The Longreads Blog

Celebrating Pride: Where Religion and Queerness Meet

My city was one of many to hold a vigil in memory of the innocent lost to hatred and violence in Orlando a week ago. Christian, Jewish and Muslim community leaders spoke, one after the other, rallying the crowd into a frenzy of love. We lit candles and sang and prayed and cried. It did not resurrect 49 people.

I will be frank: I do not know how to live in the wake of this nightmare. I do not think I will ever feel normal again. As the poet Anne Carson puts it, “I felt as though the sky was torn off my life. I had no home in goodness anymore.” I stood on the steps of our police-protected vigil with my candle, afraid a hate-filled bullet would pierce the back of my skull. And if I, a white person, feel this afraid, then I cannot even begin to imagine what queer people of color, including queer Muslims, are feeling. I have included several of their stories in the list below. They need to be heard, loud and clear and often.

I’ve also included an interview with queer Hebrew priestess Rebekah Erev and an interview with bisexual Christian activist Eliel Cruz. Because of my work with youth in interfaith dialogue, I wanted to include representation from other Abrahamic religions. Queer people of all faith traditions deserve to know that they are not alone and that they are loved. Read more…

The Top 5 Longreads of the Week

Illustration by Jim Cooke

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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The Invisible Forces Behind All of Our Decision-Making

Photo: Deborah Feingold

Jessica Gross | Longreads | June 2016 | 16 minutes (4,137 words)

 

Jonah Berger, a professor of marketing at Wharton, has spent more than 15 years investigating social influence. In his 2013 book, Contagious: Why Things Catch On, he explains how and why certain products and ideas become massively popular. In his new book, Invisible Influence: The Hidden Forces that Shape Behavior, Berger focuses on the immense sway others have over the choices we make—whether we’re imitating or differentiating from them—often in ways we aren’t aware of. Berger and I spoke by phone about the often surprising findings he draws on in the book, the tension between fitting in and standing out, and how social influence can best be wielded.

How did you first become interested in studying social influence?

I’m from the D.C. area originally, and have a friend who’s a lawyer there. I was talking to him, and he was complaining that all D.C. lawyers drive BMWs—when they make it, they go out and buy a BMW. He said, “Look at how D.C. lawyers are all conformists.” I pointed out that he had actually himself just bought a BMW. And he said, “No, no, but I bought a blue one. Everyone else buys gray ones.”

What I thought was really interesting about that story was a few things. One, he saw everyone else as influenced, but not himself. Sometimes we recognize that social influence is out there, but we think only other people do it. We don’t see it in our own lives. And yet, here was a great, amazing, powerful example of someone’s own life being shaped by what others are doing.

But also, influence isn’t a simple thing. It’s not just doing the same thing as others. Often, when we think about influence, we think, “If someone else jumped off a bridge, would you jump off a bridge?” But influence is actually much more complicated than that. Influence is actually like a magnet: sometimes it attracts and leads us to do the same thing as others; other times it repels and leads us to do the opposite thing. And sometimes, like with this example of the BMW, it actually leads us to be similar and different at the same time, so that we’re optimally distinct. We end up being similar on one dimension and different on another.

And so what I wonder is, when do these different things happen? When does influence lead us to be the same? When does influence lead us to be different? When does it lead us to go along with the group? When does it lead us to be more independent? How do others motivate us? How do others de-motivate us? And how can we use all this science to live happier and healthier lives? Read more…

The Wildlife Officers Trying to Get Florida’s Human-Alligator Conflicts Under Control

In light of the tragic story of the alligator attack on a toddler at a Florida Disney resort, The New York Times has republished Andrew Revkin’s 1988 story from Discover magazine about how human-alligator conflicts in Florida began to rise as the population in the state steadily increased and homes were built “on terrain that is transmogrified swamp”:

As increasing numbers of northerners flee to the Sunshine State, development is rapidly spreading inland from the state’s sparkling shores toward its flat, wet, sparsely populated interior. Ranks of expensive homes, often surrounding private golf courses and chains of man-made ponds, are being built on terrain that is transmogrified swamp.

With the help of a network of 14 professional trappers, [Lieutenant Dick] Lawrence, the alligator coordinator for a large swath of south Florida, responds to complaints ranging from alligators threatening pets to alligators in swimming pools. (“Usually, when they end up in pools, it’s somebody pulling a prank,” Lawrence says.)

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‘A Uterus Gone Rogue’: Diagnosing Endometriosis

Photo by precidenciamx.

I think of endometriosis as a uterus gone rogue; instead of simply receiving and disposing of eggs, the uterus decides it wants to send things via the fallopian tubes, too. But because ovaries don’t have the capacity to receive anything, the uterus posts the only junky gift it’s got — uterine wall cells — up the fallopian tube. When the ovaries can’t accept those cells, they flow out into the abdominal cavity, where everything is showered in Essence of Uterus, like confetti at a wedding.

– Writing in The Toast, Rosanna Beatrice’s “Reckless and Hopeful Subservience” takes us through the discomfort, confusion, and anger of being diagnosed and dealing with endometriosis, a painful reproductive disorder with mysterious origins, and no cure.

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Borges and $: The Parable of the Literary Master and the Coin

Elizabeth Hyde Stevens | Longreads | June 2016 | 31 minutes (7,830 words)

 

Nothing is less material than money. . . . Money is abstract, I repeated, money is future time. It can be an evening in the suburbs, it can be the music of Brahms, it can be maps, it can be chess, it can be coffee, it can be the words of Epictetus teaching us to despise gold. Money is a Proteus more versatile than the one on the island of Pharos.

—Jorge Luis Borges, “The Zahir”

I fell in love with Jorge Luis Borges when I was a freshman in college. That year, full of hope and confusion, I left my hometown for the manicured quads of Brown University, desperately seeking culture—art, beauty, and meaning beyond the empty narrative of wealth building that consumes our world. It is easy to look back and see why Borges spoke to me. The Argentine fabulist’s short stories were like beautiful mind-altering crystals, each one an Escheresque maze that toyed with our realities—time, space, honor, death—as mere constructs, nothing more. With the beautiful prose of a poet-translator-scholar, he could even make money seem like mere fantasy. It was precisely the narrative someone like me might want.

Yet, money is real. We live and die by the coin. Money tells us how many children we can raise and what kind of future they can afford, how many of our 78.7 years must be sold off in servitude, and what politics we will have the luxury of voicing. As a college freshman, I still knew none of this, and I had the luxury of not thinking about money. These days, it seems all but inescapable.

I am still full of hope and confusion, but at 35, practically nothing concerns me more than the coin, a metonymic symbol representing my helplessness. The coin represents this desperate need to support myself and my writing when, in the very near future, I start a family. My mind has changed; all my journal entries turn into to-do lists and career strategizing. Money, planning, and money. I think of little else. Read more…

‘Silicon Valley’ Masterfully Skewers Tech Culture

'Silicon Valley' / HBO

At The New Yorker, Andrew Marantz takes us behind-the-scenes at the HBO comedy “Silicon Valley,” revealing how its writers and creators are so good at accurately skewering the tech world:

The show’s signature gag, from the first season, was a minute-long montage of startup founders pledging to “make the world a better place through Paxos algorithms for consensus protocols,” or to “make the world a better place through canonical data models to communicate between endpoints.” This scene was set at TechCrunch Disrupt, a real event where founders take turns pitching their ideas, “American Idol”-style, to an auditorium full of investors. Before writing the episode, Judge and Berg spent a weekend at TechCrunch Disrupt, in San Francisco. “That’s the first thing you notice,” Judge said. “It’s capitalism shrouded in the fake hippie rhetoric of ‘We’re making the world a better place,’ because it’s uncool to just say ‘Hey, we’re crushing it and making money.’” After the scene aired, viewers complained about the lack of diversity in the audience. Berg recalled, “A friend of mine who works in tech called me and said, ‘Why aren’t there any women? That’s bullshit!’ I said to her, ‘It is bullshit! Unfortunately, we shot that audience footage at the actual TechCrunch Disrupt.’”

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Celebrate Pride: The Importance of LGBTQ History

Photo: Matt Kane

Learning more about the history of the LGBTQ movement is a goal of mine. I came out to my friends and immediate family last year, and I feel as though I need to make up for lost time. I’ve added dozens of books to my to-read pile, like This Bridge Called My Back: Writings by Radical Women of ColorHold Tight Gently: Michael Callen, Essex Hemphill, and the Battlefield of AIDS and Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America. Learning where I come from and to whom I owe my respect and gratitude is important to my self-acceptance and growth as a queer person. This Pride series continues with stories and interviews surrounding LGBTQ history in the United States. Read more…

The Top 5 Longreads of the Week

Image via BuzzFeed

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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Read more…

Bringing Bach to the Public

Jessica Gross | Longreads | June 2016 | 15 minutes (3,866 words)

 

In December, I stayed in New York City while its residents flew away and visitors flooded the streets. I treated the quiet time like a vacation, searching for little adventures. On a Tuesday shortly before Christmas, this little Jew put on her most respectable NYC-adventuress outfit—a green-and-gray-plaid skirt, black heeled ankle boots—and went to the Cathedral of Saint John the Divine.

Several days prior, scouring the detailed schedule of the (insanely beautiful) Cathedral, I’d seen a mysterious listing for a Bach pop-up concert. I knew little about what I was headed to, and hadn’t seen this concert advertised anywhere. When I showed up, only a smattering of people filled the seats in the grand cavernous space.

It is hard to describe a completely transporting musical experience; all the most accurate words feel cheesy. But here it is: this experience was transcendent. The woman playing Bach on her violin created a trance in which we were all held captive. It felt ludicrous that there were not more people there to witness it. When the performance ended, I blinked and smacked my hands together, wanting more.

She announced she’d be playing again shortly, at the Hungarian Pastry Shop across the street, so I dutifully followed. It was a different space—crowded with patrons, small, the sound loud and close. But I was entranced yet again. I beamed a gaping smile at the strangers around me, less cool adventuress than extremely uncool sycophant, but I couldn’t help it: this was pretty euphoric.

Afterward, I introduced myself to the musician. Her name was Michelle Ross, and it turned out this was the culmination of “Discovering Bach,” her 33-day project playing Bach’s entire solo violin cycle in public spaces throughout New York City. She kept a blog throughout, but hadn’t promoted the series anywhere; she wanted to create an authentic communal experience, not do a publicity stunt. Ross is young and extremely accomplished: she spent over a decade training with the  legendary Itzhak Perlman, has played on famous stages all over the world, curates a classical music festival in Utah, and even composes her own music. We met up a couple of months after her mesmerizing performance to discuss “Discovering Bach” and what it means to perform classical music in a public space, to let it be raw. Read more…