The Longreads Blog

Could South Africa’s Drought Help Deconstruct the Divisions of Apartheid?

Photo by Melanie Stetson Freeman/The Christian Science Monitor

Lately, we read a lot about the wealthy one percent building bunkers and buying land to insulate themselves from future natural disasters. But natural disasters can also level people in different socio-economic classes, because when you’re clawing your way out of rubble after an earthquake or scavenging for food, it doesn’t matter if your Bill Gates or Bill from around the way.

For the Huffpost’s Highline, Eve Fairbanks takes us to drought-stricken Cape Town, South Africa, where the white elite and residents of poor townships have taken austerity measures: washing dishes in recycled water; letting bodies go unshowered; even leaving turds in the bowl to reduce the number of flushes. Fairbanks talks with government officials, visits a spring and stays in a friend’s water-wise apartment to make sense of the drought’s effects. One surprising effect: By undermining the ability to have a pool, a long shower, a vast decorative yard, and deconstructing what Fairbanks calls the “infrastructure of privilege,” the drought has forged alliances between many white and black Cape Town residents. What remains to be seen is whether this expanded Cape Town community will last once the drought ends.

After the coming of democracy, though, both rich and middle-class South Africans did build fortresses: high, spike-topped walls went up around houses. Many of these houses don’t even have a bell, discouraging unknown visitors. Instead, they display ominous plaques depicting a skull or the name of the security company the owners have paid to answer their panic buttons with teams wielding guns.

Spend even a little time with the wealthy or white, though, and you’ll understand how aware they are that such fortresses can’t—or even shouldn’t—hold. One friend of mine near Johannesburg mused to me recently that both he and his wife know “deep down” that white people in South Africa “got away with” hundreds of years of injustice. His wife almost never admits this, or reveals any ambivalence about their four-bedroom house and self-isolating lifestyle, for fear of making herself “a target for retribution”: In other words, that ceasing to defend the goodness and justice of the white lifestyle might legitimize crime against whites or the expropriation of their land. Privately, my friend suspects “the opposite”—that keeping mum and apart is what inflames black anger. His wife’s view generally wins out, as it seems the more prudent. But what if there were a nature-made excuse to tear down those walls and try out a different kind of life? Would it really be so bad?

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Meet the New Mormons

Illustration by Lizzie Gill

Sarah Scoles| Longreads | June 2018 | 23 minutes (5,714 words)

It’s a summer day in Salt Lake City, and tourists are resting inside the Mormon Tabernacle, staring at the enormous, golden pipes of the Tabernacle organ, which are topped with carved wooden finials that appear to scrape the ceiling. These are the same pipes I stared at on a satellite feed from my hometown chapel in central Florida twice a year until I was 18. Although I’d remotely watched the church’s semiannual conference religiously as a kid, I’d never been inside the building until now, more than 12 years after leaving the church and becoming an atheist, and 10 after coming out as a lesbian. My parents have spent those years trying to come to terms with these shifts, but our détente has involved not talking much about any of it. This is the Mormon way.

It’s strange then to find myself in this Tabernacle, waiting for my mom’s plane to arrive in Salt Lake so that she and I can attend the Sunstone Symposium, a yearly gathering that includes liberal Mormons and ex-Mormons who are redefining their relationship with the church. But here I am.

Two young missionaries step up to the pulpit to demonstrate the building’s acoustics for those in attendance. One rips a newspaper, and I can hear the tear from my perch in the shadows at the back of the room. It sounds soft and wet, like the stories it contains might be smeared. The demonstration ends and the missionaries walk offstage, accompanied by a recording of the Mormon Tabernacle Choir: God be with you till we meet again. The harmonies burrow into my chest like they belong there, which in some sense they always will. The Mormon worldview shaped mine — I could speak in King James English at age 4 — even though the two now stand apart, like puzzle pieces where the outcropping of one is the cavern of the other. Only together do Mormonism and I make a full picture. Read more…

A Crocodile In Paris: The Queer Classics of Qiu Miaojin

Getty / Photo illustration by Katie Kosma

Ankita Chakraborty | Longreads | June 2018 | 14 minutes (3,488 words)

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D. H. Lawrence once used chickens to describe the two types of women. “A really up-to-date woman is a cocksure woman,” he wrote. “She is the modern type.” The other type is the hensure woman, “the old-fashioned demure woman who was sure as a hen is sure, that is, without knowing about it.’’ He made other references to animals and birds in his work. He often used animal lives to describe sex and male desire. “The desire rose again, his penis began to stir like a live bird,” he wrote of a man in Lady Chatterley’s Lover. Lawrence seemed to have thrived on the animal spirit. Three of his novels are called The Fox, Kangaroo and The White Peacock. The more the woods and the old mining towns of his childhood seemed to give way to industrial landscapes, the more easily animals seemed to have crept into his work. Often animals from these woods were imagined as insensible beasts. The chapter called “Rabbit” in Women in Love comes to mind, where a pet sustains society’s adulation until the moment it turns against its owners.

The beast in Qiu Miaojin’s modernist novels is the consciousness in women that is aware of a deviant lust for women’s bodies. Their sexuality is their bestiality. They are not necessarily hiding behind their animal pseudonyms; but like any animal on the fringes of human settlement, they are loath to be seen. The narrator of Qiu’s cult classic Notes of a Crocodile declares very early in the novel, “I’m a woman who loves women.” Yet a few pages later, she thinks she should carry her shoes and tiptoe down the streets of Taipei so that no one will notice her. In the industrial Taiwanese society where these women live, the self-discovery of their own sexuality is considered to be a social condition and an epidemic. It made for cheap television and for trash talk. In Taiwan in 1987, everybody seemed very interested in knowing who among them was a “crocodile.” Read more…

A New Yorker, and a Sick Person

David Malan/Getty

Porochista Khakpour | Sick: A Memoir | June 2018 | 9 minutes (2,300 words)

 

Ever since I can remember, I dreamed of escaping. Escaping what was always the question, but my life had been one of escape since I was born — revolution and war sent us through Asia and Europe and eventually to America. We were in exile, my parents always reminded me, we had escaped. It was temporary. But escape was also something I longed for in eighties Southern California, which constantly felt foreign to me, a place of temporary settling but no home. Everything was tan in a way my brown skin could not compete with. Everything was blond in a way my bottle-blond mother could not recreate, gilt upon gold upon gilt. Everything was carefree and smiles, gloss and glitter, and money to no end. We, meanwhile, were poor and anxious and alone. When my brother was born in our neighboring city Arcadia, California, in 1983, I watched his pink squirming body stowed into a giant felt red heart — it was Valentine’s Day — and even stuffed in all that makeshift American affection I thought he didn’t have a chance. None of us did.

As the tremors continued, as my body somehow grew smaller rather than larger — my mother always quick to slap my hand when I reached for the leftover cake batter the way sitcom kids did, her ritual baking more American obligation than motherly delight — I also began feeling a need to escape the body. All my few friends got their periods before they were teenagers, but mine waited deep into my first teenage year, on the brink of fourteen, like an afterthought. Everything about my body felt wrong to me, especially as California went from the eighties to the nineties, and I knew escape would have to be a real revolution of presence.

My mind always went to literal distance, eyes on the globe landing without fail on New York. It’s hard to know if all the movies of the era did it, Fame and its many knockoffs, Annie and all the stories of rags-to-riches miracles in Manhattan, told me New York was the motherland for misfit creatives to thrive, for foreigners with big dreams, for girl authors. But I think where it really came from was my aunt Simin, who was the only living role model I ever had. My mother’s world, as it sought to merge with the average American woman’s more and more, spoke to me less and less — I found myself cooling from her endless mall outings, Estée Lauder free gifts, diet everything, soap operas, and department store catalogues. Instead my eyes went to my father’s sister.

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Andrew O’Hagan on The Grenfell Tower Fire, One Year Later

Grenfell Tower on June 17th, 2017. David Mirzoeff/PA Wire URN:36546841

In an epic seven-part piece at The London Review of Books, Andrew O’Hagan writes on the harrowing Grenfell Tower fire that took place in London, England on June 14th, 2017. Telling dozens of individual stories of survivors and victims of the catastrophe, his essay posits that shoddy renovations and a poorly managed fire response that urged residents to “stay put” and wait for rescue — a policy only rescinded until it was too late for residents on the upper floors to evacuate — cost 72 people their lives.

Near to 12.15 a.m., a fire began in the kitchen of Flat 16 on the fourth floor. The flat was rented by an Ethiopian cab driver called Behaulu Kebede, a father of one. Some immediate neighbours heard a bang, but the rest knew nothing until, about twenty minutes later, Mr Kebede appeared in the hall in his stockinged feet, saying there was a fire in his flat. He thought it had started at the back of his fridge. He called the police before going to the door of his next-door neighbour, Maryam Adam, who was three months pregnant. ‘It was exactly 12.50 a.m.,’ she said, ‘because I was sleeping and it woke me up.’ She looked at the clock as she made her way onto the landing and looked towards Kebede’s open door. She could see into his kitchen and she thought at the time that the fire wasn’t very big.

Flames from the fridge had engulfed the kitchen and were quickly licking out of Kebede’s open window, setting fire to the insulation in the cavity beween the building and its new cladding. It wasn’t obvious at first that this had happened: when the firefighters arrived, a group of eight, they came up to Flat 16 and put out the fire in the kitchen. They didn’t notice that the flames going out of the window had allowed the fire to enter the cavity. The barriers that were supposed to seal the gaps between panels in the event of a fire were too small, or were badly fitted, which allowed the cavity to act as a chimney and draw the flames upwards.

And then, just as the firefighters from North Kensington were leaving the scene, having doused the kitchen fire, the control at Stratford started receiving further emergency calls. ‘There’s a fire in my sitting room on the tenth floor!’ ‘My bedroom window is covered in flames. I’m on the eighth floor.’

‘That’s impossible,’ the operators were saying to each other. ‘The fire on the fourth floor was just put out by firefighters!’ One fire chief told me the problem was that the people in Stratford couldn’t see what was happening and so were confused when suddenly dozens of calls were coming in at the same time. The operators told the callers to stay put in their flats. A senior operations officer eventually got a picture from social media up on his mobile phone and showed it to his superior officer.

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Has India’s Booming IT Industry Finally Plateaued?

AP Photo/Aijaz Rahi

A company named Infosys helped build India’s booming tech industry. Although few Americans have heard of Infosys, this large company in Bangalore employs 200,000 people and codes for companies as diverse as Nordstrom and Harley-Davidson. But trouble has struck.

At The California Sunday Magazine, Rollo Romig paints an unsettling portrait of Indian life, where the middle class that Infosys helped build now fears what one newspaper called a “bloodbath” from downsizing. American protectionism is reducing the amount of offshoring that goes on in tech. Trump has made it harder for Indian tech workers to get H-1B work visas, and automation in India threatens to eliminate even more jobs.

In April of last year, Puneet Manuja, the co-founder of YourDost, a Bangalore-based online mental-health platform that offers counseling via live chat, noticed a spike in messages from IT workers who’d lost their jobs, or worried they would soon. In response, YourDost opened a temporary hotline to field employment concerns. Over three days, they were contacted by 1,100 workers. “A lot of these people did not have a plan B,” Manuja said. “More than 60 percent of people who reached out to us had less than three months of savings left.” Many who’d lost jobs, he said, were hiding it from their parents and friends. “When we asked why people do not tell their parents, they said you are considered weak. If you’ve been fired or laid off, it’s very difficult to convince people that it’s because of some structural changes.” They heard from one young woman, he said, who lived with her parents and who, for a week or two after getting fired from her IT job, got dressed and left every day as if she were going to work.

The leading IT companies all denied that they were laying off anyone. Some IT workers told me that, to avoid admitting to layoffs, the companies had increasingly been setting impossible performance targets to push out workers. One evening I met a longtime Infosys employee in his apartment in east Bangalore. The courtyard of his housing complex was a dazzling display of lights and fountains and overwhelming scale; it was the kind of residence that would have been unimaginable in the old Bangalore, before IT took over. Early last year, he said, he took two months’ leave following the death of his father, and when he returned he felt he’d come back to a different company. His new manager, he said, removed him from his projects, gave him a poor performance review, and incessantly pressured him to resign, threatening him with termination if he didn’t. After two months of this, he surrendered. He still seemed stunned and mortified by this turn of events; he said his work had always been highly commended by managers and clients alike and showed me emails to prove it. He didn’t want me to name him because he still hoped the company would take him back.

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For Me, With Love and Squalor

Illustration by Matt Chinworth

Lauren Markham | Longreads | June 2018 | 23 minutes (5,790 words)

One recent day, when it was raining and I was feeling particularly blue, I decided to visit my local bookstore. Though bookstores were once among my favorite places to spend time, ever since my own book was published eight months ago, trips into bookstores have mutated into sordid affairs. I’ll walk in the door, feign cool, casual, just your average browser, then drift over to the shelves in the way someone might sidle up to the bar with a good-looking mark in sight. I’m not really browsing, not just refilling my drink — I’m searching, quite shamefully, for my own book on the shelves.

When it’s there, with its beaming burnt-orange cover jammed somewhere near Norman Mailer, Stephane Mallarme, Katherine Mansfield, Javier Marías, I feel a blush of glee. But more often than not, it’s not on the shelves at all.

It turns out that just because you wrote a book doesn’t mean the bookstores will sell it. No matter what accolades my book has received, each visit to the bookstore feels a new test of my book’s worth — and my own.

That rainy day, I was sure that finding my book on the shelves would release me from my blueness. On the other hand, in the likely event that my book wasn’t there, I would have permission to sink lower, reclining into the indigo bleak. I stepped inside the store, delivering flecks of rain onto the floor. As I suspected — as I feared — my book was nowhere to be found. Read more…

In Just 40 Hours, You Too Can Be an Expert

A blood spatter expert shows the jury a blood-spattered sneaker during the Michael Peterson murder trial in December 2001. (AP PHOTO/CHUCK LIDDY/POOL)

For part two of “Blood Will Tell,” her New York Times Magazine/ProPublica investigation into Joe Bryan’s murder conviction and the use of blood spatter analysis as a forensic tool, Pamela Colloff took the same 40-hour course that is the sum total of the training many blood spatter experts can claim. It did not inspire confidence in the precision or reliability of the experts’ testimony.

On the last day of class, I was given my “certificate of training” after receiving a 97 on my final exam. Everyone in my class passed. Griffin had told us that even if we failed the final, we would still receive a certificate of completion, but rarely, he added, did anyone fail. Our scores on our final exams were not recorded, he assured us, nor were the exams preserved. “Don’t worry that an attorney is going to come back and say, ‘You missed Question 14,’ ” he explained.

From time to time that week, Griffin cautioned us: “You won’t be walking out of here an expert. You’ll know just enough to be dangerous.” It was a startling statement, because judges across the nation have allowed police officers with no more training than we received — 40 hours — to testify as experts. Griffin reminded us that our class was merely an introduction to bloodstain-pattern analysis, and that we would need to complete an advanced class and a mentorship program before we would be proficient enough to call ourselves experts. Yet he advised us on what to say if we were called to testify in court. On the stand, he suggested, we should avoid saying what “probably” happened, because that would give an attorney who cross-examined us an opening. “You’ll be asked: ‘How probable? Eighty-five percent? Seventy-five percent?’ And you can’t say,” he told us, alluding to the fact that an analyst’s theory of a crime often cannot be substantiated with hard numbers. It was less risky, he said, to state, “The best explanation is…”

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Storytelling the Flood: Elizabeth Rush on Empathy and Climate Change

Allard Schager / Getty, Photo illustration by Katie Kosma

Bradley Babendir | Longreads | June 2018 | 16 minutes (4,357 words)

In Rising: Dispatches from the New American Shore (Milkweed Editions), Elizabeth Rush visits people and communities made immediately vulnerable by the rising sea levels that are brought on by climate change. She interviews people who have lost their homes, their loved ones, and the world they once knew to flooding and other disasters. Some just want to be able to afford to leave, while others are willing to withstand everything to stay.

Rush pushes through the rhetoric around climate change to look closely at the consequences. Not the ones that will happen at some point down the road, but the ones that are happening now. She travels from Louisiana to Florida to California and elsewhere to see and try her best to understand what it is like to lose the ground beneath your feet.

We talked by phone about what led her to this book, what carried her through this book, and what comes next for her and her subjects. Read more…

Life Under (Water) Pressure

Saturation divers work hundreds of feet below the ocean’s surface doing construction and demolition work. At Atlas Obscura, Jen Banbury takes us inside their dangerous, cramped world, a world where the strain of adapting to — and recovering from — the extraordinary pressure of existing at depth means you can simultaneously be both just a few feet and days away from the rest of the world.

When it’s time to enter the chamber (Hovey calls it the “house”), the divers pass through a tight, circular hatch at one end, like one might see on an old submarine, that closes with a “tunk.” The hatch is sealed, and even though they’re on a boat, just feet from support crew and fresh air, the divers might as well be on the International Space Station. Even farther actually: It takes about 3.5 hours for an astronaut to make it back from space. Saturation divers have to decompress for days at minimum. On a dive early in his career, when Hovey was on a job at a depth of 700 feet, he learned that his wife had miscarried. It would have taken him 11 days of decompression to exit the chamber. They needed his salary (not surprisingly, saturation divers are well-compensated, up to $1,400 per day), so his wife told him to finish the job.

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