Longreads

David Roth is a co-founder of, writer for and editor at the sports website The Classical. He writes columns for Sports On Earth and Vice, co-writes The Daily Fix blog-column for the Wall Street Journal online, and writes for The Awl, GQ and other places when there's time and when they'll have him. He's on Twitter, a lot, @david_j_roth.

Read more guest picks from Longreads Best of 2012.

A marriage of convenience between two socialites in D.C. leads to murder:

"Drath's murder seized the front page of The Washington Post, which was as awkwardly tangled in the story as the rest of the city’s elite. One of The Post’s columnists attended the couple’s dinners, as did the reporter who covered the case for The Wall Street Journal. Over the years, Muth flooded the in-boxes of his media contacts with messages containing his thoughts on the day’s events and knowing tidbits of insider gossip — speculations about covert operations gone awry or rumors about fights between top generals — a habit that didn’t end with his wife’s death. Four days after he supposedly found Drath’s body, Muth forwarded a note that he originally sent to officials in the Pentagon. He intimated that the police considered Drath to be the unfortunate victim of an assassin who was hunting for him. ' have to take a slain wife out to Arlington,' he wrote, 'mourn her, then find her killer.'"

Still, we face several challenges. First of all, every new company today is being built in the face of massive economic headwinds, making the challenge far greater than it was in the relatively benign '90s. The good news about building a company during times like this is that the companies that do succeed are going to be extremely strong and resilient. And when the economy finally stabilizes, look out—the best of the new companies will grow even faster. Secondly, many people in the U.S. and around the world lack the education and skills required to participate in the great new companies coming out of the software revolution. This is a tragedy since every company I work with is absolutely starved for talent.

"The most important thing to consider," I began, "is that our own internal research shows our competitors are beginning to approach Google's level of quality. In a world where all search engines are equal, we'll need to rely on branding to differentiate us from everyone else." The room grew quiet. I looked around nervously. Had I said something wrong? Yes. Not just wrong but heretical to engineers who believed anything could be improved through the iterative application of intelligence. Co-founder Larry Page made my apostasy clear. "If we can't win on quality," he said quietly, "we shouldn't win at all."

When he entered the magnificent Gothic church in early 1992, the former Christopher Crowe had a new name and a meticulously researched persona to go with it. "Hello," he greeted his fellow worshippers in his perfectly enunciated East Coast prep-school accent, wearing a blue blazer and private-club necktie, which he would usually accent with khaki pants embroidered with tiny ducks, hounds or bumblebees, worn always with Top-Sider boat shoes, without socks. "Clark," he said, "Clark Rockefeller."

For three months, the Arab world has been awash in protests and demonstrations. It's being called an Arab Spring, harking back to the Prague Spring of 1968. But comparison to the short-lived flowering of protests 40 years ago in Czechoslovakia is turning out to be apt in another way. For all the attention the Mideast protests have received, their most notable impact on the region thus far hasn't been an upswell of democracy. It has been a dramatic spike in tensions between two geopolitical titans, Iran and Saudi Arabia.

With an unrelenting focus on selling, Mr. Gagosian, 65, has become the most powerful art dealer in the world. He represents the estates and careers of 77 of the world's top artists, including Pablo Picasso, Alberto Giacometti, Cy Twombly, Richard Serra, Jeff Koons, Damien Hirst and Ed Ruscha. Dealers who track how he prices his gallery shows estimate he sells upwards of $1 billion worth of art a year. Sotheby's, by comparison, auctioned off $870 million worth of contemporary art last year.

There was no crusading journalist, no nonprofit group taking up his cause, just Inmate 95A2646, a high-school dropout from Brooklyn, alone in a computerless prison law library. Jabbar Collins pried documents from wary prosecutors, tracked down reluctant witnesses and persuaded them, at least once through trickery, to reveal what allegedly went on before and at the trial where he was convicted of the high-profile 1994 murder of Rabbi Abraham Pollack.

A Children's Classic, A 9-Year-Old-Boy And a Fateful Bequest - For Albert Clarke, the Rise Of 'Goodnight Moon' Is No Storybook Romance - Broken Homes, Broken Noses"