Longreads

It's a glorious thing, hearing Eddie Murphy say "fuck" again. Few people ever said it better – and down here in the basement of the stone-and-marble mansion he built on a Beverly Hills cliff, it's coming from his lips often enough to make Shrek blush. "Come on, motherfucker," Murphy shouts, over the throb of James Brown's "Hot Pants" on a formidable sound system.

The motherfucker in question is a bowling ball, which is speeding down the center of one of the two polished lanes of the alley Murphy keeps here, along with an arcade full of video games and a blue-lit "club room," inspired by a similar space in his new friend Brett Ratner's house. Hanging in a corner, above an electric keyboard, is Ernie Barnes' iconic painting Sugar Shack – as seen on the cover of Marvin Gaye's I Want You and in the opening credits of Good Times. It is, of course, the original.

Remembrances of the first year of high school, and advice for getting through your own, from some of our favorite grown-ups. Joss Whedon: "Rule One: DON’T BE LIKE THEM. I knew I was going to be mocked as an outsider and a weirdo, so I established my weird cred before anyone had time to get their mock on. Our study area was a great room ringed by tiny wooden cubicles (called 'toys,' in both the plural and the singular—Know Your Notions!), about 50 to a room. On the first day of term I posted a notice outside my toys that was pure nonsense, a portentous abstraction that conveyed the simple message that ridiculing me would not only be weak and redundant, but might actually please me in some unseemly way. As boy after boy read the notice and either laughed or puzzled, I could feel a small patch of safe turf firm up under my feet."