Paul Auster opens up about his life and work:
Academics theorize endlessly about Auster and his literary motivations, labeling him everything from a New York Jewish hunger artist to a clever semiotician whose every decision — down to the color of the notebook his protagonists choose to write in — is fraught with symbolism. Auster dismisses most of this as academic overanalyzing, usually with a hidden agenda.
‘So many of these people have a point of view, a position, and are trying to articulate this position by using me as an example. But I myself, living within myself, never try to put labels on what I do. I just follow my nose.
‘I’m a man of contradictions, you know; I can’t say any one thing about myself. Yes,’ he says with a laugh, ‘I’m the hunger artist who likes to eat.’