The Longreads Blog

Chris Jones: My Top 5 Longreads of 2010

Chris Jones is a writer at large for Esquire. (His stories are on many of your Top Fives.) He’s currently blogging at My Second Empire.


David Grann: The Mark of a Masterpiece, The New Yorker, July 12, 2010

Just a perfectly constructed, painful reveal of the sinister side of the art world, starting at its origins, with the artist’s fingerprints.

Michael Kruse: Stories of LeBron and sportswriter intertwined, tangled, The St. Petersburg Times, Nov. 21, 2010

Maybe the best way to approach an over-covered subject: write about him by writing about someone else. (See Breslin, Jimmy. Digging JFK Grave was His Honor.)

Eli Saslow: For a look outside the presidential bubble, Obama reads 10 personal letters a day, The Washington Post, March 31, 2010

For a look inside the presidential bubble, report the hell out of the story of a single letter.

CJ Chivers: A Firsthand Look at Firefights in Marja, The New York Times, April 19, 2010

Every time CJ Chivers heads off to war and sends back a story, I feel like less of a man and less of a writer.

Tom Junod: Eating the Whole Animal, from the Inside-Out, Esquire, April 2010

Pure entertainment by one of the all-time great magazine writers. Also contains the sentence: “The veins are what freaked me out.” Impossible to resist. Reading, not eating, that is.

The Quaid Conspiracy

The Quaid Conspiracy

Kate Silver: Top Five Long Reads of 2010

I always love Kate Silver‘s #longreads picks. Here’s her Top 5.

frontofbook:

Longreads asked for a top five. Here are a few that stand out:

Christopher Hitchens, “Martin, Maggie, and Me” (Vanity Fair)
The Hitchens-Amis bromance is the ultimate had-to-be-there of Thatcher-era intelligentsia. Bottoms up.

Michaelangelo Matos, eMusic Q&A: Rob Sheffield (17 Dots)
Pop fans and glossy geeks will find plenty to love in this broad Q&A — like My Dinner with Andre if it were shot for VH1.

Julian Barnes, “Writer’s Writer and Writer’s Writer’s Writer” (London Review of Books)
While plenty has been written about Lydia Davis’s new translation of Madame Bovary, Barnes’ thorough historical breakdown and downright passionate prose make this lo-ooong read a must.

Jessica Flint, “Vampire Weekend’s Mutinous Muse” (VF.com)
Admittedly, I rolled my eyes when my Twitter feed filled up with Ann Kirsten Kennis, the unwitting Contra cover girl who is suing Vampire Weekend over the use of her image. This engossing, in-depth piece hooked me in. It points a finger at photographer Tod Brody, who claims the rights to the snapshot. Brody was recently subpoenaed in the case, but apparently he can’t be found.

Mara Altman, “Whit Stillman Is Running Late” (First Things) (registration required)
b/w Alex Carnevale, “The Last Tantrum” (This Recording)

The ’90s are dead. Long live the ’90s!

Matthew Aldridge: My Top 5 #longreads, 2010

aldridge:

My Top 5 #longreads of 2010, featuring a thief, a killer, a fraudster, two musicians, and a film critic:

The Art of the Steal Joshuah Bearman, Wired
“Blanchard slowly approached the display and removed the already loosened screws, carefully using a butter knife to hold in place the two long rods that would trigger the alarm system. The real trick was ensuring that the spring-loaded mechanism the star was sitting on didn’t register that the weight above it had changed. He reached into his pocket and deftly replaced Elisabeth’s bejeweled hairpin with the gift-store fake.”

Roger Ebert: The Essential Man Chris Jones, Esquire
“He opens a new page in his text-to-speech program, a blank white sheet. But Ebert doesn’t press the button that fires up the speakers. He presses a different button, a button that makes the words bigger. He presses the button again and again and again, the words growing bigger and bigger and bigger until they become too big to fit the screen, now they’re just letters, but he keeps hitting the button, bigger and bigger still. Roger Ebert is shaking, his entire body is shaking, and he’s still hitting the button, bang, bang, bang, and he’s shouting now.”

The Hunted Jeffrey Goldberg, The New Yorker
“Then comes an arresting sequence, one seldom seen on national television: the killing of a human. The scout, his face blotted out electronically, fires a single shot at him. Then, from offscreen, come three more shots. The camera stays focussed on the wounded man, lying on the ground. His body jerks at the first and third shots. Then it is still.”

The Mark of a Masterpiece David Grann, The New Yorker
“Reporters work, in many ways, like authenticators. We encounter people, form intuitions about them, and then attempt to verify these impressions. I began to review Biro’s story. As I probed further, I discovered an underpainting that I had never imagined.”

Insane Clown Posse: And God Created Controversy
Jon Ronson, The Guardian
“I suddenly wonder, halfway through our interview, if I am looking at two men in clown make-up who are suffering from depression. Shaggy nods quietly. ‘I get anxiety and shit a lot,’ he says. ‘And reading that stuff people write about us… It hurts.’”

See my (much longer) list of the best long-form journalism of 2009.

Follow @longreads, or search for #longreads on Twitter. Or follow me, @mpaldridge.

Adam Pasick: Top 5 Longreads of 2010

Adam Pasick: Top 5 Longreads of 2010

The House That Thurman Munson Built

The House That Thurman Munson Built

Aileen Gallagher: My 2010 Longreads

Aileen Gallagher is Assistant Professor of Multiplatform Journalism at Syracuse University.

agallagher:

Don Peck’s How a New Jobless Era Will Transform America (The Atlantic, March 2010)

Bleak, but I’ve never read a better numbers story.

Nick Blakeslee’s Alex Jones is About to Explode (Texas Monthly, March 2010)

Jones is sort of Glenn Beck meets Art Bell and Blakeslee nails the complex conflict of the man and the showman.

Tad Friend’s Sleeping With Weapons (New Yorker, August 16, 2010)

Profile of Lounge Lizard John Lurie starts off so well I use it in class: “From 1984 to 1989, everyone in downtown New York wanted to be John Lurie. Or sleep with him. Or punch him in the face.” 

Luke Dittrich’s The Man Who Would Fall to Earth (Esquire, August 2010)

I did not expect to get through this story, let alone love it. (The story in the same issue about the perfect Price is Right bid is more my bag.) This is how you take a pontentially complicated story about an event (the freefall jump from space) and make it about people.

Dana Priest’s Top Secret America (Washington Post, July 2010)

Priest is such a meticulous, awesome reporter.  She’s sourced like Sy Hersch. This is not as readable as her Walter Reed series, but equally depressing and even more important to our country.

Divided We Eat

Divided We Eat

Jared Keller: Top 5 Longreads of 2010

Jared Keller, in addition to being in charge of the whole internet, is also social media editor for The Atlantic.

michellelegro:

Trust in what Jared says. He’s in charge of, like, the whole internet. Or at least the portion of it housed in the Watergate building. 

jbkeller:

Dan Baum, “Happiness Is A Worn Gun” (Harpers, August 2010)
 
Many knee-jerk opponents of gun rights have never handled a gun before, so what happens when one liberal wears a concealed weapon? The Harpers articles is subscription only, but it’s worth subscribing just to read about Baum’s psychological transformation as a concealed gun owner.
 
Rebecca Mead, “Rage Machine” (The New Yorker, May 24, 2010)

I despise most everything about Andrew Breitbart – his personality, his politics, his smear tactics – but I loved this profile. Mead made him almost loveable.

Graeme Wood, “Prison Without Walls” (The Atlantic, September 2010)

This story has been done before, but I have an odd fascination with surveillance and surveillance states.

Robin Marantz Henig, “What Is It About 20-Somethings?” (New York Times Magazine, August 18th, 2010)

Caught between economic recession and a poisonous political environment, why do young people take so long to grow up? For maximum impact, read “The Recessions Long Shadow” which appeared in the March 2010 issue of The Atlantic, immediately beforehand.

Wayne Curtis, “Gunpowder On The Rocks” (The Atlantic, November 2010)

A New Zealand bartender learns what pirates and sailors knew long ago: explosives and liquor mix just fine.

Andrew Rice's Top 5 Longreads of 2010

Andrew Rice’s Top 5 Longreads of 2010