Search Results for: The New Yorker

How a Great American Theatrical Family Produced the 19th Century’s Most Notorious Assassin

John Wilkes Booth, Edwin Booth and Junius Booth, Jr. (from left to right) in Shakespeare’s Julius Caesar in 1864. Photo via Wikimedia Commons

Nora Titone | My Thoughts Be Bloody: The Bitter Rivalry Between Edwin and John Wilkes Booth That Led to an American Tragedy | The Free Press | October 2010 | 41 minutes (11,244 words)

 

Below is an excerpt from the book My Thoughts Be Bloody, by Nora Titone, as recommended by Longreads contributor Dana Snitzky, who writes: 

“This is the story of the celebrated Booth family in the final year before John Wilkes made a mad leap into historical memory that outdid in magnitude every accomplishment of his father and brothers. When the curtain rises on this chapter of Nora Titone’s book, both Edwin and John Wilkes have already staged performances for President Lincoln at Ford’s Theater; by the time it comes down, one of them will be readying to assassinate him there.” 

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Link Rot, or Why the Web May Be Killing Footnotes

The Web dwells in a never-ending present. It is—elementally—ethereal, ephemeral, unstable, and unreliable. Sometimes when you try to visit a Web page what you see is an error message: “Page Not Found.” This is known as “link rot,” and it’s a drag, but it’s better than the alternative. More often, you see an updated Web page; most likely the original has been overwritten. (To overwrite, in computing, means to destroy old data by storing new data in their place; overwriting is an artifact of an era when computer storage was very expensive.) Or maybe the page has been moved and something else is where it used to be. This is known as “content drift,” and it’s more pernicious than an error message, because it’s impossible to tell that what you’re seeing isn’t what you went to look for: the overwriting, erasure, or moving of the original is invisible. For the law and for the courts, link rot and content drift, which are collectively known as “reference rot,” have been disastrous. In providing evidence, legal scholars, lawyers, and judges often cite Web pages in their footnotes; they expect that evidence to remain where they found it as their proof, the way that evidence on paper—in court records and books and law journals—remains where they found it, in libraries and courthouses. But a 2013 survey of law- and policy-related publications found that, at the end of six years, nearly fifty per cent of the URLs cited in those publications no longer worked. According to a 2014 study conducted at Harvard Law School, “more than 70% of the URLs within the Harvard Law Review and other journals, and 50% of the URLs within United States Supreme Court opinions, do not link to the originally cited information.” The overwriting, drifting, and rotting of the Web is no less catastrophic for engineers, scientists, and doctors. Last month, a team of digital library researchers based at Los Alamos National Laboratory reported the results of an exacting study of three and a half million scholarly articles published in science, technology, and medical journals between 1997 and 2012: one in five links provided in the notes suffers from reference rot. It’s like trying to stand on quicksand.

The footnote, a landmark in the history of civilization, took centuries to invent and to spread. It has taken mere years nearly to destroy. A footnote used to say, “Here is how I know this and where I found it.” A footnote that’s a link says, “Here is what I used to know and where I once found it, but chances are it’s not there anymore.” It doesn’t matter whether footnotes are your stock-in-trade. Everybody’s in a pinch. Citing a Web page as the source for something you know—using a URL as evidence—is ubiquitous. Many people find themselves doing it three or four times before breakfast and five times more before lunch. What happens when your evidence vanishes by dinnertime?

Jill Lepore, writing for the New Yorker about the Internet Archive and the difficulties of preserving information on the Web.

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What Burns Within Us: Five Stories About Fire

Photo: Camila MP

I’m assistant stage managing a play called The Arsonists. It’s an allegory about appeasement during World War II; in a town wracked by mysterious fires, two strangers arrive on the doorstep of a well-to-do businessman. As the strangers stockpile gasoline and fuse wire in the attic, the hapless businessman and his wife can’t bear to think they might be complacent in impending destruction. In rehearsals we listen to music about fire, sung by The Doors, Johnny Cash, Bruce Springsteen and David Byrne. Fire is on my mind, particularly its mythic proportions in the cycle of creation and destruction, and for the purpose of this list, the traditions and careers it informs and influences. Here are five pieces on fire-eaters, firefighters, fire-walkers and fire-growers.

1. “Trial By Fire.” (Dimitris Xygalatas, Aeon, September 2014)

Welcome to San Pedro Manrique. If what matters most is how well you walk through the fire, Dimitris Xygalatas and his team are there to measure how your body and your friends and family are affected by your participation in this extreme ritual. Read more…

Longreads Best of 2014: Business Writing

We asked a few writers and editors to choose some of their favorite stories of the year in specific categories. Here, the best in business writing.

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Max Chafkin
Writer focusing on business and technology.

Schooled (Dale Russakoff, New Yorker)

This piece explores the failed attempt by Mark Zuckerberg and Corey Booker, among others, to fix Newark’s schools—and in doing so makes clear just how hard education reform is. Most shockingly, it exposes the huge sums of money spent by the city and its supporters on education consultants who managed to extract huge fees without, apparently, doing a whole lot. It’s pretty hard to make a dense story about education reform read well, but Russakoff amazingly manages it, while managing to be fair and incisive. Read more…

Pack Your Bags! Five Stories About Why and Where We Move

Photo: TheMuuj

Last week, I became Someone Who Lives in Sin with Her Boyfriend in a Downtown Apartment, whereas before I was Someone Who Chose to Do a Service Year in Baltimore and Therefore Lives with Her Parents Long After. Luckily, my parents live 20 minutes away; circumstance leads me to move in spurts, a box here, a shelf there. My new place is lovely—third floor, historic, quirky—and frustrating, but it is mine (ours), and no one else’s, and there is power in something coming true that I thought, in my darkest moments, might never happen. Moving is on my mind, so here are five essays about relocating, repacking, and rearranging.

1. “Moving For Love: The Modern Relationship Milestone.” (Ann Friedman, The Cut, April 2014)

From Mars to Madison, Wisconsin, “following” your partner across town or across the country can foster resentment or strengthen your relationship. Ann Friedman, one of my favorite journalists, explains how shifting societal norms and evolving technology encourage folks to take the plunge or remain long-distance.

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Humane Endeavor

Longreads Pick

An interview with doctor and New Yorker writer Atul Gawande about end-of-life care, his writing career, and his early days on Bill Clinton’s political team.

Published: Nov 20, 2014
Length: 17 minutes (4,478 words)

Honoring Your Forebears: Our College Pick

Regular readers of a particular magazine can usually pick up on that publication’s voice. Articles sound like Cosmo or the New Yorker or Saveur and we read them because we like articles that sound that way. We like the voice. Professional writers learn to tailor stories to a specific magazine and journalism students practice writing stories that sound like they could be published in the titles they love and admire. R.J. Vogt’s profile of an aging Medal of Honor winner draws the best of Esquire‘s voice, ruminating on age and death and masculinity and heroism. It is, like all good magazine articles, about something bigger than the initial storyline.

He Wears a Medal of Honor

R.J. Vogt | Medal of Honor Project | July 29, 2014 | 10 minutes (2,598 words)

François Truffaut on an Aging Joan Crawford

As she neared fifty, determined to keep going, she became almost grotesque, answering her own needs and the wiles of directors eager to exploit her. In Nicholas Ray’s odd, beautiful, impassioned Western “Johnny Guitar” (1954), she’s Vienna, a tough businesswoman who runs a saloon and constantly faces down groups of armed men. Vienna is both an icon of self-reliance and a woman who’s uncontrollably in love with a handsome young gunslinger (Sterling Hayden). The performance, lodged somewhere between the dignified and the absurd, is so peculiarly willed that it stunned the young François Truffaut. “She is beyond considerations of beauty,” he wrote. “She has become unreal, a fantasy of herself. Whiteness has invaded her eyes, muscles have taken over her face, a will of iron behind a face of steel. She is a phenomenon. She is becoming more manly as she grows older. Her clipped, tense acting, pushed almost to paroxysm by Ray, is in itself a strange and fascinating spectacle.”

—From “Escape Artist,” David Denby’s 2011 New Yorker profile of Joan Crawford.

 

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Interview: ‘Poor Teeth’ Writer Sarah Smarsh on Class and Journalism

Julia Wick | Longreads | November 7, 2014 | 11 minutes (2,674 words)

 

“I am bone of the bone of them that live in trailer homes.” That’s the first line of Sarah Smarsh’s essay “Poor Teeth,” which appeared on Aeon earlier this month. Like much of Smarsh’s work, “Poor Teeth” is a story about inequity in America. It is also a story about teeth, hers and her grandmother’s and also the millions of Americans who lack dental coverage.

Smarsh has written for Harper’s, Guernica and The Morning News, among other outlets. Her perspective is very much shaped by her personal experiences: She grew up in a family where most didn’t graduate from high school, and she later chaired the faculty-staff Diversity Initiative as a professor at Washburn University in Topeka. I spoke with her about her own path to journalism and how the media cover issues of class.  Read more…

Untangling the Knot: My Search for Democracy in the Modern Family

Sabine Heinlein | Longreads | October 28, 2014 | 16 minutes (3,966 words)

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