asked to play. By then, Ellie wasn’t a kid either.
“But I still am,” she said. “Why am I?”
Eight years ago, after Ellie—not her real name—turned 18, becoming an adult in the eyes of the law, a piece of paper was filed at a King County Courthouse formalizing a decision that was reached without much discussion, drama, or fanfare. If my mother died, one of her sisters would become Ellie’s guardian until I turned 30, at which point I would take over.
-A beautiful essay by Ciara O’Rourke, in Seattle Met magazine, on preparing for a time in which she will be the primary caregiver for her sister, who is living with autism.

Cody Delistraty | Longreads | October 2016 | 12 minutes (3,326 words)
Born in Switzerland in 1961, the portrait photographer Henry Leutwyler was told he wouldn’t make it as a photographer. He was rejected from a top Swiss photography school, and when he opened his own photo studio in Lausanne — photographing watches and chocolates and cheeses — he went bankrupt in a swift year-and-a-half.
But at age 25, Leutwyler moved to Paris and began apprenticing with the French photographer Gilles Tapie, who helped him find his stride as an editorial photographer. A decade later, in 1995, Leutwyler moved to New York City, where his portrait photography began to appear in Vogue, Vanity Fair, The New York Times Magazine, The New Yorker, Esquire, and Time, among others.
Since then, Leutwyler has photographed the top-tier of global talent, including Martin Scorsese, Michelle Obama, Julia Roberts, Misty Copeland, Tom Wolfe, and Rihanna.
In 2010, Leutwyler published his first book with the German imprint Steidl called Neverland Lost: A Portrait of Michael Jackson, following it with two editions of Ballet: Photographs of the New York City Ballet. This year, he completed his most extensive project yet. After 12 years in the works, Document was released on October 25, 2016, by Steidl and will be accompanied by a show at the Foley Gallery in New York City, from November 3, 2016, to January 8, 2017.
The one-of-a-kind project is comprised of 124 photographs of seemingly ordinary items whose history renders them extraordinary: the gun that killed John Lennon, Bob Dylan’s harmonica, Andy Warhol’s paintbrush, Julia Child’s madeleine tray, Charlie Chaplin’s cane, Fred Astaire’s tap shoes, Janis Joplin’s guitar, Michael Jackson’s sequined glove, a hand-sewn Civil War-era flag, Mahatma Gandhi’s cracked leather sandal, among many others — all of which Leutwyler managed to round-up and photograph on his trademark white background.
Recently, while Leutwyler was in Palermo, Italy, I spoke with him about the trick to portrait photography, the magic of inanimate objects, his laughs with Julia Roberts, his awkwardness with Helmut Newton, and how he manages to stay creative after decades of universally adored photography.

The first restaurant chain in the US, the late-19th-century Harvey House, popped up in train stations and followed the rapid growth of rail travel. It disappeared decades ago, but the project of connecting huge swaths of land with the promise of culinary sameness lives on. In a country that currently seems fractured and exhausted by its own divisions (at least from across the Canadian border, where I live), are chains a unifying force, a common denominator — or yet another arena in which cultural and political tensions play out?
Here are some of my favorite reads on America’s restaurant chains, from the generically upscale to the proudly down-home. They cover politics, economics, regional identity, and even (surprise!) food.

Kanishk Tharoor | Kill Screen | October 2016 | 13 minutes (3,204 words)
The following essay was published by Kill Screen, the video game arts and culture magazine, and co-funded by Longreads Members.
***
The pleasure of Sid Meier’s Civilization series is that it is at once tantalizingly grand and endearingly granular. The game’s approach to the past has always been playful. Abe Lincoln can lead war-bands against Mahatma Gandhi’s phalanxes. The Aztecs can build the first nuclear bomb. Every version of the game begins with the same wide-open promise: a settler, a worker, a few tiles of visible land, and an ocean of darkness—all the ingredients of a world ready to be discovered and made anew. Read more…

Autumn is my favorite time to walk around my city. The swirling skies, the cool weather, the breeze, the crunchy leaves—it’s dynamic, and, best of all, I don’t sweat as much.
In Wanderlust: A History of Walking, Rebecca Solnit writes, “Walkers are ‘practitioners of the city,’ for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.”
I love this quote. Despite the fear I feel sometimes as a woman walking alone, walking places gives me a sense of control. I’m not at the mercy of someone else’s schedule. I can take a new, weird route or linger by the Canadian geese in a recently renovated lake. In the following essays, Antonia Malachik discusses the cultural implications of our aversion to walking; Garnette Cadogan relates how his walks are coded by his skin color, depending on where in the world he is; Adee Braun praises the New York eat-and-walk—and that’s not all. You can read these on the move. Just don’t trip, okay?
We’ve featured Antonia Malachik’s article on Longreads before, but it fits this week’s theme too perfectly to ignore:
“In many parts of the US, pedestrianism is seen as a dubiously counter-culture activity. Gated communities are only the most recent incarnation of the narrow-eyed suspicion with which we view unleashed strangers venturing outside on foot, much less anywhere near our homes. A friend of mine told me recently that a few years ago, when she lived in Mississippi, she was stopped by police constantly simply because she preferred to walk to work. Twice they insisted on driving her home, ‘so I could prove I wasn’t homeless or a prostitute. Because who else would be out walking?’”
Author and activist Michelle Tea takes us to four of her old haunts: a clown-themed strip club, a bar, her old apartment, and an on-ramp.
In an essay that remains sadly, horrifically relevant, Garnette Cadogan describes his risk-tainted wanders through Kingston, Jamaica; New York City; and New Orleans:
“Walking while black restricts the experience of walking, renders inaccessible the classic Romantic experience of walking alone. It forces me to be in constant relationship with others, unable to join the New York flaneurs I had read about and hoped to join…Walking as a black man has made me feel simultaneously more removed from the city, in my awareness that I am perceived as suspect, and more closely connected to it, in the full attentiveness demanded by my vigilance.”
My friends and I paused on a classic Manhattan street corner so we could purchase hot dogs on our ill-fated attempt to catch our bus back to Maryland. Certain denizens of the Mid-Atlantic are familiar with the Day Trip to New York City: You wake up earlier than is reasonable in order to board a stale, at-capacity charter bus full of crabby Marylanders (or wherever), and a few restless hours later, you’re deposited somewhere outside Times Square or Chinatown or the Javits Center. Then, you see a show (anecdotally, the most common reason for these jaunts), or go to the Strand bookstore (guilty), or something else. After we saw our show of choice (cliche, I know, but it was a one-weekend remount), we partook in that hallowed New York tradition: the eat-and-walk.
At Narratively, Adee Braun has written a love letter to the eat-and-walk, a lesser-known American export and beloved regional pastime.
Lauren Groff’s command of language will entrance you in this short story about an on-edge mom who takes evening walks in her North Florida neighborhood.
Former Lucky Magazine editor and Girls of a Certain Age blogger Kim France reflects on the miscalculation that her life would be perfect, and her marriage would work, if she lived in the perfect Brooklyn Brownstone.

Below, our favorite stories of the week.
Sign up to receive this list free every Friday in your inbox. Read more…

If you read enough #longreads about parenting in The Atlantic, New York Times Magazine, and Slate, then eventually you will discover you are an awful parent. But there is nothing so satisfying for us awful parents as reading stories about parents who are more insufferable than we are. So it is with great pride I share this piece by Melanie Thernstrom, who profiles a “free-range” parent who lets his children play on the roof of their house and then rubs it in the face of his neighbors – thereby forcing the other parents to become imagination-quashing killjoys, AKA people who try to keep their kids from potentially breaking their necks. (But hey, my neighbor says the odds are low, and life-endangering activities are mother nature’s way of thinning the herd! I guess it’s fine!) Read more…

Chloe Caldwell | I’ll Tell You In Person | Coffee House Press | October 2016 | 19 minutes (4,768 words)
“Do you get in bed and cuddle with Chloe in the mornings?” It was an early evening in spring, and Bobbi and I were in the kitchen, standing across from each other at the counter. We’d just finished eating pizza and salad with ranch on the back porch. Bobbi’s mom, Cheryl, was on speakerphone, calling from her hotel to check in on us.
“She doesn’t!” I said, making eye contact with Bobbi, who looked at me skeptically in a way only an eight-year-old can.
“Yeah but that’s ’cause . . . well, do you sleep naked?” Bobbi asked, lowering her deafening voice for once like she was asking me in total confidence.
I burst out laughing.
“No!” I said.
I’ve had countless sleepovers with Bobbi in the past three years, and I never don’t pretend she’s my little sister, even though, at twenty-eight, I’m too old to be her sister. I feel too young and immature to be her mother. At twenty-eight, I’m more like an aunt or a cousin. I could easily be engaged or pregnant or have children of my own. But that is not my life. Instead, I babysit, still waiting for my real life to begin. In limbo. A friend sent me a birthday card that read, Happy Saturn Return, good luck with that, seriously.
“You could be in India having sex next year,” Cheryl told me once when I was down on myself about being such a loose end in the domestic department.
“Whereas I probably won’t!” she said.
When Cheryl called that night, Bobbi and I had been in the middle of an improvised séance, though I was unsure what dead person we were trying to contact. We held hands around an orange candle and chanted gibberish. It reminded me of the opening scene in Divine Secrets of the Ya-Ya Sisterhood.
In a mock new-age voice, Bobbi said, “o.k. now breeeeeeeaaathe in the baaaaaad energyyyyyy.”
“No way! Not doing that,” I said.
“Yeah but then you breathe it out.”
“Yeah but why do I have to breathe it in at all?”
“Just trust me and do it.”
“K.”
“Now look up at the sky and repeat after me: Iloveyoumommy-Iloveyoumommy.”
“IloveyoumommyIloveyoumommy.”
The phone rang. We screamed. Read more…
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