The Longreads Blog

The Astronauts and the ‘Nutella Incident’

Concept for NASA human Mars mission. Photo by Wikimedia Commons

Their persistently cheery e-mail updates [from the crew in the Hawaii-based simulation] raise a question: Does a happy crew tell NASA anything useful? Binsted argues that upbeat blog posts don’t always tell the whole story. Small gripes often emerge in the post-study interviews, when subjects know that their replies will be kept anonymous. It was only at the end of one of the four-month food studies in the dome, for instance, that Binsted heard from everyone about the “Nutella incident,” in which a crew member arrogantly finished off the group’s monthly ration, reasoning that the team was scheduled to open a new bin the next day. Stuster’s work with isolated crews found many examples of trivial annoyances growing unbearable, such as complaints from one of Byrd’s Antarctic crewmen about another man’s “way of breathing, his belief in dreams, and his frequent use of the phrase ‘I’m sorry.’ ” Stuster’s latest study for NASA, on private journals kept by astronauts, fairly hisses in places with steam let off by astronauts irritated by overscheduling, by patronizing requests, and by pointless-seeming tasks coming from ground control, such as recording serial numbers on items of trash. In the Mauna Loa dome, crew members simply roll their eyes when Binsted’s far-flung volunteer assistants do something lame, like expecting an immediate response to an e-mail sent when everyone is still asleep, because the sender forgot that sMars, like Hawaii, is not on daylight-saving time. Binsted calls it “crew-ground disconnect,” and deals with the problem in ways that are summarized by her use of the term “mission support,” rather than “mission control.”

Tom Kizzia, writing in The New Yorker about how NASA is preparing its astronauts for the long-haul isolation and travel that a possible Mars expedition would require.

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Rest in Peace: Stories About Death Care

I. I’ve been thinking: What would my life look like if I were not afraid of death? Thinking too closely about not existing, not having a consciousness, sends me spiraling into a panic attack. Protestant Christians believe in an afterlife—a heaven, a hell. I did, too, for a while. I was confident, fervent, about heaven. I was no longer afraid to die. Now I’m not so sure. Nothingness scares me, but so does an eternity spent somewhere else.

A month ago, I shared a reading list about architecture. My pick from The Stranger was about Katrina Spade, an  archeologist from Seattle interested in environmentally friendly, community-centered death care: city centers dedicated to composting human beings and reuniting their bodies with nature. It’s called the Urban Death Project. A few days ago, Spade debuted her fundraising campaign to make the project a reality.

I studied artist Iris Gottlieb’s drawings of plants and fungi and Spade’s architectural plans. I liked the idea that the composting hubs would be unique to each city—much like libraries, which take on aspects of their communities while serving the same essential purpose worldwide, Spade explained. Reading the details of Spade’s proposal, I felt genuinely moved, and, for the first time in a decade, peaceful. Read more…

The Top 5 Longreads of the Week

Photo: Charlie Archambault/Center for Public Integrity

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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People, Let Me Tell You ‘Bout My Best Friend

Photos by Wikimedia Commons

Ringo first met [Harry] Nilsson after the singer did a gonzo version of Ike and Tina Turner’s “River Deep-Mountain High.” “It was bordering on madness, and so we thought, ‘We gotta meet this guy,’ ” says Ringo. While Nilsson’s destructive friendship with Lennon got the ink — they drunkenly heckled the Smothers Brothers at L.A.’s Troubadour, and Nilsson infamously ruined his voice doing a cover of “Many Rivers to Cross” with Lennon sitting at the console — it was the drummer in the world’s most famous band and the songwriter who hated playing live who became inseparable as they drank away the 1970s.

“He was my best friend,” says Ringo softly. “Yeah. I loved Harry.”

The two made an unwatchable Dracula movie together and tried to collaborate through their drug-and-booze haze. “I had one song with 27 verses that I gave to Harry to edit, and he got it down to about eight verses,” Ringo says. “It never got recorded.”

—Stephen Rodrick, profiling Ringo Starr for Rolling Stone.

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Loneliness and Isolation: Necessary Ingredients of Creativity?

Vincent van Gogh: Self Portrait (1887) Van Gogh Museum

(Vincent) Van Gogh likely had a cadre of mental issues, none of which were suitably diagnosed while he was alive. Yet what seemed to weigh heaviest on him was the inevitability of his loneliness. According to his letters to Theo, he felt he had one of two options: content himself with loneliness or try to countenance his loneliness with friendships thereby derailing his creativity (“lead us from the road,” as he wrote).

Aldous Huxley wrote, “If one’s different, one’s bound to be lonely,” and upon thinking about it even a little, it quickly becomes apparent that many of history’s creative geniuses have been deeply lonely people. There is the obvious reason for this: dedicating oneself to an artistic pursuit means one has little time for social endeavors. This is what has frustrated flamboyant, gregarious writers like F. Scott Fitzgerald and Henry James, both of whom wrote about the dreadful isolation necessary to turn out great fiction. But whether it’s the mysteriously secretive writing careers of J.D. Salinger or Donna Tartt, the well-known loneliness of Joseph Conrad (“we live as we dream — alone”) or the friendship-loneliness conundrum of van Gogh, it becomes apparent that something else is at play. Loneliness is not just sufficient for creativity; it is necessary. It is almost as if one can only be truly creative when one detaches from society.

Cody C. Delistraty on how social rejection and isolation fuel metacognition and the creative process.

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Life After Football: Our College Pick

Disappointment feels so much bigger when you’re young because you haven’t lived long enough to know that there’s always something else on the other side. In his story about a former football prospect who seeks a new identity on a baseball field, Jesse Dougherty elicits emotion from a normally taciturn type – the young male athlete – and conveys those feelings without tripping over purple prose.

Life After Football

Jesse Dougherty | The Daily Orange | April 5, 2015 | 1,647 words (7 minutes)

Who Wrote ‘Happy Birthday’?

Photo by Pixabay

Most musicologists who’ve traced the origins of “Happy Birthday” agree that its musical score dates back to the work of two Kentucky sisters in the late 19th century: Mildred Jane Hill (b.1859), and Patty Smith Hill (b.1868).

After graduating as valedictorian of Louisville Collegiate Institute, Patty went on to be a central figure in the progressive education movement, endorsing hands-on learning techniques and interactive teaching methods. She invented “Patty Hill Blocks” — a set of large, cardboard bricks that children could use to learn about structural engineering — and then founded the Institute of Child Welfare Research at Columbia University Teachers College.

In 1889, while serving as a kindergarten teacher at a Kentucky grade school, she began working on a set of childrens’ songs with her older sister Mildred, a well-known organist, composer, and “Negro music” scholar. Four years later, the two released their first collection of tunes in a book titled “Song Stories for the Kindergarten.” Among the songs, was a little ditty entitled “Good Morning to All,” which would later be the source of the sheet music for “Happy Birthday.”

Zachary Crockett writing for Pricenomics about who owns the copyright to “Happy Birthday.” Update: On Tuesday, September 22, a federal judge struck down Warner/Chappell Music’s long-standing claim to the copyright for “Happy Birthday.”

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Tennessee Williams on His Women, His Writer’s Block, and Whether It All Mattered

Maureen Stapleton and Don Murray in The Rose Tattoo. Photo via Wikimedia Commons

James Grissom | Follies of God: Tennessee Williams and the Women of the Fog | Knopf | March 2015 | 26 minutes (7,038 words)

 

Below is an excerpt from the book Follies of God, by James Grissom, as recommended by Longreads contributing editor Dana Snitzky. Dana writes:

“James Grissom wrote a letter to Tennessee Williams in 1982, when he was only 20 years old, asking for advice. Tennessee unexpectedly responded, ‘Perhaps you can be of some help to me.’ Ultimately he tasked Grissom with seeking out each of the women (and few men) who had inspired his work—among them Maureen Stapleton, Lillian Gish, Katharine Hepburn, Bette Davis, and Marlon Brando—so that he could ask them a question: had Tennessee Williams, or his work, ever mattered? This is Grissom’s account of their intense first encounters, in which Tennessee explains his thoughts on writing, writer’s block, and the women he wrote.”

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How Does a Magazine Go About Calculating the Financial Cost of Gun Violence?

To begin to get a grasp on the economic toll, Mother Jones turned to Ted Miller at the Pacific Institute for Research and Evaluation, an independent nonprofit that studies public health, education, and safety issues. Miller has been one of the few researchers to delve deeply into guns, going back to the late 1980s when he began analyzing societal costs from violence, injury, and substance abuse, as well as the savings from prevention. Most of his 30-plus years of research has been funded by government grants and contracts; his work on guns in recent years has either been tucked into broader projects or done on the side. “I never take positions on legislation,” he notes. “Instead, I provide numbers to inform decision making.”

Miller’s approach looks at two categories of costs. The first is direct: Every time a bullet hits somebody, expenses can include emergency services, police investigations, and long-term medical and mental-health care, as well as court and prison costs. About 87 percent of these costs fall on taxpayers. The second category consists of indirect costs: Factors here include lost income, losses to employers, and impact on quality of life, which Miller bases on amounts that juries award for pain and suffering to victims of wrongful injury and death.

Mark Follman, James West, Julia Lurie, and Jaeah Lee writing in Mother Jones about the magazine’s six-month-long investigation into the financial costs of gun violence in America.

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Why Las Vegas Doesn’t Have a Major League Sports Team

Leagues have historically avoided Las Vegas for two main reasons. Until recently, it wasn’t a particularly large metro area by population. Now, however, it ranks 30th — and is bigger than 12 areas (including Salt Lake City, Raleigh, and Buffalo) that do have pro teams.

The other factor, though, has been the simple fact that Nevada law allows gambling on sports.

The worry is that the proximity of gambling would lead to match fixing, in which people with a stake in the outcome pay players to lose on purpose — like in 1919, when eight players on the Chicago White Sox were allegedly paid to lose the World Series. This episode led Major League Baseball to take the strongest stance against gambling of all the major sports: Pete Rose, for instance, was banned from baseball for life for betting on games while he was the manager of the Cincinnati Reds.

Joseph Stromberg writing for Vox about Las Vegas and the coming “gamblification” of American pro sports. After years without a pro sports team, Las Vegas is building a new arena and rumors suggest that the NHL may expand there.

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