On the night of the election, I call my father from the group home I am working in as a residential advisor. Things are eerily silent. No one playing the dozens or making a milkshake way past their bedtime; no one singing at the top of their lungs or crouched behind a fridge ready to jump out and scare the ever-living mess out of me; nobody asking questions about tomorrow, because, of course, nobody believes it will arrive.
At dinner, one of my students wants to know if I voted. I remain aloof.
I watch another student’s hands clench and unclench on the kitchen table.
“Man, if I could vote … ”
The truth was I could, and I had not. It did not feel like a choice to me. It was a question of degrees and integrity. It was a question of belonging or estrangement; between one drone strike and another genocide. I understood this country could never belong to me, so I did not vote and that night, overcome with the sinking weight of an accumulated shame, I could not catch my breath.
The thoughts ran through my mind: the Muslim ID cards, the internment camps, the CIA black sites, the border, the drones, the undocumented. We will all be [ ].
My father’s voice on the other side of the phone steadies me. I am a river rushing around a single, steady boulder, my father’s voice a buoy. “Aabe macaan,” I begin. “Are you watching the elections?”
“Aabe,” he sighs, the phone shifting awkwardly in his hand. He was clearly in bed. “We have our children. What can they take from us?”
Even the children, I want to say. Instead, I say nothing.
Baba returns me to my body. When we were kids, he would hold his hands before our faces, slowly folding down each finger until we held his limp-wristed fists faceup in our tiny little hands. We were each of us as vital and necessary to the body of his love as each limb was to his person. Instead of “I love you,” he would say, “You are my two front teeth.” Instead of telling us to shut up, he would ask, “Take a breath.” Perhaps, my father was a poet. For him, the body is the only language that remains after everything falls away.
I put the phone down to get a drink of water. Really, I step away so my father does not hear me cry. I want to take off running.
It’s a fact: plastics have both improved human life and eroded the earth’s ecosystems. Huge gyres of plastic trash swirl in the oceans. Plastic bits end up inside marine life and in those of us who eat fish, and plastic bags wash up on beaches the way seaweed used to. Some American cities have banned disposable plastic bags and water bottles. Now some are restricting plastic straws. Many conservatives call such efforts a restriction of personal freedom, and disability groups have rightly pointed out the benefits of straws for people with physical challenges.
By 1911, an industry book proclaimed the soda fountain the very height of democratic propriety. “Today everybody, men, women and children, natives and foreigners, patronize the fountain” said The Practical Soda Fountain Guide.
Temperance and public health grew up together in the disease-ridden cities of America, where despite the modern conveniences and excitements, mortality rates were higher than in the countryside. Straws became a key part of maintaining good hygiene and public health. They became, specifically, part of the answer to the scourge of unclean drinking glasses. Cities begin requiring the use of straws in the late 1890s. A Wisconsin paper noted in 1896 that already in many cities “ordinances have been issued making the use of wrapped drinking straws essential in public eating places.”
In Rising: Dispatches from the New American Shore(Milkweed Editions), Elizabeth Rush visits people and communities made immediately vulnerable by the rising sea levels that are brought on by climate change. She interviews people who have lost their homes, their loved ones, and the world they once knew to flooding and other disasters. Some just want to be able to afford to leave, while others are willing to withstand everything to stay.
Rush pushes through the rhetoric around climate change to look closely at the consequences. Not the ones that will happen at some point down the road, but the ones that are happening now. She travels from Louisiana to Florida to California and elsewhere to see and try her best to understand what it is like to lose the ground beneath your feet.
We talked by phone about what led her to this book, what carried her through this book, and what comes next for her and her subjects. Read more…
People walk past plastic garbage washed ashore at Versova beach near Mumbai, India. (AP Photo/Rajanish Kakade)
Plastic is everywhere: bottles, toys, cars, and, increasingly, in the ocean and its inhabitants. At National Geographic, Laura Parker takes a close look at the dramatic increase in our plastic production over the last half-decade and our profound global failure to properly deal with its disposal. This isn’t just about fish strangling in discarded six-pack rings — its about waterways so clogged with plastic that you can walk across them, and not Jesus-style.
No one knows how much unrecycled plastic waste ends up in the ocean, Earth’s last sink. In 2015, Jenna Jambeck, a University of Georgia engineering professor, caught everyone’s attention with a rough estimate: between 5.3 million and 14 million tons each year just from coastal regions. Most of it isn’t thrown off ships, she and her colleagues say, but is dumped carelessly on land or in rivers, mostly in Asia. It’s then blown or washed into the sea. Imagine five plastic grocery bags stuffed with plastic trash, Jambeck says, sitting on every foot of coastline around the world—that would correspond to about 8.8 million tons, her middle-of-the-road estimate of what the ocean gets from us annually. It’s unclear how long it will take for that plastic to completely biodegrade into its constituent molecules. Estimates range from 450 years to never.
Getting plastics out of our water isn’t just a matter of producing less disposable plastic, which is unlikely anyway — it’s also an issue of waste management, and making sure the plastic we do create is properly destroyed or recycled. Unfortunately, the countries producing the most plastic are also those least able to deal with its long tail.
In recent years the surge in production has been driven largely by the expanded use of disposable plastic packaging in the growing economies of Asia—where garbage collection systems may be underdeveloped or nonexistent. In 2010, according to an estimate by Jambeck, half the world’s mismanaged plastic waste was generated by just five Asian countries: China, Indonesia, the Philippines, Vietnam, and Sri Lanka.
“Let’s say you recycle 100 percent in all of North America and Europe,” says Ramani Narayan, a chemical engineering professor at Michigan State University who also works in his native India. “You still would not make a dent on the plastics released into the oceans. If you want to do something about this, you have to go there, to these countries, and deal with the mismanaged waste.”
In his recently released book, The Man Who Caught the Storm, Brantley Hargrove tells the story of an unlikely legend named Tim Samaras, who lived his life grappling with and addicted to one of nature’s most dangerous marvels.
Samaras was a tornado chaser with a simple but absurdly treacherous goal: to get close enough to a twister to glean data from within its core. Hargrove, who spent months on the road chasing tornadoes for the reporting of the book, retraces and recreates Samaras’ most dramatic missions, culminating on May 31, 2014 in El Reno, Oklahoma, where he would face off with the largest tornado ever recorded. That same tornado would take Samaras’ life along with those of his son, Paul, and fellow chaser Carl Young.
“We now live in an era when the Mars Pathfinder rover has touched down on the Red Planet,” Hargrove writes. “The human genome has been mapped. But twisters still have the power to confound even the most advanced civilization the planet has ever known.”
Samaras legacy and life’s work represented a crucial foundation for how to better understand and predict historically unpredictable tornadoes.
But The Man the Who Caught the Storm is hardly a meteorological textbook. Rather Hargrove weaves a uniquely American tale of adventure — “nowhere else on the planet do tornadoes happen like they do in this country,” as he explained to me — diving into the circumstances and makeup that leads a man to chase what he should be running from.
Lacking even a college degree, Samaras was an outsider in the meteorological community, who not only developed one of the most sophisticated information-gathering probes the field had ever seen, but also had the courage (or perhaps unrelenting urge) to personally drop that probe in front of a twister.
Hargrove sat down with Longreads to discuss tornadoes, his own storm chasing, and the addicting thrill of being in the presence of something that can cause unfathomable chaos and destruction. Read more…
William E. Glassley | Excerpt adapted from A Wilder Time: Notes from a Geologist at the Edge of the Greenland Ice | Bellevue Literary Press | February 2018| 18 minutes (4,848 words)
* * *
Erosion always wins.
The vanished mountains we envisioned were simple possibilities, tentative interpretations of passages written subtly in the obtuse patterns and features of Greenland’s rocks.
The patterns match those seen in the Alps and the Himalayas — zones that seemed to be huge thrust faults, folds of immense proportion, metamorphism at extreme conditions. Through the inspired power of analogy, my colleagues Kai Sørensen, John Korstgård, their coworkers, and those who had come before them had surmised that the Greenland landscape was an old ancestor, a forerunner of the young mountain systems that today so dramatically exalt Earth’s skin. But the Greenland ancestors are long gone, erased by the incessant hunger of flowing water, blowing wind, and grinding ice to achieve a form of topographic equality between sea and land. Erosion always wins.
The first clear hint of those lost mountains had come years earlier. Just after World War II, the Geological Survey of Greenland (GGU) was founded in Denmark. Through its offices, a small group of geologists, including Arne Noe-Nygaard and Hans Ramberg, began the first systematic study of the west coast of Greenland, sailing along the complex coastline in motorized sailing vessels strengthened to resist collisions with ice. They found a two-hundred-mile-wide belt of rock that seemed to preserve evidence of multiple complex episodes of protracted and intense deformation. Cutting through this region were several distinct zones, each zone a few miles to tens of miles wide, in which the rocks were steeply inclined and consistently aligned in the same direction.
For some years, the significance of the zones of aligned rocks remained obscure, their tectonic significance unknown. But by the late 1960s and early 1970s it had been suggested by Arthur Escher and Juan Watterson, among others, that these zones contained rocks that had been severely sheared into steeply inclined parallel sheets and layers. The individual zones were eventually called shear zones.
* * *
New story lines emerge.
Geology is not generally considered an enterprise rich with drama. Rocks stolidly await inspection, slowly providing, through insightful consideration, a glacially paced story of incremental change. But there are occasions when perspectives are radically altered, new story lines emerge, and the field is caught by surprise.
In 1987, such a change shook the world of Greenland geology. Although it played out subtly, the consequences for all involved were profound. Feiko Kalsbeek, Bob Pidgeon, and Paul Taylor reported finding along the northern limits of the mobile belt, near the inland ice, remnants of the same type of rocks as those found today in the Andes and the Sierra Nevada range in California. Although nearly 2,000 million years older, those rocks were evidence that what is happening in the Andes today had happened in Greenland.
In the case of the Andes, the continent of South America moves west, riding over the floor of the Pacific Ocean and pushing it hundreds of miles below the surface. Plunging into the incandescent heat of Earth’s interior, generating massively destructive earthquakes, the ocean floor partially melts, giving rise to bodies of molten rock that slowly make their way back to the surface. The volcanoes of the Andes and the mountainous spine they decorate are the result of that process. If the analogy was accurate, somewhere hidden within Greenland’s Nagssugtoqidian mobile belt there should be evidence of a vanished Pacific, but no evidence of such a thing had yet been found.
Kalsbeek and his coworkers acknowledged the enigma, and suggested the ocean may have been swallowed in the collision of two small continents. Such a concept had the power to explain the significance of the mobile belt and the major fault zones in it — the structures reflected the massive deformation expected as a result of two continents colliding head-on. But the evidence for where the actual collision zone might have been was very sparse — there was no good way to identify where the rocks from the old southern continent ended and the rocks of the northern continent began. Compounding the uncertainty was the underlying debate of whether plate tectonics even functioned that long ago.
The areas where John and Kai and their colleagues had worked were central to answering those questions.
* * *
An expedition for their own vindication.
The evidence John and Kai had developed suggested that the collision zone, which would have required exactly the same kind of massive movement and deformation they described, might be within the areas they had worked. Those who study the history of Earth are few, and the areas involved are vast. Knowledge is sparse. Given the immensity of the terrains the continents cover, those dedicated to unraveling the story of evolving landscapes devote their lives to finding the nuance and subtlety held within a specific setting. Some spend their lives immersed in the history of the Alpine system, climbing and hiking through those beautiful mountains. Some are owned by the Himalayas, or by the vast openness of the Canadian shield. For John, Kai, and me, it is Greenland.
Inevitably, commitment to place becomes personal — our identity is affected by the time we spend walking the fragment of Earth that has captivated us. The chosen place permeates being — terrain embeds itself under fingernails, tangles in hair, makes skin bleed and scars the heart and mind. Every thought, conscious and not, becomes riddled by knowledge derived through wandering there; remembered vistas from that world unexpectedly insinuate themselves at random times and in unanticipated ways, forcing an acceptance of a link between what we experienced there and what is lived in the moment here. We are composed of where we have been and what we have seen. John and Kai were part of a pioneering generation that helped refine Greenland’s history. They and their colleagues described in detail the characteristics that defined the “mobile” part of that land — the folds and sheared layers, the discontinuities and disrupted features. Over the years, they mapped major tectonic elements, documenting evidence for miles of displacement along several of the shear zones.
They published respected papers in scientific journals, and were recognized authorities because of their work. They knew that land better than anyone. But in the late 1990s their reputation as field geologists and scientists was challenged by a paper that said, in essence, the work they had done was deeply flawed.
The paper asserted that Kai and John, among others, had made basic and fundamental mistakes reading the rocks. The new publication stated that the NSSZ showed very little evidence of significant movement. It said that in a collective misinterpretation an essentially trivial feature had mistakenly been given major tectonic significance. The words “shear zone” were removed from maps in the paper and replaced with “straight belt.”
Science is a messy business; everything we know is, at best, a simplification of what is real and is therefore inherently flawed. As a consequence, everything we do ultimately requires corrections, implying that nothing published is completely right. It is every scientist’s expectation that whatever he or she publishes will be improved upon by others, who will provide more nuanced and detailed observations that address questions about the world. Indeed, it is an honor to be a building block in an ongoing refinement of the story of how a landscape has evolved. But in the case of the paper I was reading, it was difficult to escape the fact that Kai and John’s work had been summarily dismissed.
Photo by DeAgostini/Getty Images
About halfway through reading the paper, I stopped to ask them if they agreed with what it was saying, that they had been wrong about how they had interpreted the geology.
“Of course not!” was the answer. At first, they spoke with disciplined calm. But quickly, with increasing emotion, they signaled numerous inconsistencies and errors in the paper, fundamental mistakes and misinterpretations that exceeded what the paper itself had, inaccurately, called to task. But only those intimately familiar with the real rocks would ever know.
Consequently, as things stood in the international scientific world, the work Kai and John had published was implicitly worthless and could be seen as one more example, among thousands, of failed scientific ideas. When I had finished reading the paper and began discussing with Kai and John the scientific conundrum we were in, I realized the devastation and angst they must have felt.
Being the rigorous scientists they were, they framed the argument for our little expedition as a data-gathering effort to resolve the conflict. At the time they invited me, they had said the purpose of the expedition was to pursue unanswered questions. There was no doubt that was, in fact, the underlying justification for the work. But I also realized this was, in part, an expedition for their own vindication.
* * *
Our own manufactured carnival.
Even though the sun blazed in a deep blue sky, the air temperature was close to freezing. Kai and I sat in the bow, huddled against the wind as the Zodiac sped down Arfersiorfik Fjord. I pulled the hood of my anorak over my head and put on gloves. Water splayed off to the sides in fragments of refracted sunlight, decorating the mirrorlike water surface. The outboard roared. John had the throttle wide open. We were headed for the northern boundary of the Nordre Strømfjord shear zone, which had been approximately mapped many years ago. Very little detailed work had been done there, mainly because it was so remote and difficult to get to. On our maps, the edge of the zone was confidently drawn in black ink, but we knew that no one had actually been there.
We sought that tectonic landmark as a reference point, a location where the fabric and grain of the rock could be seen and felt. We were searching for something that could be quantified and analyzed, something that would establish metrics for later measurements and comparisons. In order to be able to recognize severely, as opposed to minimally, sheared rock, we needed a baseline.
The three of us gazed down the fjord as we flew across the translucent water. Despite the roar of the outboard, we were enthralled by the beauty of the place — the hills rolling gently to the sea, the flower-chocked rivulets cascading down the bedrock, the stillness of the scenery. With some effort, we tried to focus our attention on the rock wall to our south, with its extensive exposure of folded and sheared gneisses.
Unexpectedly, as we watched the steep walls of the southern fjord edge, something shifted far to the west, down the fjord and miles away. I turned my head to get a better look, but at first all I felt was confusion. Initially, I thought the distorted landscape I was seeing was due to my eyes watering in the cold wind, but after rubbing them I realized something extraordinary was dancing along the horizon.
The land on the north side of the fjord was broad and rolling. Soft ridges sloped down to the water in a subtle cascade of rocky knolls and tundra pockets. It was a landscape that invited daydreaming. In the early-morning sun, the scene looked almost pastoral.
But farther down the fjord, a thick horizontal blade of sharp turquoise blue cut across the land, as though a giant painter had saturated a brush and slashed the ground with it. The blue was brilliant and intense, a pure distillation of color. It seemed to stretch hundreds of feet into the air and was painted across the land for miles. Within that absolutely horizontal turquoise stripe floated vertical columns of white, gray, tan, and green, looking for all the world like skyscrapers in a city miles away — a shimmering blue Oz resting on the frigid waters of the fjord. Toward the north and east, the blue trailed out into a needle-thin line that vanished at a piercing point sharper than the edge of a razor blade, ending in the middle of the rolling hills.
Photo by DeAgostini/Getty Images
We all saw it. As we cruised, we watched immense rock masses from the rolling land split off and drift into the blue blade, becoming the skyscrapers that floated in the air. The size of the masses was staggering, seemingly miles wide and hundreds of feet high. As they drifted slowly out into the fjord, they changed form, shifting from angular columns to smoothed elongations filled with textures and patterns, never resolving into a constant shape, and then slowly vanished — evaporating as though consisting of nothing more than mist. Eventually, the effect was too stupefying. John throttled down the motor, the bow dropped, the roar of the engine stopped, and we drifted with the tide.
We sat silently for minutes, watching the fata morgana while the Zodiac slowly turned and drifted in the gentle current.
A nearby island only a few hundred yards away subtly entered the scene. The knob was a small rocky knoll, covered with mosses, shrubs, and lichen. On our maps, it was an ink dot so tiny, it wouldn’t be noticed unless one were looking for it. As our line of sight shifted to the point where the small island came between us and the mirage, regret began to well up at the thought of losing that magnificent show.
Without preamble, and with extraordinary understatement, the distant blue line slowly sliced across the small island. The effect played out with such surgical precision that the inconsistencies between expectations and experience took a moment to register. Emphatically, right in front of us, the little island was divided into an upper and lower half, sandwiching a thin brilliant turquoise layer.
I struggled to accept what my eyes were seeing. The implication was obvious and inescapable: What had seemed so immense and distant, miles down the fjord, was little more than a pencil-thin, trivial mirage barely an arm’s reach away, hovering in the air like a butterfly before my nose, somewhere between our little rubber boat and the small rocky knob of an island.
In that moment, what we knew to be true because we had seen it in the company of others, suddenly became unequivocally false, for all of us. But we did not have the luxury of time to resolve the contradiction. A distant destination waited, offering an opportunity to collect desperately needed data, and the afternoon winds would surely come up, making it difficult to get back to camp. Without discussion, John started the outboard and we continued on.
As our vantage point changed and we rounded the little island, the mirage returned, immense, awe-inspiring, silent. It stayed with us for ten minutes more, then slowly melted away into the thin air.
Cold dense air, chilled by the frigid fjord water, had refracted light, bending it into a vision. Light is a malleable thing, warped and distorted by well-known effects, conditioned by a broad range of circumstances. What we are able to sense, which is less than one billionth of a billionth of the electromagnetic spectrum, is affected by the sensitivities of the organs our bodies use to detect it, and the narrow range of physical conditions within which we wander. Despite the richness and beauty of the things we can perceive, we remain profoundly impoverished by the limitations of our genetically constrained bodies and the space through which they move. What we see of the world is our own manufactured carnival — the mysterious unknown within which that carnival resides beckons through mirages, silences, and misunderstood truths, forever beyond our grasp.
* * *
We were historians, trying to read ancient texts written in a language we barely knew.
The question of what had happened within the Nordre Strømfjord shear zone nearly two billion years ago danced through every waking moment. Was there a place, somewhere along the ground we walked, that was the first point of contact where continents had collided? What would be the sign? Or was the vision of entangled landmasses a flawed story, a misinterpretation of history? Regardless, how did the shear zones fit either tale? The trip to the northern edge of the shear zone had added more observations and hard data but lacked sufficient context to inspire imagining.
For relief from the wondering, we would occasionally take a short stroll together around the hillocks and along the beaches near camp. These were casual and slow hikes, a chance to talk and look at things in an unhurried way. Anything we found could easily be revisited, so we took with us only hammers and hand lenses and notebooks, the minimum equipment necessary to descend below the surface if that seemed necessary.
One particular day, not long after setting up camp, we headed west along the shoreline in the late afternoon. There was a mile of land we had not seen, and we thought this would be a good way to familiarize ourselves with details and patterns.
Almost immediately, John discovered a spectacular example of what we came to call “pencil gneiss.” The rock was the same type of igneous rock that had inspired Kalsbeek and his coworkers to propose the idea of a collision zone, or “suture,” between continents, but there, where John stood, the delicate textures that form in slowly cooling magmatic bodies had been smeared into pencil-like forms, stretched and elongated. Individual crystals that normally were equant and half an inch in size had been strung out like taut pieces of string into thin lines several feet long, each precisely parallel to all those around it — a metaphorical pencil in the gneiss. That was graphic proof of extreme shearing. We took pictures, made notes, and placed another imagined factual stake in the ground. The immediate question now became whether or not such features were throughout the shear zone, or simply local and thus not of regional significance. We walked on, amazed, wondering what would be around the next headland.
A few hundred yards farther along the shore, we came upon a bizarre little cliff face. Hazy, dark lines patterned the surface, looking much like a pile of slightly deflated and sagging soccer balls stacked one upon another. We pored over every inch of the outcrop, struggling to piece together a picture of what we could not quite make sense of. We debated options and argued, running through every idea we could dredge from our experiences. What repeatedly came to mind was a jumble of tears, caught in the instant they were shed, as though Earth had wept from some unseen eye.
Photo by DeAgostini/Getty Images
Grudgingly, we agreed the most likely answer was that we were looking at a deformed slice, perhaps 150 feet long and 50 feet wide, of a type of volcanic rock called pillow basalt, which forms when lava erupts under the oceans. Unlike the rocks surrounding them, which preserved evidence of complex histories with multiple episodes of folding and shearing, the pillow basalts had a very simple history: They had erupted onto the floor of some ancient sea and then been metamorphosed and simply folded once. That slice of rock was a lens encased in the much more intensely deformed shear zone gneisses and schists. The contrast with the surrounding rocks was dramatically obvious.
If that interpretation were true, the implications were staggering. Ocean basins the size of the Mediterranean or Atlantic commonly separate continents. If the continents are approaching each other, the ocean floor between them is consumed along the boundary that will eventually become the collision zone when the continents run into each other. Such collisions grind on for tens of millions of years, slowly exuding sheared, twisted, and recrystallized rock that had once been the sediments and volcanic pillow basalts of the seabed. It is from such “root” zones that Alpine-like mountain systems emerge. If that folded pile of pillow basalts we had just found was, indeed, all that was left of some long-vanished ocean basin, we had found the suture. That thin remnant slice was all that remained of what once had been a sea probably thousands of miles wide. Could it possibly be that we had stumbled upon the long-sought ocean that, fifteen years earlier, Kalsbeek and his colleagues had postulated might have existed there?
The excitement over that discovery was tempered by a healthy skepticism. Each of us had the experience of interpreting a fact or observation as evidence for some grandiose concept, only to see it crushed under the weight of more data and observations. We held little confidence that one outcrop would be the cornerstone piece of evidence supporting the ocean-floor idea, but neither did we dismiss it as meaningless.
Several days later, along the same trend and a mile west, we came upon another small slice of rock that showed exactly the same simple history preserved in the pillow basalts. It was a different rock type, though, called peridotite. Peridotites are the source rocks from which basaltic lavas are generated, and the rock type we were seeing was precisely what geologists associate with lavas erupted on the ocean floor.
Although it was seeming to be more likely that we had stumbled upon the true collision zone, two outcroppings of rocks are insufficient evidence to allow much certainty for such an imaginative leap. The history of a mountain system is a long story, told in many chapters. An outcrop is, at best, a paragraph in a chapter. We were historians, trying to read ancient texts written in a language we barely knew. But something was being revealed that had not been seen before. There had been tremendous deformation and movement within this zone, part of it involving the consumption of an entire ocean basin. It now seemed, between the pencil gneisses and these two new outcrops, that John and Kai would be vindicated.
The satisfaction Kai and John felt was obvious but muted. They remained thoughtful in how they analyzed everything we observed, but the edge was off. We found many more examples of the pencil gneisses along the trace of where the shear zone should be, providing irrefutable proof that intense deformation was distributed all along it. But the two slices of what might be ocean floor within the same belt of rocks made the story much more complex.
The data we had collected were increasingly supporting the notion that the region preserved a record of intense deformation, as John and Kai and others had originally argued. The pencil gneisses John had first found in that one outcrop near camp and which were irrefutable evidence of extraordinary shearing at high temperatures, turned out to be a common feature for miles along the shear zone. Thin lenses of pillow basalts and ultramafics, too, were likely proof that hundreds or thousands of miles of ancient ocean floor had been dismembered and sliced, a process requiring staggering amounts of displacement and deformation. And all this was localized within the shear zone.
* * *
I feel as though I am in the presence of unencumbered, spontaneous artistry.
We round several small points of land and cross small embayments, looking for outcrops with enough exposure to let us prowl through their history. We are moving through a world barely touched by science; only the vaguest idea exists of what might be here.
Then, fifty yards away and across a small bay, we spy bare rock running from the water’s edge to an eroding cover of tundra about one hundred feet inland. Quickly, we land and head to the outcropping rock, intrigued and excited.
Exposed in that lithic fringe is a pattern so striking, our eyes wander back and forth over it, as we exclaim repeatedly how incredible it is. Bands of pink, white, gray, tan, and black, some no more than a fraction of an inch wide, some several feet thick, draw the eye along stretched-out, languid, folded forms, flowing as though the bedrock had once been as soft as butter. I feel as though I am in the presence of unencumbered, spontaneous artistry, a place where some creative genius has found its rhythm and manically painted from inspired passions, using fluid rock as its medium. Every step we take is a halting one, each new square foot possessing a different form or pattern of colors. We crawl on hands and knees, trying to grasp the significance and history of that place. From a scientific point of view, it is a treasure. From an aesthetic point of view, it is a masterpiece. Our quantitative world has seamlessly become enmeshed with an ethereal realm, dissolving into a Dalíesque fluidity. What we are doing no longer has boundaries; everything the mind can embrace is present here.
We did not know at the time that those are the oldest rocks in the region, remnants of some of the most ancient continents on Earth. It took many months of work back in our laboratories to discover that they were formed more than 3 billion, 300 million years ago. They preserved evidence of the existence of an ocean basin billions of years old, when life was only single-celled and free-floating and what little land existed was adrift with blown sand and utterly barren. It was an ocean vastly older than the one associated with the building of the mountains we had come to study. Black layers had once been molten rock, injected into the sediments of those old seas, probably long after the water had been squeezed from them and their crystalline form changed. Deeply buried, heated, and compressed, the entire sequence was later folded and refolded, deformed and intruded during some unknown mountain-building events spanning hundreds of millions of years. Eventually, sometime in the last few tens of millions of years, they had made it back to the surface, shoreline to a new ocean, supporting our boots while waiting for another transformation. It was, in fact, the northern limit of the zone we were looking for. It was the very edge of one of the continents involved in the collision.
* * *
Part of the story had been completely missed.
After our third expedition, it was unequivocal that the shear zone was a scar, slashed across the northern edge of the collision terrain as a last act, a tectonic finale in a mountain-building drama. That scar was what the early researchers had claimed it was — a zone of major movement. Kai and John’s work was correct and the region reverted to the term they had used for it years before — “shear zone” replaced the “straight belt” moniker on later editions of geological maps and in publications.
But buried in the crystalline record, frozen in the minerals of a few rocks from small, scattered localities, was evidence that these rocks had descended into earth before the collision of continents began. That part of the story had been completely missed. Uncertainty had changed in form but not magnitude — new questions now had to be addressed.
Photo by DeAgostini/Getty Images
Only a handful of places around the world had histories of so-called ultrahighpressure metamorphism — metamorphism under conditions where pressures were more than 400,000 pounds per square inch, a state that is achieved in the earth only at depths beyond sixty miles. The evidence in all those other locations came from ancient subduction zones. In every instance, those subduction zones marked locations where continents had collided and were thus consistent with the history that was suggested as a possibility in our study area in Greenland.
But none of those other sites was older than 900 million years.
The singed-hair rock that we examined with microscopes and discovered was filled with garnets and olivines and spinels contained a startling history of burial at a depth of at least forty miles, an HP metamorphic environment. Up to that time, none of us had imagined that any of the rocks in this region had traveled more than fifteen miles down. We wrote reports and published papers and looked at more samples in the basement archives of Aarhus University, seeking confirmation that such rocks were not enigmatic anomalies.
For months, we examined thousands of samples that had been collected over decades by a small cohort of faculty and students working on master’s and doctoral degrees on Greenland geology. Out of all those samples, we found two that preserved evidence of the same very deep burial. The samples came from sites tens of miles farther to the west of where we had been working, but along the same belt of unusual rocks, and along the northern edge of the Nordre Strømfjord shear zone. The samples from both of those sites had identical characteristics. One sample, ironically, had been collected by Kai when he and Fleming Mengel, a student of his, had worked in the region nearly forty years before. Kai didn’t remember collecting it. The other sample came from a site near Giesecke Sø and had been studied in the late 1960s by Steen Platou, who was working on a graduate degree at the time. Those samples became the core of a small collection that proved that fragments of the region had, indeed, been pushed to extraordinary pressures, surviving a round-trip circuit to depths greater than 150 miles.
Prior to these discoveries, no direct evidence existed that such plate tectonic-driven processes occurred any further back in time than 900 million years ago. These samples pushed that age limit back to at least 2,000 million years.
Moreover, they are the oldest known record of an entire terrain on the surface of the world that had descended to such depths.
* * *
William E. Glassley is a geologist at the University of California, Davis, and an emeritus researcher at Aarhus University, Denmark, focusing on the evolution of continents and the processes that energize them. He lives in Santa Fe, New Mexico.
Since April 2016, more than two thousand Haitians have arrived in Tijuana to cross into the United States. They pose as Africans. They flee from the economic crisis in Brazil, Ecuador, and Venezuela, countries where they had obtained humanitarian asylum. Agencia EL UNIVERSAL/EVZ (GDA via AP Images)
What would you endure to find safety and security? Now that Europe has slammed its doors shut to migrants from Syria, Afghanistan, Iraq, and Nigeria, just to name a few countries, many are attempting to enter the United States via a long, arduous journey that includes a treacherous jungle crossing.
At The New Republic, Lauren Markham reports on how, starting from Brazil — a country that offers visas to those from countries where Brazilians are allowed to travel freely — migrants travel north through Peru and Ecuador. In Columbia and Panama they must traverse the perilous Darién Gap, a 2,200-square-mile, road-free tropical forest that connects the two countries. The goal? To reach a Mexican border town from which to slip into the United States, where, if they’re caught, they could be detained for years.
They will have to give me protection,” Henok, an Eritrean man in his thirties, told me as we sipped juice at a café in Tapachula’s central square. “I cannot go back to Eritrea, so I know they will have to protect me in the United States.” It was a matter of human rights, he said.
“I know it won’t be easy,” Henok said, as if reading my mind about his rosy-eyed picture of what awaited him up north. “But in the U.S., I will get my papers, and I will be free.” The passage across oceans and trudging through continents would be worth it, he said. If he could make it through the Darién Gap, he could make it in the United States.
Like a web
is spun the pattern
all are involved!
all are consumed!
Inside the abandoned Domino Sugar Refinery in New York, the first thing that hits you is the smell: over a century’s worth of industrial grime, clinging to black, molasses-coated walls. At first whiff, it is kind of sweet, like stale cake. As you go deeper into the cavernous brick building, it gives way to a sour curdling. As my ten-year-old daughter, Maven, describes it: “It’s like how my cat smells when he throws up.”
Maven, my friend Izetta, and I are among more than a hundred thousand people who make a pilgrimage in the summer of 2014 to pay homage to the “Sugar Sphinx,” the seventy-five-foot-long, forty-foot-high creation of Kara Walker, one of the most important and provocative artists working in the United States. The sculpture is forty tons of sugar molded into a ghostly white apparition, part mammy, part sphinx. The line to see her takes more than an hour to travel and stretches out for four long Brooklyn blocks. I spot the writer Gaiutra Bahadur, whose recent book, Coolie Woman, explores the history of indentured sugar workers in Guyana. Bahadur’s research on sugar plantation life and its bitter aftertaste among Guyanese women speaks forcefully to the exhibit we came to see. I wave Bahadur over to join us in line.
The installation’s title, displayed in bold black type painted along the Domino Sugar factory’s brick façade:
or the Marvelous Sugar Baby
an Homage to the unpaid and overworked Artisans who
have refined our Sweet tastes from the cane fields to
the Kitchens of the New World on the Occasion of the
demolition of the Domino Sugar Refining Plant
The original Domino factory—first built in 1850s Williamsburg— was being torn down, along with the stories of generations of lives that it touched around the world. The factory was just one stop in the sugar industry’s “triangular trade” that created the blueprint for the globalized economy. Investors came from Europe; labor came from Africa; the cane fields were located in points across the Global South. The Domino refinery was the final step before the sugar reached consumers. Raw sugar would arrive at Domino’s forty-thousand-square-foot facility. Through the magic of refinery, pristine white sugar would come out. The profits that followed made sugar a key fuel of Empire.
The title, A Subtlety, is taken straight from history. Centuries ago, “subtleties” referred to elaborate, edible toys made of sugar. These exotic treats and status symbols were first made in the Middle East and popularized among the seventeenth-century European aristocracy. These “subtleties” could be trees, architectural models, or depictions of peasants holding baskets of fruit. There was nothing subtle about them, given what a rare and expensive luxury sugar was at the time. Unveiled at dinner parties, these were ostentatious displays of the host’s clout. The sugar sculptures could also be used to send more subversive messages. “Sly rebukes to heretics and politicians were conveyed in these sugared emblems,” writes Sidney Mintz in Sweetness and Power. Read more…
Once upon a time, in 1999, when the internet was small, when it came through your phone and not just on your phone, when the first browser war had not yet been won, when you had to teach yourself a few lines of code if you wanted to exist online, when the idea of broadcasting your real name for anyone to see was unthinkable — in those early days, before Twitter revolutions, before Facebook Live homicides, when the internet was small and most people didn’t understand it, and only the nerds hung out there — even then, it was already happening.
Even then, people hated girls on the internet.
* * *
Eighteen years went by before I thought about Sara again.
I’d just finished a project in which I had tracked down a fanfiction author I’d loved in the early 2000s. Jami had been relatively easy to find: It turns out that if you’d had a sprawling internet presence as a child, you probably have one now, under new names, on new websites. Not only had I found Jami, but I learned that she is now a successful, Hugo-nominated author. I was deliriously happy. She’d made it — this girl who’d written fanfiction had achieved the wildest dream and turned that talent into an actual writing career. I wanted the same for Sara, a tangible success that followed minor internet celebrity.
In 1999 Sara had a website hosted on Expage, and so did I. I didn’t know her: I was attracted to Sara’s website because it was incredibly well-designed for 1999, and because Sara, like me, was a middle school girl who loved the internet. Her “About Me” page listed her age as 12, same as me. I don’t remember how I found her site but I do remember that it’s what initially sparked my interest in web design and the internet in general.
Between 1999 and now, I would occasionally think of Sara. I’d been addicted to her website. In the design anarchy of Web 1.0, Sara had an eye. She had a sense. Her website looked like few others at the time, in that it looked good, like something you couldn’t make yourself. She knew how to hold an audience: she updated frequently, changing her layouts often and offered the code for free. Because of this, her website was hugely popular. Many years later I’d see her name mentioned in a discussion about early internet celebrities. I was there, I thought. I was one of her biggest fans.
The night before I was slated to fly to Atlanta to attend the biggest writing conference of the year, I was sideswiped by one of my vomiting episodes. These hit every few months — hours of intense abdominal pain that came and went like labor, followed by hours of vomiting that often led to a trip to the emergency room; this had been going on for the past 12 years, with no diagnosis. I didn’t want to miss the trip, but I was writhing around on the floor, and heaving into a large mixing bowl, and attempting to keep the anti-nausea suppositories up my ass long enough for them to kick in. I was chanting, “Help me, help me, help me” — words that always burbled from my mouth during these episodes. I wasn’t sure who this chant was aimed at — not my husband, who tended to shy away whenever the vomiting began — but my mom seemed to hear me in Oceanside, 100 miles from my home in Riverside, California. She called and was alarmed when I told her I still hoped to get on the plane the next morning.
“I’m coming with you,” she announced. Before I had the sense to stop her, she purchased a last-minute ticket for my flight. She picked me up in her red Intrepid shortly after sunrise, and I wondered what in the world I had gotten myself into. I pretended to sleep most of the flight.
My mom and I ended up having a surprisingly good time in Atlanta — we danced together, attended illuminating panels, had a blast with her cousin who lived in the area, ate copious amounts of boiled peanuts; she even made meaningful eye contact with Walter Mosley, who she was certain would one day become my stepfather. When our flight was delayed, she was miraculously relaxed and chatty, and I didn’t feel the need to pretend to sleep on the plane to avoid her. I was plenty sleepy by the time we arrived at the Las Vegas airport, though — it was 1 a.m., and we had missed our connecting flight. The airline gave us the option of staying in the airport and flying home in a few hours, or taking a hotel room and flying home late the next day.
I was so tired, I needed to rest my head on the ticket counter, but I looked up at her and said “Why don’t we stay? Maybe we could see a show or something.” It was the first time I could remember voluntarily extending a visit with her. Our relationship had always been complicated, but when she started to show signs of a delusional disorder 14 years earlier, our connection became all the more fraught.
“Let’s do it,” she said, and soon we were giggling in a free cab on our way to a free hotel room just off the strip. Our luggage was still on the plane, so we slipped into the plush white robes hanging in the closet and crashed for a few hours. We put our rumpled travel clothes back on after our showers, then ordered egg white and asparagus omelets with our free breakfast vouchers and set out to see how much Vegas we could pack into a day.