Longreads

PART ONE OF THREE For more photos, illustrations and resources, visit tampabay.com/neverletgo. — — — Our baby came swirling into view in black and white, week after week, in…

THIS WAS SUPPOSED to be the race that Tagg Romney took easy. When his father ran for governor of Massachusetts in 2002, Tagg signed on as a full-time staffer and even served as the campaign manager…

I marvel at Radiolab when I hear it. I feel jealous. Its co-creators Jad Abumrad and Robert Krulwich have digested all the storytelling and production tricks of everyone in public radio before them, invented some slick moves of their own, and ended up creating the rarest thing you can create in any medium: a new aesthetic. Take the opening of their show on the mathematics of random chance, stochasticity. The first aesthetic choice Jad and Robert make is that they don’t say you’re about to listen to a show about math or science. They don’t use the word stochasticity. They know those things would be a serious turn off for lots of people. In doing this, Jad and Robert sidestep most of the conventions of a normal science show – hell, of most normal broadcast journalism.