Search Results for: New York Magazine

The Believer Interview: Ice Cube

Linda Saetre | The Believer | 2004 | 26 minutes (6,574 words)

 

The below interview is excerpted from The Believer’s new book, Confidence, or the Appearance of Confidence: The Best of the Believer Music Interviews. Thanks to The Believer for sharing this with the Longreads community.

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‘Music Is a Mirror of What We’re Going Through, Not the Cause of What We’re Going Through. It’s a Reaction, It’s Our Only Weapon, It’s Our Only Way to Protect Ourselves, It’s Our Only Way to Fit, It’s Our Only Way to Get There.’

Before rap music, New York might as well have been:

Paris


Africa


Australia


A thousand miles away from a thirteen-year-old Ice Cube

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Once upon a time, the name Ice Cube was analogous to explicit lyrics, guns, women as “bitches,” South Central, and attitude. Bad attitude. Not to mention mind-blowing rap music wrapped in raw emotions. But those were Ice Cube’s teen years, before he married Kimberly Jackson, became father to four kids, and turned into a true Hollywood player. A legend long before he turned thirty, Ice Cube, together with his fellow N.W.A. members, revolutionized not only the rap/ hiphop genre, but all music, by making it OK for musicians to speak their minds and then some.

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The Top 5 Longreads of the Week

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What It Was Like to Hear Nina Simone Live

Nina Simone’s explosiveness was well known. In concert, she was quick to call out anyone she noticed talking, to stop and glare or hurl a few insults or even leave the stage. Yet her performances, richly improvised, were also confidingly intimate—she needed the connection with her audience—and often riveting. Even in her best years, Simone never put many records on the charts, but people flocked to her shows. In 1966, the critic for the Philadelphia Tribune, an African-American newspaper, explained that to hear Simone sing “is to be brought into abrasive contact with the black heart and to feel the power and beauty which for centuries have beat there.” She was proclaimed the voice of the movement not by Martin Luther King but by Stokely Carmichael and H. Rap Brown, whose Black Power philosophy answered to her own experience and inclinations. As the sixties progressed, the feelings she displayed—pain, lacerating anger, the desire to burn down whole cities in revenge—made her seem at times emotionally disturbed and at other times simply the most honest black woman in America.

Claudia Roth Pierpont, in The New Yorker, on the life and career of Nina Simone.

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Photo: scarlatti2004_images, Flickr

The Novel That Was a Key to Solving a Polish Murder Mystery

Bala had since moved abroad, and could not be easily reached, but as Wroblewski checked into his background he discovered that he had recently published a novel called “Amok.” Wroblewski obtained a copy, which had on the cover a surreal image of a goat—an ancient symbol of the Devil. Like the works of the French novelist Michel Houellebecq, the book is sadistic, pornographic, and creepy. The main character, who narrates the story, is a bored Polish intellectual who, when not musing about philosophy, is drinking and having sex with women.

Wroblewski, who read mostly history books, was shocked by the novel’s contents, which were not only decadent but vehemently anti-Church. He made note of the fact that the narrator murders a female lover for no reason (“What had come over me? What the hell did I do?”) and conceals the act so well that he is never caught. Wroblewski was struck, in particular, by the killer’s method: “I tightened the noose around her neck.” Wroblewski then noticed something else: the killer’s name is Chris, the English version of the author’s first name. It was also the name that Krystian Bala had posted on the Internet auction site. Wroblewski began to read the book more closely—a hardened cop turned literary detective.

— This recently unlocked New Yorker story comes recommended by Eva Holland, a writer based in Whitehorse, Yukon who writes:

David Grann’s “True Crime,” is a strange story of a Polish detective who becomes fixated on a disturbing, provocative, postmodern novel that may be the key to a brutal unsolved murder. The story is fascinating and layered, and I’m guessing I’m not the only ex-liberal arts student who will find aspects of the main suspect’s character uncomfortably familiar.

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Photo: Via YouTube

Call It Rape

Margot Singer | The Normal School | 2012 | 23 minutes (5,683 words)

The Normal SchoolThanks to Margot Singer and The Normal School for sharing this story with the Longreads community.
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Still life with man and gun

Three girls are smoking on the back porch of their high school dorm. It’s near midnight on a Saturday in early autumn, the leaves not yet fallen, the darkness thick. A man steps out of the woods. He is wearing a black ski mask, a hooded jacket, leather gloves. He has a gun. He tells the girls to follow him, that if they make a noise or run he’ll shoot. He makes them lie face down on the ground. He rapes first one and then the others. He walks away. Read more…

The Top 5 Longreads of the Week

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Two Stories by Rachel Aviv About Parents, Children, and Our Legal System

“You’re not showing any remorse, Dakotah. I’m not saying it in a bad way, but is something wrong with your head? Do you have problems with thinking? I mean, because you’re a very intelligent young man.” Steve told him to imagine what would happen “if you weren’t my kid, and I was in this room with the person that shot my dad.”

Ester Bloom, a writer and editor, recommends two stories by Rachel Aviv from The New Yorker: “These pieces by Aviv are about parents, children, and a legal system that tries to do its best by both parties as well as society at large, and ends up shortchanging everyone.”

“No Remorse.” (Jan. 2, 2012)

A 14-year-old is tried as an adult for killing his grandfather.

Where Is Your Mother? (Dec. 2, 2013)

A mother whose child is taken away becomes increasingly desperate in her attempts to win him back.

‘Alice Munro Writes So Well About Secrets’

Then he had things to tell her about himself. The fact that he had produced a condom did not mean that he was a regular seducer. In fact, she was only the second person he had gone to bed with, the first being his wife. He had been brought up in a fiercely religious household and still believed in God, to some extent. He kept that a secret from his wife, who would have made a joke of it, being very left-wing.

Corrie said she was glad that what they were doing—what they had just done—appeared not to bother him, in spite of his belief. She said that she herself had never had any time for God, because her father was enough to cope with.

-From Alice Munro’s 2010 short story, “Corrie,” published in The New Yorker and recommended by author Elliott Holt: “Alice Munro writes so well about secrets. ‘Corrie’ is a suspenseful story about adultery and blackmail, about illness and faith, and about the compromises we make for happiness.”

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Photo: Kyle Lanningham, YouTube

Longreads’ Best of WordPress, Vol. 2

Longreads Pick

Here are 10 of our favorite stories right now from Autostraddle, The New Yorker, The Paris Review, The Toast, Walrus Magazine, and more.

Author: Mike Dang
Source: Longreads
Published: Jul 23, 2014

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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