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Beat By Dre: The Exclusive Inside Story of How Monster Lost the World
There's never been anything like Beats By Dre. The bulky rainbow headphones are a gaudy staple of malls, planes, clubs, and sidewalks everywhere: as mammoth, beloved, and expensive as their namesake.…
AUTHOR:Sam Biddle
SOURCE:gizmodo.com
PUBLISHED: Feb. 7, 2013
LENGTH: 11 minutes (2849 words)
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Fear of a Black President
The irony of President Barack Obama is best captured in his comments on the death of Trayvon Martin, and the ensuing fray. Obama has pitched his presidency as a monument to moderation. He peppers his…
AUTHOR:Ta-Nehisi Coates
SOURCE:www.theatlantic.com
LENGTH: 37 minutes (9488 words)
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Director's Cut: Hunter S. Thompson's 'The Kentucky Derby Is Decadent and Depraved'
Looking back on Hunter S. Thompson's classic work of gonzo journalism:
"The telephone rang at Warren Hinckle's San Francisco home at about 3:30 in the morning on Wednesday, April 29, 1970. When Hinckle picked up the receiver, he heard the unmistakable voice of Hunter S. Thompson, calling from Aspen, proclaiming, "Goddammit, Scanlan's has to cover the Derby. It's important."
The pitch, even at the late hour and the late date (barely 72 hours before the race itself), was fairly irresistible.1 Send Thompson, still finding his distinctive voice in countercultural journalism, to his hometown of Louisville to cover the drunken, debauched scene at Churchill Downs for Scanlan's, the anti-establishment (some would say subversive) monthly magazine for which Hinckle was co-editor.
Hinckle agreed on the spot, booked Thompson a ticket, wired him expense money, and then set about finding an artist to provide illustrations for the story. Originally, he had hoped to send a photographer to shoot the event, but after haggling with Thompson, he instead hired the English illustrator Ralph Steadman."
"The telephone rang at Warren Hinckle's San Francisco home at about 3:30 in the morning on Wednesday, April 29, 1970. When Hinckle picked up the receiver, he heard the unmistakable voice of Hunter S. Thompson, calling from Aspen, proclaiming, "Goddammit, Scanlan's has to cover the Derby. It's important."
The pitch, even at the late hour and the late date (barely 72 hours before the race itself), was fairly irresistible.1 Send Thompson, still finding his distinctive voice in countercultural journalism, to his hometown of Louisville to cover the drunken, debauched scene at Churchill Downs for Scanlan's, the anti-establishment (some would say subversive) monthly magazine for which Hinckle was co-editor.
Hinckle agreed on the spot, booked Thompson a ticket, wired him expense money, and then set about finding an artist to provide illustrations for the story. Originally, he had hoped to send a photographer to shoot the event, but after haggling with Thompson, he instead hired the English illustrator Ralph Steadman."
AUTHOR:Michael MacCambridge
SOURCE:www.grantland.com
PUBLISHED: May 4, 2012
LENGTH: 36 minutes (9079 words)
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