Search Results for: New York Magazine

Brussels Playbook: Meet the Mike Allen of Europe

A 35-year-old Australian, [Ryan] Heath rises every morning at 4.30 to finish off the day’s Brussels Playbook, which in only a month and a half already goes out to almost 40,000 people. (The site itself received, in May, about 1.7m page views, from just over 700,000 unique visitors. The original Politico receives 7m monthly uniques, though they claim their relevance not by aggregate traffic but by the quality of their audience.) If Budoff Brown and Palmeri think a lot about their audience in Washington, and Kaminski and the tech reporters keep Europe more broadly in mind, Playbook speaks directly to Brussels. It promises to create Politico as the trusted house organ for a community of the displaced.

Though Heath’s Playbook roughly follows the original Mike Allen model from Washington, Heath has made it his own. He is aware that it is forging something new and, rather than fear the threat of absurdity, he allows it to revel in its own surrealism. Heath writes like he speaks, in flirtatious, conspiratorial tones about serious, substantive things. A recent item: “FINLAND – WELCOME TO THE LAND OF SOLUTIONS: That’s the official name of the Finnish government’s programme. Take that, all you Lands of Problems! Many journalists weren’t able to digest the new programme at the government’s regular sauna briefing Wednesday night (yes, people from outside Brussels, this is a real, proud tradition) because they were camped out waiting for Juncker and Tsipras to finish dining. So we bring them, and you, the full programme of the new government.” Another item seemed built around the basic desire to simply delight in the phrase, “Róża Gräfin von Thun und Hohenstein, chair of the IMCO working group on the DSM.”

Gideon Lewis-Kraus writing for The Guardian about Politico‘s new Brussels outfit. The brash, oft-gossipy has website transformed Washington D.C. journalism, but it remains to be seen whether even they can make E.U. politics sexy.
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See Also: “Politico’s Mike Allen, the Man the White House Wakes Up To” (Mark Leibovich, New York Times, April 2010)

The Craft of Cooking

Jessica Gross | Longreads | June 2015 | 18 minutes (4,479 words)

 

In 1980, 29-year-old Christopher Kimball enrolled in a cooking class and was so frustrated by his instructors’ inability to answer his questions that he started his own cooking magazine. Cook’s Magazine, since reborn as Cook’s Illustrated, presents a small number of recipes refined through extraordinarily rigorous testing by the cooks in Kimball’s 2,500-square-foot kitchen lab. The bimonthly magazine—which features only black-and-white illustrations—eschews a focus on “lifestyle” in favor of treating cooking as a discipline and a craft. Over the years, Cook’s Illustrated has garnered a large and loyal readership—and spawned an empire, including a second magazine, Cook’s Country; many cookbooks; and two television shows. “America’s Test Kitchen,” the most popular cooking show on public television, is currently in its 15th season. We spoke by phone about what it takes to write a crystal-clear recipe, the Cook’s Illustrated business model, and Kimball’s not-quite success getting his own kids in the kitchen.

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I want to get into the nitty-gritty of writing recipes that are really easy for people to follow. In thinking about our conversation, I remembered that in middle school, I had to do a project called “Write It Do It.” You were given a structure and had to write out, step by step, how to put it together. Your partner got these instructions and then had to try to construct a replica, which you’d then compare with the original.

That’s great—I should do that with my test cooks.

Well, we did horribly—my partner and I came in second to last or something—which drove home how difficult it is to describe in words how to physically construct something specific. So, when you’re writing a recipe, how do you make crystal clear what the cook is supposed to be doing?

Yeah, that’s the essence of it—and it’s made even more difficult because every home cook’s kitchen is different. The cookware is different, the stovetop is different, the oven is different and they almost never use the right ingredients, or they substitute ingredients and leave ingredients out. So the variables beyond your control are substantial. In your case, if you have a set of Legos on a desk, you know exactly what the components are. In our case, they don’t have all the Legos. They substituted some other puzzle game for half the Legos and they aren’t going to actually build a whole building; they’ll leave out parts of it. And they won’t read your directions entirely. They’ll read parts of it but not fully. So it’s more like, “Write It, Kinda Do It.” Read more…

Defending Journalist Joseph Mitchell

In the April issue of the New York Review of Books Janet Malcolm wrote about the legendary New Yorker journalist Joseph Mitchell, and responded to Thomas Kunkel’s new Mitchell biography. The biography reveals how Mitchell invented some of his beloved material, which raises questions about larger journalistic standards, betraying readers’ trust, and what effect Mitchell’s invention and embellishment might have on the reputation of pieces like “Mr. Hunter’s Grave.” On this Malcolm is clear:

Every writer of nonfiction who has struggled with the ditch and the bushes knows what Mitchell is talking about, but few of us have gone as far as Mitchell in bending actuality to our artistic will. This is not because we are more virtuous than Mitchell. It is because we are less gifted than Mitchell. The idea that reporters are constantly resisting the temptation to invent is a laughable one. Reporters don’t invent because they don’t know how to. This is why they are journalists rather than novelists or short-story writers. They depend on the kindness of the strangers they actually meet for the characters in their stories. There are no fictional characters lurking in their imaginations. They couldn’t create a character like Mr. Flood or Cockeye Johnny if you held a gun to their heads. Mitchell’s travels across the line that separates fiction and nonfiction are his singular feat. His impatience with the annoying, boring bits of actuality, his slashings through the underbrush of unreadable facticity, give his pieces their electric force, are why they’re so much more exciting to read than the work of other nonfiction writers of ambition.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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Argentina’s Stolen Children

Photo: BoNoNoBo

It sounds like something out of a bestselling dystopian novel, but it’s horribly real: in the 1970s, tens of thousands of so-called subversives were murdered by a despotic Argentinian government. What happened to their children? They grew up under the roofs of their parents’ killers. Distraught, the women of Argentina organized. Now, two of the most famous siblings in the country are under investigation–could they be children of the desaparecidos? Francis Goldman investigates in the New Yorker.

On April 22, 2010, the country’s four largest daily newspapers published a letter signed by Marcela and Felipe. “Like so many adopted children, we don’t know our biological identities, but like any other person we’ve formed our own identities in the course of our lives,” they wrote. “We’ve never seen any concrete proof that we are children of the disappeared. . . . The political use of our story seems unjust. . . . Thirty-four years ago our mother chose us to be her children. And we, every day, choose her to be our mother.” The letter did little to dispel the general impression of the siblings as captives, whose every utterance was controlled by Grupo Clarín and its lawyers, and it only added to the public’s perception of them as having a sense of aggrieved entitlement. Any adopted children born in Argentina in 1976, especially those with as many irregularities in their adoption records as Marcela and Felipe, could be subject to an investigation. The Noble Herreras’ long history of resistance made it look as if they were desperate to hide the truth.

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Mr. and Mrs. B

Illustration by Kjell Reigstad

Alexander Chee | Apology Magazine | Winter 2014 | 19 minutes (4,822 words)

 

This essay by novelist Alexander Chee first appeared in Apology magazine’s third issue (Winter 2014). Apology is a semiannual print journal of art, interviews and literature, created by ex-Vice editor-in-chief Jesse Pearson. The fourth issue is available for preorder. Our thanks to Alexander Chee and Apology for allowing us to reprint this essay here.

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How could you, my friends would ask, when I told them. How could you work for someone like him? Do you ever want to just pick up a knife and stab him in the neck? Poison his food?

You would be a hero, one friend said.

I did not want to stab him, and I did not want to poison him. From our first meeting, it was clear, he was in decline. And as for how could I, well, like many people, I needed the money. Read more…

Reinventing One of Scotland’s Most Unpronounceable Whiskies

No one knows why Bruichladdich whisky tastes the way it does, but plenty of people think they do. In Reynier’s view, the distillery’s proximity to a shallow bay makes a difference. (Bruichladdich is Gaelic for “raised beach.”) When the tide goes out, across the road, algae are exposed to the air, which influences the spirit as it matures, giving it a maritime tang.

Officially, the company also credits its distinctive tall, narrow pot stills, the oldest of which has been in use since 1881. But McEwan differs sharply. “The shape of the pot is not significant, in terms of flavor—this is a kind of fairy story,” he says. “It’s the artisanal skills of the whisky-maker.”

Kelefa Sanneh, writing in The New Yorker about a London wine dealer’s mission to revive the revered  Bruichladdich distillery, on the Scottish island of Islay. Sanneh’s piece ran in February 2013.

 

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Corruption–and Copulation–in the Baltimore City Detention Center

Photo by Martin

Joyce Mitchell, alleged accomplice to two murderers on the loose from Clinton-Dannemora correctional facility in New York, is hardly the only prison employee to ever have allegedly aided—and had sex with—detainees. From Jeffrey Toobin’s “This Is My Jail” in the April 14, 2014 issue of The New Yorker:

Many relationships between guards and inmates appear to have been consensual, and initiated by the inmates. “When they started having these really young girls as guards, that’s when it really went downhill,” the former inmate Kevin said. “They get infatuated with the gang members.” In a way, the more serious the charges against an inmate, the more deference he would be accorded by the guards. “Most of the C.O.s, they was young,” Vernon, another former inmate, told me. “If you came in with high-profile charges, they would treat you with more respect. The big-time drug kingpins would be more likely to get what they want. The guards would worry about the repercussions if they didn’t. There were relationships in there. I saw a C.O. used to bring McDonald’s to this dude. That’s cause she was his baby mama.”…

…According to the government, Tavon White had sexual relationships with four guards and fathered five children by them. (One of the guards had “Tavon” tattooed on her wrist; another had the name on her neck.) An inmate and gang member named Jamar Anderson was involved with five guards. Female guards smuggled the contraband into the facility, concealing it “in their underwear, hair, internally and elsewhere,” according to a government filing. The guards were subject to cursory or nonexistent searches when they entered the premises, and they also brought in the cell phones for the inmates to use, even though correctional officers were forbidden to carry phones while working.

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Four Stories About Merle Haggard

Merle Haggard, 1975. Photo by Wikimedia Commons

Legendary country singer Merle Haggard died today at 79. Here are four profiles of the master, by four master writers, that follow him through the years.

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James Is a Girl

Longreads Pick

Jennifer Egan’s 1996 New York Times Magazine profile of a teenage model.

Published: Feb 4, 1996
Length: 31 minutes (7,883 words)