The Longreads Blog

Quick note: We’re excited to announce that longtime Longreader Jodi Ettenberg (@legalnomads) has joined Longreads as a contributing editor!

Roger Fidler was a head of innovation for Knight-Ridder who convinced his company to let him set up a lab in the early 1990s to explore the creation of tablet computers. They were next door to a lab owned by Apple:

Fidler smiles through a scruffy gray Jobsian beard. He has known the answer for a long time. In 1994, while running a lab dreaming up the future of newspapers, Fidler starred in his own video demonstrating a prototype he cooked up that was remarkably like the iPad — black, thin, rectangular, with text and video displayed on-screen.

A narrator described technology that at the time sounded like science fiction: “Tablets will be a whole new class of computer. They’ll weigh under two pounds. They’ll be totally portable. They’ll have a clarity of screen display comparable to ink on paper. They’ll be able to blend text, video, audio and graphics together. . . . We may still use computers to create information but will use the tablet to interact with information — reading, watching, listening.”

“For Tablet Computer Visionary Roger Fidler, a Lot of What-Ifs.” — Michael S. Rosenwald, The Washington Post

See also: “The Tablet.” — John Gruber, Daring Fireball, Dec. 31, 2009

Featured: Marcus Sortijas, writer, editor and WordPress specialist. See his story picks from The Atlantic, The San Francisco Chronicle, Wired, plus more on his #longreads page.

The presidential bully pulpit isn’t as effective as one would think. Evidence shows that the louder a president speaks to support an issue or bill, the more committed the opposing party will be to ensure that it won’t pass:

To test her theory, she created a database of eighty-six hundred Senate votes between 1981 and 2004. She found that a President’s powers of persuasion were strong, but only within his own party. Nearly four thousand of the votes were of the mission-to-Mars variety—they should have found support among both Democrats and Republicans. Absent a President’s involvement, these votes fell along party lines just a third of the time, but when a President took a stand that number rose to more than half. The same thing happened with votes on more partisan issues, such as bills that raised taxes; they typically split along party lines, but when a President intervened the divide was even sharper.

“The Unpersuaded.” — Ezra Klein, New Yorker

See also: “Power and the Presidency, From Kennedy to Obama.” — Robert Dallek, Smithsonian, March 21, 2011

The story of Dan Marlowe, a pulp writer who suffered from amnesia, befriended an ex-con, and later inspired writers like Stephen King:

Physicians thought the amnesia was psychosomatic, brought on by stress and money troubles, but there were hints of physical problems too. Before his brain emptied out, Marlowe had been laid low by crushing migraines, and there was evidence he’d had similar problems during his youth. In time, Marlowe would tell people the memory loss resulted from a stroke, and the symptoms he described (weakness on his left side, for instance) seemed to bear that out.

In any case, his creative-writing ability vanished, and his life fast-reversed 20 years. He was trapped in a noir plot eerily similar to that of Never Live Twice, the 1964 Marlowe thriller in which amnesia blanks out the mind of government operative Jackrabbit Smith, who has to fight his way back to his old life, blasting bad guys and spanking a woman psychologist along the way.

“The Wrong Marlowe.” — Charles Kelly, Los Angeles Review of Books

See also: “Writers in Hollywood.” — Raymond Chandler, The Atlantic, Nov. 1, 1945

Top 5 #Longreads of the Week: The New York Times Magazine, Popular Science, GQ, The New York Times, Forbes, a fiction pick, plus a guest pick from Sujatha Santhanakrishnan.

How officers in the 81st Precinct in Brooklyn were “juking the stats” to improve crime statistics in their area. The NYPD called it an isolated incident, but critics point to a culture of data-obsession that leads police to ignore, discard or downgrade complaints from victims:

These weren’t minor incidents. The victims included a Chinese-food delivery man robbed and beaten bloody, a man robbed at gunpoint, a cab driver robbed at gunpoint, a woman assaulted and beaten black and blue, a woman beaten by her spouse, and a woman burgled by men who forced their way into her apartment.

“When viewed in their totality, a disturbing pattern is prevalent and gives credence to the allegation that crimes are being improperly reported in order to avoid index-crime classifications,” investigators concluded. “This trend is indicative of a concerted effort to deliberately underreport crime in the 81st Precinct.”

“The NYPD Tapes Confirmed.” — Graham Rayman, Village Voice

See also: “Boss Kelly.” — Geoffrey Gray, New York magazine, May 16, 2010

The story of the Polgar sisters, chess whizzes who were trained by their father from an early age:

When Susan was the age of many of her students, she dominated the New York Open chess competition. At 16 she crushed several adult opponents and landed on the front page of The New York Times. The tournament was abuzz not just with the spectacle of one pretty young powerhouse: Susan’s raven-haired sister Sophia, 11, swept most of the games in her section, too. But the pudgy baby of the family, 9-year-old Judit, drew the most gawkers of all. To onlookers’ delight, Judit took on five players simultaneously and beat them. She played blindfolded.

“The Grandmaster Experiment.” — Carlin Flora, Psychology Today

See also: “Game of Her Life.” — Tim Crothers, ESPN, Jan. 10, 2011

Photo: Nestor Galina/Flickr

[Not single-page] Sara Blakely went from auditioning to play Goofy at Disney World to founding an undergarment empire: Spanx. She still owns 100% equity in the company, making her the youngest female billionaire at age 41:

Like many startups, Spanx began life as an answer to an irritating problem. The panty hose Blakely was forced to wear at both Disney and Danka were uncomfortable and old-fashioned. “It’s Florida, it’s hot, I was carrying fax machines,” she says. She hated the way the seamed foot stuck out of an open-toe sandal or kitten heel. But she noticed that the control-top eliminated panty lines and made her tiny body look even firmer. She’d bought a new pair of cream slacks for $78 at Arden B and was keen to wear them to a party. “I cut the feet off my pantyhose and wore them underneath,” she says. “But they rolled up my legs all night. I remember thinking, ‘I’ve got to figure out how to make this.’ I’d never worked in fashion or retail. I just needed an undergarment that didn’t exist.”

“Undercover Billionaire: Sara Blakely Joins The Rich List Thanks To Spanx.” — Clare O’Connor, Forbes

See also: “The Billionaire King of Techtopia.” — Jonathan Miles, Details, Aug. 23, 2011

An interview with Cuban director Fernando Pérez on life, art and making movies in Cuba:

Fernando Pérez: I have one place in the world that I live in, where I was born, and that’s Havana. If you ask me why, I wouldn’t know, but then, that’s why I make films. In Cuba and specifically in Havana there’s a sort of energy that turns every situation into something unexpected. We lived through the Special Period in the 1990s in which the economic crisis that happened as a result of the fall of the USSR became, for many people of my generation and for a slightly younger generation like that of my children, a material and social crisis, it’s true, but for me, also a spiritual crisis. I went to visit my parents every Sunday, in Guanabacoa, a nearby village. I remember that had go through the tunnel under the bay of Havana to get there, and since there was no transportation I would do it by bike. And in 1993, when things got much worse—there was no food, they would cut the electricity for long periods of time—as I left the tunnel, I thought, this image that I’m living, it’s like a metaphor for the Cuban reality. It’s like one is crossing the tunnel, and we don’t see the end, but it has to be there; it struck me as very impressionistic, and that’s when the idea for the movie came.

“Cinefilia en Habana.” Julia Cooke, Guernica

See more interviews on @Weegee’s #longreads page