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The Top 5 Longreads of the Week

Photo courtesy Elle Magazine

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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1. 11,431 Rape Kits Were Collected and Forgotten in Detroit. This Is The Story of One of Them.

Anna Clark | Elle | June 27, 2016 | 29 minutes (7,297 words)

Clark weaves the story of Ardelia Ali’s 1995 rape—one of 11,431 Detroit cases in which the rape kit had been left untested—into a profile of Wayne County prosecutor Kym Worthy, who took on the testing of those kits and the prosecution of perpetrators as a personal mission. Worthy, both the first woman and first African American to hold her position, is a rape survivor herself. Her commitment to women brave enough to report what happened to them is rooted, in part, in her own regret for not going to the police after her own experience, leaving her rapist possibly free to attack other women.

2. Refugees Encounter a Foreign Word: Welcome

Jodi Kantor, Catrin Einhorn | New York Times | June 30, 2016 | 22 minutes (5,511 words)

In Canada, ordinary citizens are clamoring to sponsor Syrian refugees and welcome them into their homes. The Times spent five months interviewing families and refugees about their experiences, which have been largely positive.

See also: "The Shadow Doctors" (Ben Taub, The New Yorker)

3. All the Greedy Young Abigail Fishers and Me

Jia Tolentino | Jezebel | June 28, 2016 | 12 minutes (3,203 words)

Tolentino explores the recent "Becky With the Bad Grades v. UT Austin" Supreme Court ruling through the lens of her own experience writing college essays for privileged white high school students.

4. The Fugitive, His Dead Wife, and the 9/11 Conspiracy Theory That Explains Everything

Evan Hughes | GQ | June 28, 2016 | 29 minutes (7,403 words)

Kurt Sonnenfeld became a suspect in the death of his wife and moved to Argentina to start a new life. When the U.S. government pursued extradition, Sonnenfeld began insisting to Argentinian media that the U.S. wanted him for ulterior motives related to 9/11.

5. Angels in America: The Complete Oral History

Dan Kois, Isaac Butler | Slate | June 28, 2016 | 68 minutes (17,161 words)

Twenty-five years after its premiere, the behind-the-scenes story of Tony Kushner's landmark play.

The Day My Brother Took a Life and Changed Mine Forever

Illustration by Richard Allen

Issac Bailey | The Marshall Project | June 2016 | 22 minutes (5,496 words)

The Marshall ProjectThis story was co-published with The Marshall Project, a nonprofit news organization covering the U.S. criminal justice system. Sign up for their newsletter, or follow The Marshall Project on Facebook or Twitter.

Drive the backroads of South Carolina to the small town of Ridgeville, and you’ll be greeted by a large, handmade sign reading “Your sins killed Jesus” amid the pine forests and small barns. I grew up traveling those roads but only recently noticed the sign, long after I had stopped caring about sin and consequence or what either of those things means.

Because on April 27, 1982, while I was asleep in a room with a couple of wooden bunk beds, blankets on the floor, and too many brothers, Herbert “Moochie” Bailey Jr. was killing a man named James Bunch a few miles away. Moochie was 22 years old at the time. I was only 9. Read more…

The Top 5 Longreads of the Week

Photo by James West for Mother Jones

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

* * *

Read more…

The Man Who Put Down Clay

Photo courtesy of Candace Opper.

Candace Opper | LongreadsJune 2016 | 15 minutes (4365 Words)

 

My father’s fifteen minutes came and went the night he won an arm wrestling match with Muhammad Ali. (Ali was Cassius Clay at the time, but Ali is the household name, and if I am to get any use out of my father it is the brief awe I inspire from his proximity to greatness.) The match went down in the middle of the night at a truck stop in Connecticut, 1965. My not-yet-father, Joe, would have been 33, a Korean War vet cum small-time boxer who had once made his way to Madison Square Garden. At 6’4” and 255 pounds, he loomed over the average man, and was known around those parts as the undefeated arm wrestling champion — or “wrist-wrestling,” as it was then commonly known. This title and the ways it once mattered are now, like my father, extinct.

Clay and his entourage were cruising the Connecticut side of Long Island Sound sometime between his two infamous matches with Sonny Liston. Somewhere along I-95 their bus allegedly broke down and they holed up at Secondi Bros Truck Stop, an infamous 24-hour greasy spoon in my father’s hometown. Joe sometimes worked for the Secondis, so whichever goombah was lucky enough to be hustling diner coffee that night didn’t hesitate to call him down there to challenge the champ.

This is how my father came to wrist-wrestle one of history’s greatest athletes. The details of the event have been extinguished with time, perhaps because I only ever half-listened but more likely because my father harped on what he thought mattered: that he’d won. “I think Clay was a little embarrassed, getting beat so easy,” he’d say at the end of a story he told me every time we saw each other. I’d raise my eyebrows in feigned amazement, and he’d smile at me with the patronizing greediness of someone who knows a secret about you that you don’t yet know.

Read more…

The Top 5 Longreads of the Week

Illustration by Jim Cooke

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

* * *

Read more…

The Invisible Forces Behind All of Our Decision-Making

Photo: Deborah Feingold

Jessica Gross | Longreads | June 2016 | 16 minutes (4,137 words)

 

Jonah Berger, a professor of marketing at Wharton, has spent more than 15 years investigating social influence. In his 2013 book, Contagious: Why Things Catch On, he explains how and why certain products and ideas become massively popular. In his new book, Invisible Influence: The Hidden Forces that Shape Behavior, Berger focuses on the immense sway others have over the choices we make—whether we’re imitating or differentiating from them—often in ways we aren’t aware of. Berger and I spoke by phone about the often surprising findings he draws on in the book, the tension between fitting in and standing out, and how social influence can best be wielded.

How did you first become interested in studying social influence?

I’m from the D.C. area originally, and have a friend who’s a lawyer there. I was talking to him, and he was complaining that all D.C. lawyers drive BMWs—when they make it, they go out and buy a BMW. He said, “Look at how D.C. lawyers are all conformists.” I pointed out that he had actually himself just bought a BMW. And he said, “No, no, but I bought a blue one. Everyone else buys gray ones.”

What I thought was really interesting about that story was a few things. One, he saw everyone else as influenced, but not himself. Sometimes we recognize that social influence is out there, but we think only other people do it. We don’t see it in our own lives. And yet, here was a great, amazing, powerful example of someone’s own life being shaped by what others are doing.

But also, influence isn’t a simple thing. It’s not just doing the same thing as others. Often, when we think about influence, we think, “If someone else jumped off a bridge, would you jump off a bridge?” But influence is actually much more complicated than that. Influence is actually like a magnet: sometimes it attracts and leads us to do the same thing as others; other times it repels and leads us to do the opposite thing. And sometimes, like with this example of the BMW, it actually leads us to be similar and different at the same time, so that we’re optimally distinct. We end up being similar on one dimension and different on another.

And so what I wonder is, when do these different things happen? When does influence lead us to be the same? When does influence lead us to be different? When does it lead us to go along with the group? When does it lead us to be more independent? How do others motivate us? How do others de-motivate us? And how can we use all this science to live happier and healthier lives? Read more…

Borges and $: The Parable of the Literary Master and the Coin

Elizabeth Hyde Stevens | Longreads | June 2016 | 31 minutes (7,830 words)

 

Nothing is less material than money. . . . Money is abstract, I repeated, money is future time. It can be an evening in the suburbs, it can be the music of Brahms, it can be maps, it can be chess, it can be coffee, it can be the words of Epictetus teaching us to despise gold. Money is a Proteus more versatile than the one on the island of Pharos.

—Jorge Luis Borges, “The Zahir”

I fell in love with Jorge Luis Borges when I was a freshman in college. That year, full of hope and confusion, I left my hometown for the manicured quads of Brown University, desperately seeking culture—art, beauty, and meaning beyond the empty narrative of wealth building that consumes our world. It is easy to look back and see why Borges spoke to me. The Argentine fabulist’s short stories were like beautiful mind-altering crystals, each one an Escheresque maze that toyed with our realities—time, space, honor, death—as mere constructs, nothing more. With the beautiful prose of a poet-translator-scholar, he could even make money seem like mere fantasy. It was precisely the narrative someone like me might want.

Yet, money is real. We live and die by the coin. Money tells us how many children we can raise and what kind of future they can afford, how many of our 78.7 years must be sold off in servitude, and what politics we will have the luxury of voicing. As a college freshman, I still knew none of this, and I had the luxury of not thinking about money. These days, it seems all but inescapable.

I am still full of hope and confusion, but at 35, practically nothing concerns me more than the coin, a metonymic symbol representing my helplessness. The coin represents this desperate need to support myself and my writing when, in the very near future, I start a family. My mind has changed; all my journal entries turn into to-do lists and career strategizing. Money, planning, and money. I think of little else. Read more…

The Top 5 Longreads of the Week

Image via BuzzFeed

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

* * *

Read more…

Bringing Bach to the Public

Jessica Gross | Longreads | June 2016 | 15 minutes (3,866 words)

 

In December, I stayed in New York City while its residents flew away and visitors flooded the streets. I treated the quiet time like a vacation, searching for little adventures. On a Tuesday shortly before Christmas, this little Jew put on her most respectable NYC-adventuress outfit—a green-and-gray-plaid skirt, black heeled ankle boots—and went to the Cathedral of Saint John the Divine.

Several days prior, scouring the detailed schedule of the (insanely beautiful) Cathedral, I’d seen a mysterious listing for a Bach pop-up concert. I knew little about what I was headed to, and hadn’t seen this concert advertised anywhere. When I showed up, only a smattering of people filled the seats in the grand cavernous space.

It is hard to describe a completely transporting musical experience; all the most accurate words feel cheesy. But here it is: this experience was transcendent. The woman playing Bach on her violin created a trance in which we were all held captive. It felt ludicrous that there were not more people there to witness it. When the performance ended, I blinked and smacked my hands together, wanting more.

She announced she’d be playing again shortly, at the Hungarian Pastry Shop across the street, so I dutifully followed. It was a different space—crowded with patrons, small, the sound loud and close. But I was entranced yet again. I beamed a gaping smile at the strangers around me, less cool adventuress than extremely uncool sycophant, but I couldn’t help it: this was pretty euphoric.

Afterward, I introduced myself to the musician. Her name was Michelle Ross, and it turned out this was the culmination of “Discovering Bach,” her 33-day project playing Bach’s entire solo violin cycle in public spaces throughout New York City. She kept a blog throughout, but hadn’t promoted the series anywhere; she wanted to create an authentic communal experience, not do a publicity stunt. Ross is young and extremely accomplished: she spent over a decade training with the  legendary Itzhak Perlman, has played on famous stages all over the world, curates a classical music festival in Utah, and even composes her own music. We met up a couple of months after her mesmerizing performance to discuss “Discovering Bach” and what it means to perform classical music in a public space, to let it be raw. Read more…

The Top 5 Longreads of the Week

Illustration by: Oliver Munday for The New Yorker

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

* * *

Read more…