Stephen Colbert dressing for a rehearsal of “The Colbert Report.” More Photos » There used to be just two Stephen Colberts, and they were hard enough to distinguish. The main…
PUBLISHED: Jan. 4, 2012
LENGTH: 22 minutes (5654 words)
Stewart isn't just being a bully here. He is being disingenuous, and he knows it. Worse, he's tapping into the collective fantasy without knowing it. He's the gunslinger saying he's going back to the farm while at the same time putting notches in his belt. More precisely, he's the presumptive Edward R. Murrow saying that he'll go back to comedy once he cleans up journalism. But he can't go back. He can't go back to the pleasures of fart jokes and funny faces — the pleasures of comedy — because he's experienced the higher pleasure of preaching to weirdly defenseless stiffs like Jim Cramer. He's saying once again that he's outgrown comedy and is no longer a comedian. But he's not saying what he actually is, because then he'd be judged. And Jon Stewart, to a degree unique in the culture, exists outside the realm of judgment.
“Federal Standard 595—Colors Used in Government Procurement” has its roots in World War I, when in 1918 Bulletin No. 90 of the General HQ of the American Expeditionary Force established a color identified as “olive drab” as the official shade for tactical vehicles, though what exactly those words indicated was a subject of some confusion. In 1917, the manual for the Quartermaster Corps had defined olive drab as a combination of ochre and black pigments, though it did not mention a specific ratio, nor did it indicate which manufacturer’s pigments were best suited for the job.